Tag Archives: acoustic

Léanie Kaleido : How to Weigh a Whale Without a Scale, LP released March 2021

Singer/songwriter Léanie Kaleido released her debut album ‘Karamelien’ in 2005, ‘Quicksands and Shadows’ in 2014 and now this enigmatically titled new collection.

Her songs exist in a timeless flow of voices and waterfall piano, seeming to sound simultaneously intimate and broad in scope. Opener ‘All The Things I’m Made Of’ illustrates this perfectly as the dual vocal threads its magic through the echoing instrumentation, before returning to the impressionistic piano figure.

The pensive waltz of ‘Nobody’s Hero’ is a poetic character description with a spiralling chorus, then Léanie’s gentle voice reveals the mystery of the title track ‘…..do you really need to analyse…love is love it has no size…its like trying to weigh a whale without a scale…’. Four minutes of musings and meanderings interweave with the cyclical chord arrangement and harp sound to produce an effective and addictively gorgeous track.

I like the pastoral indie-folk sounds of ‘Mr Dragonfly’ along with the retro-fun of ‘Hat Thief’ where the acoustic guitar is to the fore. The emotional core of the album is probably the final two tracks, the heartbreak recollection and assertion of ‘Teapot Girl’ over stately layers of keyboards, followed by the clever melody, lyrical allusions and soaring chorus of ‘Kite String Mantra’.

Like a dense and rich forest it is an album of mystery and romance to completely lose yourself in.

Léanie Kaleido – The world in the back of a spoon (leanie.com)

Harriet Rose : Love Me Like That, single released 5 February 2021

The UK Country/Americana scene continues to flourish, with performers like singer/songwriter Harriet Rose in the vanguard. Her previous single ‘Small Town Chains’ was a positive, rousing anthem – a re-assertion of one of the standard themes of country music; leaving the limitations of hometown roots in pursuit of musical ambition. The confident performance with the storyline brought to life in the accompanying video was a convincing debut.

On her excellent new release ‘Love Me Like That’ Harriet has slowed the pace – with the delicate opening setting the framework of the song ‘…sitting in another bar, waiting for it all to close…knowing that you’re out with her…’. The acoustic guitar is joined by a quietly played banjo and the music moves in and out of an almost full band sound.

It is a sombre song, edged with melancholy and questioning ‘….was there something that I could have done?….’. The carefully placed lines continue to build up in layers, overlapping through the loose melodic structure, as does the varied instrumental backing. Harriet’s plaintive, tender vocal lays the emotion out for all to hear, given a break by a short guitar solo before the song quietens again to make the regrets and emotions of the lyrics crystal clear.

Harriet Rose – Official Website (harrietrosemusic.com)

12 Highlights From 2020 : A Sampler Of The Year. | cambridgemusicreviews

Image
Harriet Rose 13.jpg

CARRON : Borrowed Life, released November 2020

There are two versions of this song from CARRON. The original track released last month is a mellow and soothing electropop track full of rippling arpeggios weaved through ethereal vocals from multi-instrumentalist sisters Méabh & Mella Carron. The keyboards have a significant but not dominant presence, especially when dancing around the bass pedalled notes during the chorus and the key lines ‘…..if I borrowed a life would I question myself….would it change what I felt…’ . There is even a bit of gentle synth soloing before the multi-layer harmonies bring the song to a close.

Now CARRON have re-interpreted their own song for a ‘Live in Lockdown’ alternative. Beginning with a repeated figure like autumnal birdsong the unadorned folk-based combination of violin and piano carries the backing with the subtlest of electric guitar enhancement. The sisters draw true beauty from the melody when singing solo, in unison or with harmonies.

The stripped-back and slowed down mix emphasises the wintery cadences of the arrangement, performed in a candlelit setting it is a gorgeous combination of voices and music.

https://www.carronmusic.com/

Image

Sunflower Thieves : Hide And Seek, single released 29 May 2020

‘Hide and Seek’, is the excellent new song from Leeds Indie folk duo Sunflower Thieves.

Debut single ‘Two Halves’ was a mellow introduction to their work, with a meditative verse giving way to the catchy chorus featuring their spot-on harmony vocals. Follow-up ‘Heavy Weight’ had a distinct melancholy threading through the descending chord sequence and carefully crafted melody and meditative lyrics ‘….what would you do if all the streetlights burned out?…’ resolving into ‘….restlessly waiting for a train….to take away your heavy weight…’.

