Tag Archives: LP

Bouquet Of Dead Crows : Hemispheres Part 1 – Celestial, EP released April 2020

The new album ‘Hemispheres’ (a homage to the classic Rush LP?) from Cambridge “Sci-fi Alt Rock band” Bouquet Of Dead Crows is to be issued in two parts; ‘Celestial’ now then ‘Cerebral’ to follow….

1. Terraformer Scary doom-laden introduction, a barren planetary landscape of distant guitar effects…

2. Before The Storm I think the storm has already arrived at the start of this track, then it goes a bit jazz-influenced interspersed with the heaviness through a packed two and a half minutes.

3. Caged The clear and strong vocal rides over a synthesiser guitar backing, duelling with the threatening purity of the full-on rock sound, suddenly unleashed towards the end of the track.

4. Left To Rot Featuring one of the most dynamic introductions I have heard for ages, this previously released song pushes all before it, with the explosives that this band can unleash with ease. I don’t know how anyone can play the drums that fast. It pauses occasionally with a 70s prog rock interlude.

5. Kaiju Hijinks With the listener exhausted from track 4 this new single maintains the pace and energy. The title refers to the Japanese film genre and the accompanying video stars Godzilla and the unfeasibly powerful Mothra. As the super-deep bass drives the sound the drums and guitar take on the monsters.

6. Hemispheres Martial drumming sits beneath some deceptively gentle verses and noisy prescient chorus ‘….it’s not the end of the world…this time…‘ Trading the rockier conventions for a more anthemic sound, with each of the instruments and voice given a chance to individually shine this is a multi-sectioned complex and rewarding track.

https://www.bodc.live/

Pet Crow : Take the Edge Off, LP released February 2020

Derby based four-piece Pet Crow release a follow up to their 2017 debut long-player ‘A Simple Guide to Small and Medium Pond Life’ and the punching intro to opener ‘Limbo’ is a clear statement of intent. As on all of their tracks the band seem to extract depth and endless variety from the conventional bass/guitar/drums line-up as Danielle’s vocals soar and echo above.
Favourite track of mine and forthcoming single, the lively ‘Insomnia’ is B-52’s in full garage mode, with some of the busiest drumming on the album. ‘NOCD’ is a relentless groove with atmospheric guitar adornments and bass way up in the mix. ‘What We Doin’?’ maintains the power output level with an insistent chorus and unpredictable changes of pace.

‘One Whole Summer’ is a celebratory and creative three minutes with the drum kit flayed until it sounds like it is being thrown down the stairs and features the haunting refrain ‘….we can stay up all night…and the next day is a mess…’. ‘Controlling’ has some sparser passages and strange effects with a playful vocal driving the song. Title cut ‘Take The Edge Off’ is a sub two minute punk burst mainly built around the title phrase and still there are three more tracks to discover (including a surprise appearance of a frantic saxophone on ‘Scars’).

The album features excellent production, successfully capturing a ‘live’ sound – I was lucky enough to see them performing last year when they played a memorable standout set at the Leicester Indiepop half-dayer.

https://www.facebook.com/petcrowband/
https://nosleeprecords.com/
https://cambridgemusicreviews.net/2017/06/14/pet-crow-a-simple-guide-to-small-and-medium-pond-life-lp-released-march-2017/

The Just Joans : The Private Memoirs and Confessions of the Just Joans, LP released January 2020

A welcome and wistful mix of melancholy and fun on the new album from Glasgow indie song-crafters The Just Joans, maintaining the high standard since their formation in 2005. Before you even listen to the songs the titles tell a story…

1. Hey Ho, Let’s Not Go
A burst of brass is used to counteract the ennui as we become more reluctant to make the effort to have a night out when ‘…I’d rather get a takeaway…I’d rather get an early night….’. There is still a regret in the playout, ‘…when we were young we took the bus to town…’

2. Who Does Susan Think She Is? This one rolls along nicely and as in many of the tracks it is a wistful tale of life moving on and the inevitable leavings behind. Great piano solo!

3. Wee Guys (Bobby’s Got A Punctured Lung) A pre-released single; an instrumentally upbeat and succinct commentary on some of the probable mundane reasons for knife crime.

