The Blue Moon was the venue for the sold out and highly anticipated Cambridge Indiepop All-dayer, now in its third year. With a tasty line-up of nine bands; songs of relationship angst and elation, protest and politics, set to a DIY soundtrack of jangly guitars and spiky drumming.
Opening the proceedings to an already sizeable audience were Doyouthinkhesaurus?, a four-piece featuring staccato drums and creative bass patterns weaving around fuzzy guitars with fragments of lyrical ideas added to the mix ‘…you’re so underwhelming, how long is a piece of string…‘. ‘Lipstick’ resolves into a singalong chorus while ‘Cross-Words’ is based around one lyric line, noisy interludes and general unpredictability. Excellent sounds at 3pm on a rainy afternoon and all strangely addictive.
Last minute additions to the bill were duo Panic Pocket, a minimal mix of harmony voices, guitar and the only keyboard of the day (a retro mini-Korg) that seemed to produce some mighty, echoing tones. The songs addressed modern life concerns of internet dating, the tedium of the workplace and disappointing relationships; the lyrics were brimming with ideas and references. ‘Don’t Get Me Started’ was a standout track among many others.
Next it was short songs played quickly from exciting Leeds trio Nervous Twitch. With a tight uncluttered sound they are not afraid to draw on great 60s and 70s retro influences, especially on the surf guitar of instrumental ‘Tarantino Hangover’. They pushed the standard three piece instrument line-up in all sorts of directions, featuring fantastic vocals from bassist Erin; energetic but tinged with melancholy on ‘You Don’t Want Me’ and ‘Torment Me’. For me, this band was one of the big highlights of the day.
I fell for the irresistible low-fi jangle of Charmpit when I saw them before at the Leicester All-dayer; and as then their easy stage manner and crowd interaction earns a lot of love for their new summery tracks. You can’t resist a song based around the line ‘I’m in love with the world through the eyes of a squirrel’…
Also previously seen and reviewed on this site, Wolf Girl have a new album out and it made up most of their set. The quartet make an excellent sound with strong, uptempo songs and I particularly like the 60s folkier sound of ‘Dream Partner’.
Named after an amusement park ride, Witching Waves make a big noise (despite no bass player for this show). Opening with the relentless ‘Disintegration’, Emma sings and pounds the driving drum patterns while Mark extracts dense textures and spikes on the guitar.
I have reviewed Mammoth Penguins many times and they never disappoint; songs like ‘Cries At The Movies’, ‘Played’ and especially ‘Strength In My Legs’ sung with feeling by multi-talented Emma Kupa are indiepop perfection and there is a new album due very soon…
Another highlight for me were the excellent Happy Accidents , a power pop trio with an intense, sharp sound that belied some of the wit and comment in the lyrics. Opener ‘Wait It Out’,’Chameleon’ and ‘Different View’ motored along and bristled with energy while ‘Nunhead’ was more of an anthem with the repeated request to ‘….meet me by the cemetery…’.
And finally headliners Colour Me Wednesday, beginning with the majestic ‘Sunriser’, a distillation of many of their distinct facets; world-weary feelings of frustration with a relationship delivered with style by Jen Doveton, fascinating and endlessly varied guitar phrasing from Harriet Doveton and a tour de force drum performance from Jaca Freer. With excellent second guitar and bass the sound is full and rich. Transports of delight driving songs ‘Boyfriend’s Car’ and ‘Edge Of Everything’ sound great too and older track ‘Shut’ is a real crowd-pleaser.
All this and then an indie music disco into the small hours, this Cambridge institution is now a firm fixture on the music calendar….