The band perform live with just acoustic guitar and their luminous vocals but this new track allows other instruments and extra voices to drift in and out, adding subtle multi-layers to the mix. The overall effect is laid back, atmospheric and as summery a sound as you could want. It is a warm and comfortable lyric, evoking reminiscence of younger, less complicated days ‘…..falling asleep in the back of your car… hoping you’ll carry me up to my room…’ , feelings so good that ‘….I don’t want this to end…’.
It is definitely a track to fully immerse yourself in.

This is their third single and you can find other high-quality tracks on YouTube and various radio shows too if you do some searching…

 

https://www.facebook.com/sunflowerthieves/

sunflower theives hide and seek artwork

Josienne Clarke, The Musician, Leicester, 8 March 2020

The Musician pub and venue is hidden away on the edge of Leicester city centre, hosting an extensive programme of live music that crosses the genres.

Tonight the mellow audience welcomed two solo singer/songwriters; first on stage was Autumn Dawn Leader fusing folk and blues as a platform for her very personal lyrics of emotional exploration. Starting at the piano but mostly accompanied by guitar, her vocals fully inhabit the theme of the songs as they move through their thoughtful structure. ‘Bottle’ takes a simple idea and spins it into an impressive ballad, new single ‘Another Year’ is a considered lament for the passing of time, while the much-streamed ‘What It Is’ fuses distant and haunting verses with a powerful and catchy chorus.

Weaving together subtle and varying guitar playing with her mesmerising and pure voice Josienne Clarke makes music of breathtaking beauty, showcased immediately by her opening tracks ‘Seconds’ and ‘The Drawing of the Line’, two highlights from her 2019 album ‘In All Weather’. The lyrics have the timeless imagery of the best folk music ‘…the swallows only sing the summer long…and leaves will turn to ochre in the fall…’ as well as more contemporary themes ‘…I’m leaving London but I might be back….I’ve given him my best years and he’ll never give them back….’.

More experimental tracks such as the song about a song ‘Season & Time’ (‘…this one struggles with structure…it wanders in its rhyme and its reason….’) appear alongside brief ideas and interludes – like the loop-pedalled vocals of ‘Fair Weather Friends’ that we share for less than two minutes and then drifts off hauntingly into the ether. ‘Onliness’ was a fragile and melancholy vignette, ‘Cast In Stone’ was a track that she recorded with previous collaborators Pica Pica and there were new songs too.

In this intimate performance space Josienne effectively communicates and invites the listeners into her musical world, the two sets she played tonight were over all too quickly…

https://www.facebook.com/josienneclarkeHQ
https://www.facebook.com/AutumnDawnLeaderMusic
http://www.themusicianpub.co.uk/

Molly-Anne : Autumn Leaves, EP released December 2019

Issued as a very limited edition, this EP showcases the quieter acoustic side of Gloucestershire folk-country composer, singer and multi-instrumentalist Molly-Anne.

1. Little Cove Starting with a gently weaving guitar arpeggio the vocal appears as if over a distant horizon. The verse resolves into the evocative ‘….and I’ll be yours under the Cornish sun,’til morning comes…’. This track creates the foundation of the atmosphere for the whole EP – spectral, minimalist, beguiling.

2. Against the Tide With slightly more urgency on this song, the guitar figure personifies the flowing water of the title. ‘….I feel I’m swimming against the tide now….I know this world is turning slow now….fear of growing old…’. It is a gentle musing on choices and passing time (and was inspired by Pink Floyd’s classic ‘Time’). A harmonica appears near the end, the only other instrument to feature on this collection.

3. Cold Is the Night Straight into my pick of the year dozen, this is a gem. An understated ballad, the subtle guitar chords waltz along as the yearning lyrics deliver a feeling beyond the poetry of the words. ‘…those flowers on my windowsill, gold as the sun they remind me of you…and I’ve known heartbreak before…and what I wouldn’t give to see you walk through that door, for me…’. Gorgeous.