4. Dear Diary, I Died Again Today Katie Pope delivers a touching vocal performance, backed by a string quartet and featuring the memorable couplet ‘…a comment so inept, Frank Spencer would have wept…’

5. My Undying Love For You Is Beginning To Die Definitely one of many highlight of the album, lo-fi synth and percussion for David Pope’s sad reminiscence ‘….once upon a time long gone you held me in your thrall…but now I find I’m less inclined to bother much at all….’. It sort of resolves with the twist of ‘…perhaps that’s why you left two years ago with your new beau…’

6. When Nietzsche Calls A sombre mood pervades this one, but the affecting vocal and distant strings still wins you over.

7. The Older I Get, The More I Don’t Know Opening with ‘…the past has passed me…..the future’s ghastly….’ the song sounds more optimistic than it should be as the driving rhythm section pushes it along.

8. The One I Loathe The Least Lyrically, musically and in the vocal performances this is another big highlight. All together now! ‘….when everyone’s subhuman scum…it’s hard to find some peace…thank heavens I found you…the one I loathe the least…’

9. Another Doomed Relationship
Sounding like an early poppy Depeche Mode single the synths are back for this mini-masterpiece, the narrator knowing that even as ‘…we dream of true love…but the outcome’s the same…..’ that still ‘…. we cling on by our fingertips…’ and ultimately ‘…it’s the hope that kills you…’

10. Holiday Acknowledging the musical influence of Blur in the lyric for this song, this one really hits the sad reality ‘…two weeks in the sun but then you come back and it’s all the same…and you’ve got twelve months to count down again…’

11. People I Once Knew
The strange compulsion to retread the past that started with website ‘FriendsReunited’ set to a sinister clock ticking beat ‘….I’m quite content with my life and how it went…so, why do they call to me? that strange menagerie…’

12. Like Yesterday Again A dark coda to the album; lyrically sparse with lush but lo-fi orchestration ‘…in this room there’s no view…all there is are memories of you…’. A thoughtful ending to a brilliant album.

https://www.thejustjoans.co.uk/
http://www.fikarecordings.com
https://cambridgemusicreviews.net/2016/01/25/just-lovely-split-ep-released-january-2016/

Smoke Fairies, Norwich Arts Centre, 3 February 2020

The city of Norwich is full of historic churches; this church of St Swithin was converted into an Arts Centre in 1980 and won the NME award for best small venue in Britain in 2014. It was the perfect venue for the gothic-folk of Smoke Fairies.

Accompanied by a drummer (and later to join the headliners on bass), John J Presley lets his guitar, bottleneck and deep-toned voice bring the audience into his world. With an echoing guitar sound straining and distorting, his songs use dark riffs on the lower strings on ‘Dance with Me’ and delve into murky blues for ‘On a Sunday’. ‘Left’ was a faster pop-like stomp and I found that the final song ‘Riders’ was a concise movie soundtrack lingering powerfully into the memory.

Smoke Fairies have a very new album out evocatively titled ‘Darkness Brings The Wonders Home’ and that formed the core of their set tonight, brought to life by the atmospheric guitar playing and magical dual voices of Jessica and Katherine. Opener ‘Super Tremolo’ has a tense, urgent structure and immediately all the elements are in place, a firm foundation from bass and drums as the guitars intertwine lines that fade in and out and the double line of vocals power through but float above the song.

Like a dark medieval folk song ‘Out Of The Woods’ is a definite highlight, the melody sounds like it is coming at you through the silvery trees and the harmonies in the chorus are otherworldly and sublime. Older songs such as ‘Summer Fades’ and ‘After The Rain’ from their first LP show how the band has developed to embrace different styles. ‘Left To Roll’ was the slow-burning emotional centrepiece of the show and the paranoid dream of ‘Elevator’ is built round a fuzzy, sinister chord sequence.
The encore featured the dense, complex ‘Feel It Coming Near’ and finally another new highlight, the rocking ‘Chocolate Rabbit’ (‘….you’re hollow inside, you leave me unsatisfied…’)

This is one of my favourite venues and Smoke Fairies are a band who can effortlessly weave their music into the fabric of this ancient building, as their majestic harmonies float up into the vaulted roof…

https://www.musicglue.com/smokefairies/
https://www.facebook.com/John-J-Presley-180387252007865/
https://cambridgemusicreviews.net/2019/08/10/smoke-fairies-out-of-the-woods-single-released-august-2019/


Short Cuts : Three albums from 2019 that deserve another listen….

