Tag Archives: trio

Order Of The Toad : Re-order Of The Toad, LP released 2nd Oct 2020

A track by track review of ‘Re-Order Of The Toad’,  the new album from Glasgow esoteric indie-psych trio Order Of The Toad.

1. Ladys Mantle  Previously released, read about it in detail here

2. Just Because  Mellow pop built around rhythm guitar, a driving middle-eight and the spooky chorus that stays in your head.

3. Rabbets  The tale of Mary Toft, who claimed to be giving birth to rabbits in 1726. The bizarre story, baritone vocal and counterpoint musical complexities make this a great listen.

4. Brintons Marrakech  Possibly a song about a carpet or a Moroccan city or who knows? I like the way the vocals are linked and underpinned by the unrelenting bass and guitar figure.

5. Fabulator  The band draw on that 60s hinterland between prog rock, folk and psychedelia on this album to great effect and this is another track that splices pop into that heady brew too.

6. Slow Ballad 44  Moody and sombre, with unexpected chord changes to keep the listener guessing. Maybe this would be an unpredictable live set opener, pulling the audience into the world of this unique band..

7. Do It With Feeling  Loose, laidback retro type hit with spiky instrumental passages. Sounding simultaneously timeless and modern, it could be nicely covered by fellow psychsters King Gizzard…

8. Lindow Woman  Another historical theme and detailed lyric, this time the narrator inhabits the remains of a body from Roman times found in a peat bog in 1983. Listen, learn and enjoy…

9. Toads Theme  A strange epic duel of character-filled vocals and abrupt, urgent instrumentation. An incomprehensible delight.

10. Mend It  A hippy reverie with a comfortable psychedelic melody and structure, in the middle it breaks up nicely into distorted guitar solos.

11. A Pittance  Like a medieval tale of legendary battle, the marching drums and bass play along under a fine storytelling vocal from Gemma Fleet.

12. Cruise Control  This final track combines many other elements from the album to make a fresh, sparkling punch of pop.

https://www.facebook.com/orderofthetoad

https://recklessyes.com/

http://www.gringorecords.com/

Salt House, Storey’s Field Centre, Cambridge, 15 March 2020

Storey’s Field Centre in the new settlement of Eddington near Cambridge welcomed folk trio Salt House.
The clarity of the acoustics and the lofty church-like structure were an ideal setting for their haunting, celebratory music – conjuring images of stark but beautiful landscapes from the Scottish islands where they record.

Opening song ‘Turn Ye to Me’, “a tale of a baby stolen by a sea monster and replaced by a changeling whilst her mother gathered seaweed” is a new interpretation of an existing poem; immediately the music and voices on this and the following ‘Lay Your Dark Low’ set the tone for the evening. With acoustic guitars, a Gretsch hollow-body electric twelve-string, violin, viola and an indian harmonium the instruments were as lovely to look at as to listen to.

Imagine seeing hump-backed whales and orca off the coast then the northern lights in the sky, top it off by writing the gorgeous ‘Old Shoes’, with its fast guitar picking, relaxed harmonies and a lustrous violin solo and you have a perfect song to go with the ideal day.

Over the course of two sets they played many songs from their 2018 album ‘Undersong’ as well as all the tracks from their new long-player ‘Huam’ (the call of an owl), released at the end of the week. Each song was introduced and explained, drawing the audience into the rewarding layers of this rich musical genre.

The band feature the history and folklore of traditional Scandinavian and Scottish themes such as ‘The Sisters’ Revenge’; an epic seven minutes built around the recurring words ‘…the summer comes the summer goes…the grave of my father green grass grows…’. The words and music built the tension as the title characters prepared for the gory final act ‘…they hacked him into pieces small…’.

There were more contemporary reflections too; ‘All Shall be Still’ ties in the tedium of work routines with thoughts of escape and the timelessness of the natural world, also evoked in ‘Mountain Of Gold’ and ‘Staring at Stars’. Musically there was plenty to gently immerse yourself in but there was also darker, sombre moods such as the hypnotic dream of ‘The Road Not Taken’ with pulsing rhythmic guitar and soaring violin.

It was a warm, flawless and brilliant show.

http://www.salthousemusic.com
https://www.hudsonrecords.co.uk/
https://www.storeysfieldcentre.org.uk/


Gaffa Tape Sandy : Family Mammal, EP released August 2019

A super-long EP or mini-album from East Anglia’s finest power-rock trio Gaffa Tape Sandy. It is a follow-up to their acclaimed collection ‘Spring Killing’ from 2017 and builds on their reputation for brilliant live shows, which has been captured in the excellent ‘as-live’ production here.

After an insightful spoken introduction from young Isaac (‘…banging tunes!!…’), the opener ‘Beehive’ pushes all before it; unbearably catchy vocal lines, a descending chord sequence, an impassioned natural history lyric and guitar noise that could not be bettered. With the flexibility of two strong and contrasting singers the band can keep the momentum going with the excellent ‘Meat Head’, a timely reminder of attitudes to personal rights.
Both of these tracks have been previously released and are familiar live favourites but the newer ‘My Desperate House’ maintains the high standard. After the deceptive calm intro and the band raise the fireworks to full volume there is no doubt that this is another fine tune.

