Music and lyrics can be many years in the making; this album from Nottingham-based four piece Moscow Circus was mostly written and played live during 1987 to 1991. Finally it has been recorded by the reformed band, giving a neat ambiguity to the title, is it ‘resounding’ down through the years or re-sounding for this new era? The good news is the album sounds fresh and relevant, as well as drawing confidently on its many influences.
‘Timebomb’ is the strong opening song, a mix of unrelenting bass, insistent guitar line and paranoid lyrics. It all motors along like a hybrid of late 80s Bunnymen/Cure/REM which is a good combination. ‘Bleed For You’ is densely worded, as is most of this album, this lyric cleverly showing the power balance in a relationship but not in a direct narrative. There are many well-crafted lines from twists like ‘…you ate my words like you always do…‘ to surreal ‘…I should have worn my other shoes, I can’t reason in these they give me the blues…‘. The track rocks along with a repeating guitar figure. ‘Clarity’ is a quieter piece, with spoken ending ‘…on the continuum between wrong and right…’
My favourite is ‘Princess Rainbow’, a lyrical confection about an imaginary relationship (or is it?) and a hook chorus, reminding me of Robyn Hitchcock on top form. Seeming to usually be the outsider appearing within the song, lead singer/composer/guitarist Jonathan Beckett comes up with some good lines in ‘Snapshot’ (…I need to know I’m not the only human in the race….’).
There are plenty of words to get absorbed in but the music is good too; a sensitive keyboard sound at the end of each section in ‘Wintersong’, blazing rock in ‘Ex Genius’ and swirling psychedelic organ in ‘Coconut Shy’ and ‘Between The Lines’. The album ends with the reflective mood of ‘Chances’, fragmented words over six minutes of dark, brooding drums and guitar.
Patience is a virtue, this album was worth the wait…