The Paranoyds – Carnage Bargain, LP released September 2019
The long awaited new LP from Los Angeles four-piece The Paranoyds kicks off with the emergency siren guitar of single ‘Face First’; a dual chord relentless roaring beneath the careless yearning of the vocal. Straight into the super-deep bass of ‘Carnage Bargain’ – with the voice alternating each phrase with an instrumental line and big chorus it is a near-perfect pop song.
‘Girlfriend Degree’ builds on the riff from the Kinks’ All Day and All of the Night with an excellent empowered anthem. My current favourite track is the blast of ‘Egg Salad’; it could be a tuneful song by The Fall. High praise indeed.
After that incredible four track opening the longer ‘Bear’ wanders a bit but ‘Hungry Sam’ restores the tautness and edge, also raising the organ in the mix to great effect, especially in the playout. ‘Courtney’ is a change in direction, a surreal swirling carousel of psych-pop with harmony vocals.
‘Laundry ‘ lasts just over a minute with the literal B-52s ish chorus ‘…I’m doing laundry…’ , leading into the similar ‘Heather Doubtfire’, a strident and noisy many-sectioned opus, with extra energy drumming and a spooky keyboard/guitar outro.
Another favourite for me is finale track ‘Ratboy’, it has the frenzy and psychedelic atmosphere of the faster Doors songs but I could be being hypnotised by the prevalent keys, including an ominously building solo at the end…
The quartet describe their sound as a ‘…sonic balance of jubilant energy and foreboding undercurrents….’ which is a good way of reflecting in the music their explanation of the band name ‘….What isn’t there to be paranoyd about?….’.
Jade Imagine – Basic Love, LP released August 2019
After a tantalising three preview singles Jade Imagine finally release their new album, featuring the thoughtful world-view from Melbourne based singer/songwriter Jade McInally.
Basic Love is a varied collection of styles and ideas brought to life by two guitarists, drums and bass with some synthesiser textures; all analogue instruments for a sensation of warmth and authenticity. This is very evident in opening standout track ‘Gonna Do Nothing’, a meditation on drifting and boredom in a personal and existential sense, always leading to the concluding resignation of the title phrase. The dreamy production casts a sheen over an insistent guitar groove with the bass and drums threatening to overtake all in the end.
The triumphant trio of singles follow; ‘The News’ is as good a summation of our current political and media turmoil that you could expect to hear, ‘Big Old House’ is a seemingly effortless piece of pop built around a simple and very effective drum pattern, and ‘Remote Control’ invites some 80s synth to the party. All good so far, those four would be a top quality EP but this is a proper album with much more to come.
‘I’ll Take You There’ is an expansive and evocative six minutes of atmosphere, with that simultaneous closeness and distance from the listener that The War On Drugs achieve on their best tracks.
‘The Weekend’ is a dark inverse-celebration of time away from work, weaved through with melancholy and realism. A plaintive guitar solo line duels with the vocal at the end. ‘Cut Me Off’ is also delving into dark feelings, with the band in a blurry Cure mode while I particularly like the barely-there guitar lines, bass pedals and sparse drum interjections underneath the soulful vocal in ‘Past Life’.
The final two songs have a mellow, late-night feel (including a saxaphone appearing from nowhere!) memorably concluding this many-layered and rewarding album.
Tacocat – This Mess Is a Place, LP released May 2019
Tacocat release their 4th album ‘This Mess Is A Place’, their first since 2016’s ‘Lost Time’. The LP opens with single ‘Hologram’, a winning and reassuring combination of outsider observations and spiky guitar slices, metronomic drumming and a killer chorus with the reminder ‘….how small are you?…’ when considering the bigger issues of relationships, space and time…
‘New World’ has a great bass driven riff as the drums let loose and a wryly optimistic lyric brings a smile ‘…new world, new shining planet, confetti raining from the sky….’. There is the surreal touch and sentiment of some of Talking Heads later songs to be found here.
‘Grains Of Salt’ was another taster single release for this collection, a funkier groove with a sparkling chorus delivered with style by vocalist Emily Nokes. The wall-of-sound verses of ‘The Joke Of Life’ smoothly drop into a sixties chart-pop chorus as you realise that lyrically there is so much to process and absorb on these superbly structured songs. ‘Little Friend’ jangles along sweetly until hijacked by a suprisingly heavy chorus and slightly sinister middle eight.
And there is much , much more; there are many choruses to be uplifted by and neat words to spot and ponder like ‘…. I saw you in a crystal ball and you were upside down….’. The band are on top form, brilliantly showcased by an energetic, sharp production quality and I can imagine many tracks such as the sparse economy of ‘The Problem’ being a blast of energy on stage.
The final track is the anthemic waltz of ‘Miles And Miles’, a haunting melody and hypnotic swirl of sound which brings this excellent collection to a distinctive end.