‘Headlights’ has a syncopated, choppy rhythm and with the dual vocals trading exchanges it refers to the mental health issues that cloud the lives of so many people. As on the rest of the album the production and mix on this track blend the basic trio of instruments into something really special.

Departing into the quick waltz time of ‘So Dry’ the band show their prowess when stretched into a song of contrasting light and dark sound levels, as also ‘Dinner Jacket’ which is a more sedate outing…..until the trio suddenly burst into full flight near the end!

‘Turnstile’ has an anthemic quality with explosive drumming and spiky bass playing, then the finale ‘Kill The Chord’ is a protest song about cuts to the arts and the closure of small venues. It is a reminder that the lifeblood of creativity is flowing through the veins of emerging bands, captured at their best in an intimate, packed performance space playing the sort of show at which Gaffa Tape Sandy excel…

https://www.gaffatapesandy.co.uk/

Pink Lemonade : Sugar N Spice, single released January 2019

A belting new single from Cambridge trio Pink Lemonade. On their previous outing the stratospheric ‘Space Girl’, they were out in the cosmos for two and a half minutes of power pop ‘….surfing the waves of the Milky Way…not your usual Friday, hey!…’, a burst of energy featuring a na na na na chorus, fuzzy guitar and as much outer space terminology as they could cram into the grooves. Follow that!

They have – although back to Earth lyrically the energy level has been maintained and probably increased. An insistent guitar line drives the song from the start, introducing a lyric of fitting in and alienation, a story being told over driving drums liberally adorned with cymbals, busy bass and a punchy lead vocal. The rest of the band join in on the vocals for a killer chorus which will lodge permanently in your brain.

The song structure is suddenly disrupted with a surreal spoken and shouted call and response middle eight before we return again to the security of ‘…sugar and spice and all things nice….’. The trio seem to have a gift for writing excellent choruses and as the track goes into overdrive it finally ends with the line ‘…love, love, love makes the world go round…’. Indeed it does, listen and enjoy!

https://www.facebook.com/PinkLemonadeMusicUK/

Carolyn’s Fingers : Her Howl, single released January 2018

Refreshingly new and making an impact on the Cambridge scene, Carolyn’s Fingers (named after a song by the Cocteau Twins) are bringing their original music to life in live performance and now on this sparkling first single release.

‘Her Howl’ is a hypnotic, ethereal journey of the mind, painting an intense, personal picture through words and music of the nature of depression and dark thoughts. The four minutes include so many sections falling into each other; it is as if there are several songs overlapping and one of the great strengths of the piece – there is no room for complacency or background listening here. The audience is drawn in to become part of the band’s private meditation.

Sparse keyboard and subtly programmed percussive glitches weave their way between echoing electric guitar and minimalist bass foundations as the multi-voice layers finally resolve into an a cappella style chorus which disturbingly drifts away taking you with it.

Play their other intricate tracks on SoundCloud, watch their YouTube channel and better still, catch them in live action at the Portland Arms in Cambridge on 18th April…

https://carolynsfingers.bandcamp.com/track/her-howl
https://www.facebook.com/carolynsfingersband/

Psychic Lemon : Frequency Rhythm Distortion Delay, CD released January 2018

Psychic Lemon continue to challenge the senses with this new long-player; their sound has moved on substantially from their first album which now seems almost light and song-based in comparison.
It is an accurate recording of their live sound; as when I saw them perform this album at the Portland in Cambridge last year, comfortably holding their own against headliners Scandanavian psych behemoths Flowers Must Die. In December they were enthralling a freezing crowd once again at Cambridge’s Mill Road Winter Fair, and now here at last is the new album release.

‘Exit To The Death Lane’ begins with moody ritual drums then the layers of guitar and bass creep stealthily in, including some incomprehensible vocal chants. A jarring guitar solo ensures the vibe does not become complacent and at eight and a half minutes there is time for the groove to be fully explored.
The establishment of the rhythmic shape of ‘Hey Droog!’ (the slang term for friend in cult novel ‘A Clockwork Orange’) is pile-driving drum and riff, a distant choir fills in the texture and the effect-laden guitar does the rest before ending the piece in a solo riot of feedback.

‘You’re No Good’ is definitely not the early sixties hit for the Swinging Blue Jeans, but it does have a more sprightly pop touch than what has come before, also with the bonus of a manic saxophone and a bit of singing at the end; this is the nearest they get to their debut album sound. The last two tracks are nine minutes plus; the band have been opening their live sets recently with the paradoxically named ‘Interstellar Fuzz Star’, the fuzz of this celestial object being the guitar effect inextricably pulling the listener towards its gravitational centre. Some impressive bass playing on this track too.
The final track is ‘Satori Disko’, a reference to a state of spiritual awakening, in this case waking to the sound of a hypnotic undulating drum pattern, rock solid bass and a guitarist ripping up the effects pedals and reassembling them randomly.

Overall, listening to this is a unique sensory experience, a combination of you feeling like you are weaving amongst the buildings in a flying car as part of Fritz Lang’s Metropolis or being plugged into the endless pulse of primal signals emitted by distant galactic objects…

Frequency Rhythm Distortion Delay Space Rock Power!

http://psychiclemon.co.uk/