The Paranoyds – Carnage Bargain, LP released September 2019

The long awaited new LP from Los Angeles four-piece The Paranoyds kicks off with the emergency siren guitar of single ‘Face First’; a dual chord relentless roaring beneath the careless yearning of the vocal. Straight into the super-deep bass of ‘Carnage Bargain’ – with the voice alternating each phrase with an instrumental line and big chorus it is a near-perfect pop song.
‘Girlfriend Degree’ builds on the riff from the Kinks’ All Day and All of the Night with an excellent empowered anthem. My current favourite track is the blast of ‘Egg Salad’; it could be a tuneful song by The Fall. High praise indeed.
After that incredible four track opening the longer ‘Bear’ wanders a bit but ‘Hungry Sam’ restores the tautness and edge, also raising the organ in the mix to great effect, especially in the playout. ‘Courtney’ is a change in direction, a surreal swirling carousel of psych-pop with harmony vocals.
‘Laundry ‘ lasts just over a minute with the literal B-52s ish chorus ‘…I’m doing laundry…’ , leading into the similar ‘Heather Doubtfire’, a strident and noisy many-sectioned opus, with extra energy drumming and a spooky keyboard/guitar outro.
Another favourite for me is finale track ‘Ratboy’, it has the frenzy and psychedelic atmosphere of the faster Doors songs but I could be being hypnotised by the prevalent keys, including an ominously building solo at the end…
The quartet describe their sound as a ‘…sonic balance of jubilant energy and foreboding undercurrents….’ which is a good way of reflecting in the music their explanation of the band name ‘….What isn’t there to be paranoyd about?….’.

https://theparanoyds.bandcamp.com

 

Jade Imagine – Basic Love, LP released August 2019

After a tantalising three preview singles Jade Imagine finally release their new album, featuring the thoughtful world-view from Melbourne based singer/songwriter Jade McInally.
Basic Love is a varied collection of styles and ideas brought to life by two guitarists, drums and bass with some synthesiser textures; all analogue instruments for a sensation of warmth and authenticity. This is very evident in opening standout track ‘Gonna Do Nothing’, a meditation on drifting and boredom in a personal and existential sense, always leading to the concluding resignation of the title phrase. The dreamy production casts a sheen over an insistent guitar groove with the bass and drums threatening to overtake all in the end.
The triumphant trio of singles follow; ‘The News’ is as good a summation of our current political and media turmoil that you could expect to hear, ‘Big Old House’ is a seemingly effortless piece of pop built around a simple and very effective drum pattern, and ‘Remote Control’ invites some 80s synth to the party. All good so far, those four would be a top quality EP but this is a proper album with much more to come.
‘I’ll Take You There’ is an expansive and evocative six minutes of atmosphere, with that simultaneous closeness and distance from the listener that The War On Drugs achieve on their best tracks.
‘The Weekend’ is a dark inverse-celebration of time away from work, weaved through with melancholy and realism. A plaintive guitar solo line duels with the vocal at the end. ‘Cut Me Off’ is also delving into dark feelings, with the band in a blurry Cure mode while I particularly like the barely-there guitar lines, bass pedals and sparse drum interjections underneath the soulful vocal in ‘Past Life’.
The final two songs have a mellow, late-night feel (including a saxaphone appearing from nowhere!) memorably concluding this many-layered and rewarding album.

