From the angst of the band name to the opening tension of the lyric,‘…tell me I been walking a thin line…and I’ll be towing it as soon as you say…’, R.J. Archer & The Painful Memories are back with a blistering burst of troubled blues rock. Last heard from on their self-titled EP from 2019 (reviewed below) featuring the edgy majesty of lead track ‘It’s Snowing In Hell’, this new release is a forerunner to their delayed debut long-player ‘Hot Mess’.
A punchy, up tempo cut from this Cambridge trio, ‘Who Am I Supposed To Love Now?’ is firmly rooted in the groove of the sort of cool and credible blues-infused record that would appear regularly and successfully in the pop charts of the late 1960s and 70s. It is a summary of lovelorn discontent set to sparse instrumentation, emotionally raw vocals and featuring twisty guitar links, a roving bassline and drums always on the verge of being fully unleashed. And, of course, all in less than three minutes…
A new single from Midlands based singer/songwriter Madison Fiorenza is a welcome slice of bluesy atmosphere, pervaded by a feel of darkening evenings and large open horizons. The delivery and tone of the opening line ‘…I wrap my eyes around you…you look at me like I’m in distress…’ seems to reference the much covered “I Put a Spell on You”, the 1956 classic torch song by “Screamin’ Jay” Hawkins, and immediately draws the listener inexorably into Madison’s world.
The combination of acoustic and echoing electric instruments creates the texture, but at the heart of this track is a carefully structured pop song where the stealthy verses set up a killer chorus ‘…like a fever dream, seeping through the cracks in my quicksand mind…’.
The musicians do a great job of balancing their contribution to the track, but the central vocal performance from Madison is the key as it glows with relaxed emotion, enhanced by some light and airy harmonies in the chorus.
This is an impressive debut from a promising new talent.
A track by track review of ‘Lost Soul Music’ from James Brute, the long awaited follow-up to 2014’s macabre percussion and vocal single ‘Bury Yourself’.
1. Again-Again A stately but sinister blues guitar riff marches through the mix marking time like a giant swinging pendulum blade. The desperate vocals from James are a match for this moody music from the five-piece band, especially when the chorus bursts into life.
2. Here She Comes At nearly eight minutes this movie soundscape takes plenty of time to build the atmosphere and when the opening lines finally arrive ‘…I feel like Don Quixote…taking on the windmills in my mind…’ memories of the two albums by previous band The Brute Chorus are evoked with their lyrical density and plethora of references.
Like the classic desert horizon movie scene in Lawrence Of Arabia it is all in the anticipation of the arrival of the enigmatic figure and the gradually building power of the instrumentation.
With impressionistic phrases ‘….she swims among the fishes, she feeds me figs and dates and oranges and plums…..’ and the barely contained fireworks of the band and voice this is a spectacular track.
3. Danielle Opening with a gentle guitar figure and subtle cymbal percussion this meditation revolves around another mysterious character, the quasi-biblical Danielle, ‘….welcome back again, this is the lion’s den you’re walking in….while the others are asleep pull the thorns out of my feet and lead me away….’. It may end well ‘….I think this must be love but I’ve been wrong before….’ but the ominous bursts from the band indicate a darker future…?
4. Archaeologist Blues This loose, strolling blues is a vocal tour de force, packed full of imagery and ideas, namechecking cultural touchstones ‘….Time Team and Indiana Jones….‘ along with some sharp one-liners ‘….I’ve traded honey for a bee sting….‘ always leading to the haunting hookline ‘….give me one second I will try to reveal it….‘.
The band are given a real chance to shine around a guitar solo in the second part of the song before the vocal finishes abruptly, bringing this excellent EP to an end.
A new EP from Cambridge bluesman Richard Archer, a favourite on this site and now recording as the trio R.J. Archer & The Painful Memories, bringing the welcome addition of a neglected style to the Cambridge music scene.
1. It’s Snowing in Hell A song that first surfaced on his 2017 EP, this is now given the full band treatment, adding an extra energy to the insistent riff, always returning to that great title line,‘…you tell me that you’re doing well, it must be snowing in hell…..’ With the gradually increasing desolation of the vocal it is a mini Tarantino movie soundtrack. Roger James on bass and Ben Kingsbury on drums make their presence felt at the end of this excellent track.
2. Bad Guys Always Win A more free-form track with RJ’s best vocal performance and lots of instrumental embellishments and nuance. The lyric is of course a tale of woe but with a twist away from the personal heartache to more general and bleak regard of the human condition ‘……comeuppance never comes along and where it’s gone nobody knows….they used to end up in jail, now it seems they can’t fail…‘.
An anthem for our mixed-up times…
3. In The Wrong The other two tracks were sparser in their sharpness; this one is full-on blues rock with unashamedly distorted guitar smeared across the mix creating a triumphant ‘as-live’ sound. The powerfully delivered declaiming lyric pulls no punches in its meaning, ‘….you’re in the wrong, there will be hell to pay….’.
A speeded up ending reminds us that there is something invincible and addictive about a bluesy rock trio in full flight.