4. When You Leave Another song that goes straight to the emotional core, a slower meditation on life after loss, also drawing in the passing of the seasons and the slowing down as autumn moves into winter. A beautifully sung free-form melody leads into the haunting chorus ‘… I can’t sleep, the monsters in the night won’t comfort me…’

5. Yellow Sky From the impressionistic title and the moody introduction the fine vocal performance interchanges between light-as-air verses and restrained power in the chorus. Again the autumnal theme of the EP underlies the optimism, with the striking middle eight reflecting the longing at the heart of the song.

https://www.mollyannemusic.co.uk/


Chris Fox : From The Shadows, LP released November 2019

A track by track review of ‘From The Shadows’, the third album from Cambridge contemporary folkster Chris Fox.

1. Bird Of Paradise A likeable and catchy song that Chris has been performing live for a while, a relaxing bluegrassy piece featuring contrasting backing vocals and a subtly cool acoustic ensemble driven by upright bass.

2. Tinseltown This current single is a darkly humerous murder ballad about how a US summer job went awry, ending with the consequences from ‘….paid me a couple of grand to bury a body in the sand…the coyote howled and the owl did screech….’. The narrative motors along smoothly, always returning to the inevitable chorus line ‘….now I’m running from the law…I’m running like I never run before…’ . It is a morality tale to relish.

3. You Helped me through A looser, free-form song with just a gently percussive acoustic guitar and a confiding, emotive vocal reminiscent of the late John Martyn. Excellent.

4. Little Brown Sparrow Inspired by an encounter with a homeless woman, pondering the future and the choices involved on both sides. A sparse guitar figure weaves its spell in the background.

5. Annabelle A song of love and loss, with a strong tune and the words cleverly blending multiple exes into the title character, also deconstructing aspects of the creative process into the lyric and featuring some neat couplets ‘…I wrote a hundred songs about you…did you write one about me?…’.The bass stretches and yearn across the words, as it does on the next track too.

6. I’m in Love with you A highlight of the album, with smooth rhythm from the brushed drums and a violin with a counter-melody giving depth to this lovelorn coffee-themed tale. The harmony vocal from Zoe Wren is just right and the atmosphere created reminds me of the whispering folk/blues of J.J. Cale.

7. The Motivator Blues A change to electric guitar (played by album producer and multi-instrumentalist Dan Wilde) for this 12-bar blues, a burst of positivity and statement of intent.

8. Castaway With the 2000 movie as the inspiration for this gently scored acoustic piece, it extends the metaphor into deeper reflections, with fine voice work from Chris and Zoe.

9. Just a Fool From a slow thoughtful start this expands into a folk anthem as the acoustic chords continue to build. With the topic of unrequited love the lyrics are sombre ‘…I’m just a fool left out in the rain, still I pine for you…‘, but there is still an element of moving on despite this.

10. Who Really Loves you Timely pondering of the genuineness of friends and supporters and who really counts. It is built around a catchy hookline and leaves you thinking as it drifts away through the ether accompanied by a sharp guitar solo.

With 42 shows so far in 2019, Chris Fox is a consummate live performer, either as a solo guitarist or with like-minded musicians. This is a collection of songs that deserve an even wider audience…

https://www.chrisfoxmusic.org/

Luke James Williams : Drove, EP released November 2018

A new EP from Cambridge singer/songwriter/guitarist Luke James Williams.

1. From The Drove A short, multi-textured introduction to the EP, an array of acoustic instruments resolve into a welcoming chord.

2. Snares & Traps This is an intense, poignant ballad of relationship ending, delivered with characteristic emotion and commitment over a sparse, steadily repeating guitar figure. There is a neat waltz time middle eight as lyrical resignation takes over ‘…what have I got to show for it but a box of my broken pride…’

3. Speak To Me A mid-tempo uplifting celebration of affection; catchy chorus too, with a double tracked vocal. Ambiguous imagery pervades the lyric to reflect the positive feelings ‘… I want to hear the rush of life through every melody.. from your thoughts in the hills out through your mouth to me…’

4. Rabbit Hole The previously released single from the EP, this track has more of a band instrumentation. It features an impassioned vocal with a lyric of pleading and desperation always leading to the key line ‘…No I can’t watch you fall down that rabbit hole again and again and again….’