https://www.jadeimagine.com/

Tacocat – This Mess Is a Place, LP released May 2019

Tacocat release their 4th album ‘This Mess Is A Place’, their first since 2016’s ‘Lost Time’. The LP opens with single ‘Hologram’, a winning and reassuring combination of outsider observations and spiky guitar slices, metronomic drumming and a killer chorus with the reminder ‘….how small are you?…’ when considering the bigger issues of relationships, space and time…
‘New World’ has a great bass driven riff as the drums let loose and a wryly optimistic lyric brings a smile ‘…new world, new shining planet, confetti raining from the sky….’. There is the surreal touch and sentiment of some of Talking Heads later songs to be found here.
‘Grains Of Salt’ was another taster single release for this collection, a funkier groove with a sparkling chorus delivered with style by vocalist Emily Nokes. The wall-of-sound verses of ‘The Joke Of Life’ smoothly drop into a sixties chart-pop chorus as you realise that lyrically there is so much to process and absorb on these superbly structured songs. ‘Little Friend’ jangles along sweetly until hijacked by a suprisingly heavy chorus and slightly sinister middle eight.
And there is much , much more; there are many choruses to be uplifted by and neat words to spot and ponder like ‘…. I saw you in a crystal ball and you were upside down….’. The band are on top form, brilliantly showcased by an energetic, sharp production quality and I can imagine many tracks such as the sparse economy of ‘The Problem’ being a blast of energy on stage.
The final track is the anthemic waltz of ‘Miles And Miles’, a haunting melody and hypnotic swirl of sound which brings this excellent collection to a distinctive end.

https://www.facebook.com/tacocatband

 

Various Artists : Cambridge Calling Volume 4, released 13th December 2019

Cambridge Calling Volume 4 is a new compilation of tracks from musicians based around the Cambridge area, with proceeds going to Emmaus – a charity which aims to reduce homelessness.

1. The Rugs – Blame It On Me Upfront, sparse rocker driven by a guitar counterline and some well-placed handclaps.
2. Colour Sergeant – Now it’s colour Dense ambient layers and creative sampling make a spectral, descending waterfall. A luminous three minutes.
3. ncklcng – Sleeper in the Valley This one is a bit of a grower, busy and accomplished jazz-funk with sax and sharp bass.
4. Kammahav – MLIRIR An acoustic version of the track from their second EP, standing for ‘Modern Life is Rubbish’ and a mystery extra IR? ‘…fields full of skeletons….students on courses reciting white horses….’ populate the lyric as a strong rhythm guitar drives along like Gordon Giltrap’s cult instrumental hit ‘Heartsong’.
5. Luke James Williams – Still In Bed Brilliant song and performance, as previously reviewed on this site ‘…Sung with passion it is a standout track; a simple but stunningly effective ascending and descending guitar line is the only accompaniment to the emotionally raw lyric, coupled with a very attractive melody….’
6. RJ Archer and the Painful Memories – It’s Snowing In Hell As previously reviewed on this site ‘….adding an extra energy to the insistent riff, always returning to that great title line,‘…you tell me that you’re doing well, it must be snowing in hell…..’ With the gradually increasing desolation of the vocal it is a mini Tarantino movie soundtrack….’
7. SENEX IV – Valentine Dark rock from trio drilling deep into the mineshaft of Ziggy Stardust glam overlaid with a lovelorn lyric that doesn’t give up.
8. Moonstrips – Nothing Like You This has the initial flavour of echoey detachment of an early Pink Floyd piece then by adding extra noise to a full dense mix, the trio deliver a powerful rock song.
9. Kyanos – Egypt This four-piece draw on psychedelic and dream-like pop to construct a mainly instrumental piece which after gentle synths and a brief vocal sojourn surprisingly starts to rock out.
10. Cong-Fusion – Turned Tables Jazzy and with an 80s smooth sheen, this is an appealing and spirited pop song, embellished by electric piano, brass and a strong lead vocal.
11. Tribes of Europe – Intermission Sounding like it is straight from an imaginary film soundtrack, full of wide-open spaces and a restrained foreboding.
12. Annie Dresner – Nyack One of the brightest talents on the Cambridge indie-folk scene with a wistful reminiscence set over a gentle guitar and piano.
13. Absolute Beginners – Here Tonight Like a meandering river this sociable folky-rock track flows by and is a bit of a grower, winningly enhanced by the moog synth solo.
14. Pink Lemonade – Space Girl The poptastic trio have a new EP out but this is where their recordings started, as reviewed on this site previously ‘….they were out in the cosmos for two and a half minutes of power pop ‘….surfing the waves of the Milky Way…not your usual Friday, hey!…’, a burst of energy featuring a na na na na chorus, fuzzy guitar and as much outer space terminology as they can cram into the grooves. Follow that!…’
15. Slava B. – Games of System Singer/songwriter from Wisbech, sounding like more than a full band and with very distinctive vocals crossing between doom metal and The Ukrainians.
16. Future Now – Dying Universe Full-on rocker with prog rock storytelling and even though the song has many sections and paces there is no letup in the intensity over nearly seven minutes, good to hear the extended guitar solo ending too.
17. Karalinga – The Old Man Another track that grows in stature with each listen, reviewed on this site previously ‘… Laid-back semi-psychedelia driven along by an amiable saxophone line….’
18. Amethysts – Stones The gorgeous signature track by this soulful electronic duo; the voices, keys and guitar which sounds excellent live have transferred stylishly to this recording.
19. Lo-Grade Lawrence – Purple Pyramid An instrumental featuring dense layers of synthesisers, built around a steadily wandering theme and bass tone, garnished with other-worldly drums and percussion.

