Wave Pictures, released February 2015

A track by track review of Great Big Flamingo Burning Moon, the sixth studio album from Indie trio The Wave Pictures. I am a big fan of the 2013 double album ‘City Forgiveness’ and after a few listens and seeing them live this one is different, but right up there too.

1. Great Big Flamingo Burning Moon. What a great opener, driving bass and drums, surreal and evocative lyric, imagine driving through the desert at night. This track features rhythm guitar from cult artist Billy Childish, the main collaborator and co-writer on this album.
2. I Could Hear The Telephone(3 Floors Above Me). This was the first song played when I saw the band recently, now released as a single. This track highlights the trademark guitar of Dave Tattersall along with some Beatle-esque flourishes and words of minor domestic paranoia. It works its way into your head and stays there.
3. Katie. A solid bass riff from Franic Rozycki, generally a bit heavier and intense, relieved with a bit of glockenspiel. Another two animals in the lyrics, there are a lot on this album…
4. At Dusk You Took Down The Blinds. The title says it all, a quiet love song, gradually turning in on itself. Sparse guitar and light drumming, very effective.
5. All The Birds Lined Up Dot Dot Dot. A rolling bass and guitar and interlocking drum patterns from Jonny Helm. Again the lyric has a feel of (gently) impending doom.
6. Frogs Sing Loudly In The Ditches. Followed by ‘…dragonflies hover overhead’, a title inspired by a mild warning sign at a country hotel! A bit of Half Man Half Biscuit sentiment creeping in here lyrically and plenty going on musically.
7. Sinister Purpose. The first of two cover versions of Creedence Clearwater Revival songs, a rocky edge to this one.
8. Green River. More bluesy this time, with lots of harmonica added to the mood.
9. Fake Fox Fur Pillowcase. Another catchy original, one of my favourites featuring personal insecurities described over big chords and hefty bass and drums.
10. The Fire Alarm. A similar pounding feel to this track, with nightmarish images of nature and instead of the phone ringing it is now the fire-alarm that disturbs.
11. The Goldfish. A superb showcase for the bass, a strong chorus and the singer again mildly tortured, this time by a deserted room and a disquieting fish.
12. We Fell Asleep In The Blue Tent. Juju Claudius adds contrasting backing vocals to this intricate tale of growing up. A summery and nostalgic set of images.
13. Pea Green Coat. The first single from the album, harmonica and sharp chords give it a Wilko Johnson vibe and make the garment in the title sound as cool as it could possibly be.



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