5. Still In Bed Beginning with the haunting lines ‘… I lay trapped in amber.. and you say that I don’t care…’ this very impressive song is the finale to his current live set. Sung with passion it is a standout track; a simple but stunningly effective ascending and descending guitar line is the only accompaniment to the emotionally raw lyric, coupled with a very attractive melody. Towards the end of the song suddenly a distant echoing piano drifts in and then subtly plays along.

6.You Are The Captain A slowed down folk ballad, this wistful, dreamlike piece uses timeless imagery of the sea as the narrator drifts away on the tide. Over the strummed chords and marching drumbeat the resignation and yearning is poetically described ‘…You are the bloodline, I am just bleeding…..all that I wanted was to be there… ‘

This debut EP is an excellent introduction to his music, as evocatively described on his website….‘Light and dark, ugly and beautiful, happy and sad, fearful and brave, the music of singer songwriter Luke James Williams reflects the opposing forces and wonderful chaos of the world around us’

http://www.lukejameswilliams.co.uk/#about

Anna Hester : Towards Today, EP released November 2018

A long awaited second EP of original songs from Milton Keynes guitarist/singer Anna Hester, following up her four track release ‘In The Meantime’ from 2014. An entrancing live performer with just vocals and acoustic guitar; on these tracks her empathetic backing ensemble enhance her pure folk voice.

1. We Can Get Lost A mellow opener, the relaxed backing of the band is a foundation for a lyric celebrating the uplifting optimism of a promising new relationship. Anna’s vocal soars and floats along with some neat self-harmonies.

2. Have We Met A slow ballad, starting with the elegant line ‘…I found your tapestries there in my eyes…’ the listener is invited into a world of abstract melancholy, (creating a similar mood to ‘The Byrds’ on her previous EP, a song that when I first heard it I wrongly assumed it to be a folk standard, such was its timeless resonance). The lyric drifts towards disappointment and betrayal, with some clever musical nuances along the way. A sublime track, my favourite on the EP.

3. Watch The Clock The lead single from this collection, a highlight of her live set. On here Anna embraces an easy jazz/folk styling for a late night middle tempo song of questioning and hope. Combining the seventies instrumentation of ‘Solid Air’ era John Martyn and the lyrical yearning of Nick Drake this standout song is propelled by a loping, sensual double bass and echoing piano hauntingly moving in and out.

4. Towards Today A more conventional song structure with a catchy chorus line. The gentle vocal interweaves with sparkling acoustic guitar arpeggios and a cello counter melody. A subtle end to an EP of quality and richness.

http://annahester.com/

The Sunbathers : A Weekend Away With…., LP released September 2018

Acoustic indie band The Sunbathers release their debut LP ‘A Weekend Away With …..’, featuring a sea-related theme threading through the 15 tracks. As the duo hail from the East Midlands the geographical distance to all coastal areas adds an extra longing in the references to far-off places as the answer to yearnings and melancholic reflections. Beginning with wave and gull sounds the opening track ‘It Doesn’t Matter If It Rains’ sets the tone of wistful nostalgia explored in later lyrics.

The instrumentation consists of Paul’s sparkling acoustic guitar, with delicate arpeggios and multi-layered harmonic structures. An occasional ukulele and percussion fades in at times, with a melodica giving a reassuring DIY simplicity too on ‘Big Boy Now’ and ‘Shifting Sand’. The chance meeting in ‘If Only’ is a sad lament for a past relationship possibly given new life by a day at the sea, ‘…the wind sweeps in across the bay and takes my breath away and I’m willing you to stay…’.

The waltz time of ‘Girl You Left Behind’ gives an upbeat musical gloss to a brilliantly restrained lyric of disappointment, delivered with subtle emotions by vocalist Julie.
‘Don’t Go Home’ is a plaintive real-time cry from the heart over shimmering echoing guitar, as on many tracks the voice and music complementing each other perfectly.'(Waiting) For Trains’ is a realistic summary of long-distance relationships ‘…what can I do, now I’m a slave to engineering works at Crewe….I wish that one of us could drive, it might just be the only way our love survives..’ ‘Warmth Of The Sun’ closes the album with some sort of redemption from emotional insecurity, having finally arrived at the sea…

It is a beautiful, involving album to escape into, fragile and carefully crafted. Discovering its quiet secrets was a bit like hearing Nick Drake’s Pink Moon for the first time and I can’t recommend it higher than that.

http://www.thesunbathers.co.uk/