https://germanshepherdrecords.bandcamp.com/album/cambridge-calling-volume-4

Various Artists : The Sounds Your Dreams Make, LP released November 2019

Subtitled ‘An Everlasting Compilation’, here is a selection of artists from the Cambridge-based record label…

1. The Jims – The A to Z of You and Me A leisurely instrumental bookend, featuring acoustic guitar, bass and xylophone with a hint of percussion. A dissonant piano interrupts creatively towards the end.
2. Victorian Tin – Silver and Perfume This one is strangely addictive, with shades of 80s cult popsters Japan as it features roving bass slidings and a world-weary vocal.
3. Bug Teeth – Emily A double note on acoustic guitar provides the rhythym and melodic structure of the song as the ethereal vocals enchant for this heavenly two minutes.
4. Karalinga – The Old Man Laid-back semi-psychedelia driven along by an amiable saxophone line.
5. Ivan Campo – Magic A short pastoral interlude. Woodwind and acoustics weave a spell featuring shows and shamen with sinister undertones.
6. Lizard Brain – Am I Just A Dub I haven’t heard one of these for a while, an echong, sparse percussion and bass infused remix of an existing track – this one from the band’s cornucopia album ‘Stray’.
7. A J Jackson – World In A Wheel This is a wandering, speculative track that always returns to the strong hookline. The relaxed vocal delivery and circularity of the song reminds me of 80s pop minor-masterpiece ‘Kiss Me’ by Stephen Duffy.
8. Stenbit – Vanished From Earth Electronic meanderings certainly conjure up a cosmic journey. Meteoric pulsing interjections and a distant phone ringing(?) make it all a bit unsettling.
9. The New Fools – Oh Steven, Why? A fine waltzing Smiths-style song carries a coruscating lyric that acknowledges the impact made by the band before describing the fall from grace of their lead singer.
10. Smoothy – Bad Television A chiming, lingering riff gives shape to the plaintive vocal and sentiments in this thoughtful piece. The bass burrows around under the stately beat as the guitar gradually takes over.
11. Ollie Jackson – Let’s Be Clear One of my favourite tracks on the compilation, a rolling acoustic guitar beguiles under a quietly despairing vocal and affecting melody.
12. Kammahav – I’m Hers, She’s Gone Lovelorn and a bit confused about the loss of a relationship, the narrator sums up the ambiguity over a reassuring acoustic rock background.
13. Captain Crylaugh (featuring Bug Teeth) – We Two Boys Together Clinging Acoustic and electronic loops merge into rewarding strata as Bug Teeth adds the spectral vocal magic again.
14. Schaum – This Film There is plenty of time for the ideas in this carefully constructed track to develop. It could accompany a long aerial view of a city at night in a dystopian black and white movie.

https://www.facebook.com/everlastingrecords/
https://thenewfools.bandcamp.com/album/various-artists-the-sound-your-dreams-make