Subtitled ‘An Everlasting Compilation’, here is a selection of artists from the Cambridge-based record label…
1. The Jims – The A to Z of You and Me A leisurely instrumental bookend, featuring acoustic guitar, bass and xylophone with a hint of percussion. A dissonant piano interrupts creatively towards the end.
2. Victorian Tin – Silver and Perfume This one is strangely addictive, with shades of 80s cult popsters Japan as it features roving bass slidings and a world-weary vocal.
3. Bug Teeth – Emily A double note on acoustic guitar provides the rhythym and melodic structure of the song as the ethereal vocals enchant for this heavenly two minutes.
4. Karalinga – The Old Man Laid-back semi-psychedelia driven along by an amiable saxophone line.
5. Ivan Campo – Magic A short pastoral interlude. Woodwind and acoustics weave a spell featuring shows and shamen with sinister undertones.
6. Lizard Brain – Am I Just A Dub I haven’t heard one of these for a while, an echong, sparse percussion and bass infused remix of an existing track – this one from the band’s cornucopia album ‘Stray’.
7. A J Jackson – World In A Wheel This is a wandering, speculative track that always returns to the strong hookline. The relaxed vocal delivery and circularity of the song reminds me of 80s pop minor-masterpiece ‘Kiss Me’ by Stephen Duffy.
8. Stenbit – Vanished From Earth Electronic meanderings certainly conjure up a cosmic journey. Meteoric pulsing interjections and a distant phone ringing(?) make it all a bit unsettling.
9. The New Fools – Oh Steven, Why? A fine waltzing Smiths-style song carries a coruscating lyric that acknowledges the impact made by the band before describing the fall from grace of their lead singer.
10. Smoothy – Bad Television A chiming, lingering riff gives shape to the plaintive vocal and sentiments in this thoughtful piece. The bass burrows around under the stately beat as the guitar gradually takes over.
11. Ollie Jackson – Let’s Be Clear One of my favourite tracks on the compilation, a rolling acoustic guitar beguiles under a quietly despairing vocal and affecting melody.
12. Kammahav – I’m Hers, She’s Gone Lovelorn and a bit confused about the loss of a relationship, the narrator sums up the ambiguity over a reassuring acoustic rock background.
13. Captain Crylaugh (featuring Bug Teeth) – We Two Boys Together Clinging Acoustic and electronic loops merge into rewarding strata as Bug Teeth adds the spectral vocal magic again.
14. Schaum – This Film There is plenty of time for the ideas in this carefully constructed track to develop. It could accompany a long aerial view of a city at night in a dystopian black and white movie.