A super-long EP or mini-album from East Anglia’s finest power-rock trio Gaffa Tape Sandy. It is a follow-up to their acclaimed collection ‘Spring Killing’ from 2017 and builds on their reputation for brilliant live shows, which has been captured in the excellent ‘as-live’ production here.
After an insightful spoken introduction from young Isaac (‘…banging tunes!!…’), the opener ‘Beehive’ pushes all before it; unbearably catchy vocal lines, a descending chord sequence, an impassioned natural history lyric and guitar noise that could not be bettered. With the flexibility of two strong and contrasting singers the band can keep the momentum going with the excellent ‘Meat Head’, a timely reminder of attitudes to personal rights.
Both of these tracks have been previously released and are familiar live favourites but the newer ‘My Desperate House’ maintains the high standard. After the deceptive calm intro and the band raise the fireworks to full volume there is no doubt that this is another fine tune.
‘Headlights’ has a syncopated, choppy rhythm and with the dual vocals trading exchanges it refers to the mental health issues that cloud the lives of so many people. As on the rest of the album the production and mix on this track blend the basic trio of instruments into something really special.
Departing into the quick waltz time of ‘So Dry’ the band show their prowess when stretched into a song of contrasting light and dark sound levels, as also ‘Dinner Jacket’ which is a more sedate outing…..until the trio suddenly burst into full flight near the end!
‘Turnstile’ has an anthemic quality with explosive drumming and spiky bass playing, then the finale ‘Kill The Chord’ is a protest song about cuts to the arts and the closure of small venues. It is a reminder that the lifeblood of creativity is flowing through the veins of emerging bands, captured at their best in an intimate, packed performance space playing the sort of show at which Gaffa Tape Sandy excel…