Tag Archives: CD

Chris Fox : From The Shadows, LP released November 2019

A track by track review of ‘From The Shadows’, the third album from Cambridge contemporary folkster Chris Fox.

1. Bird Of Paradise A likeable and catchy song that Chris has been performing live for a while, a relaxing bluegrassy piece featuring contrasting backing vocals and a subtly cool acoustic ensemble driven by upright bass.

2. Tinseltown This current single is a darkly humerous murder ballad about how a US summer job went awry, ending with the consequences from ‘….paid me a couple of grand to bury a body in the sand…the coyote howled and the owl did screech….’. The narrative motors along smoothly, always returning to the inevitable chorus line ‘….now I’m running from the law…I’m running like I never run before…’ . It is a morality tale to relish.

3. You Helped me through A looser, free-form song with just a gently percussive acoustic guitar and a confiding, emotive vocal reminiscent of the late John Martyn. Excellent.

4. Little Brown Sparrow Inspired by an encounter with a homeless woman, pondering the future and the choices involved on both sides. A sparse guitar figure weaves its spell in the background.

5. Annabelle A song of love and loss, with a strong tune and the words cleverly blending multiple exes into the title character, also deconstructing aspects of the creative process into the lyric and featuring some neat couplets ‘…I wrote a hundred songs about you…did you write one about me?…’.The bass stretches and yearn across the words, as it does on the next track too.

6. I’m in Love with you A highlight of the album, with smooth rhythm from the brushed drums and a violin with a counter-melody giving depth to this lovelorn coffee-themed tale. The harmony vocal from Zoe Wren is just right and the atmosphere created reminds me of the whispering folk/blues of J.J. Cale.

7. The Motivator Blues A change to electric guitar (played by album producer and multi-instrumentalist Dan Wilde) for this 12-bar blues, a burst of positivity and statement of intent.

8. Castaway With the 2000 movie as the inspiration for this gently scored acoustic piece, it extends the metaphor into deeper reflections, with fine voice work from Chris and Zoe.

9. Just a Fool From a slow thoughtful start this expands into a folk anthem as the acoustic chords continue to build. With the topic of unrequited love the lyrics are sombre ‘…I’m just a fool left out in the rain, still I pine for you…‘, but there is still an element of moving on despite this.

10. Who Really Loves you Timely pondering of the genuineness of friends and supporters and who really counts. It is built around a catchy hookline and leaves you thinking as it drifts away through the ether accompanied by a sharp guitar solo.

With 42 shows so far in 2019, Chris Fox is a consummate live performer, either as a solo guitarist or with like-minded musicians. This is a collection of songs that deserve an even wider audience…

https://www.chrisfoxmusic.org/

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Psychic Lemon : Live at the Smokehouse, LP released May 2019

Recorded at The Smokehouse, Ipswich’s venue for the discerning listener and pursuer of truth and authenticity in music, here is a new live album from Cambridge-based Psychic Lemon.
This consists of three tracks from their second album ‘Frequency Rhythm Distortion Delay’ (see review below) and two new tunes. The band have dispensed with vocals on this live performance, distilling their psychedelic onslaught into its purest form.
This is clear from the opening ‘Interstellar Fuzz Star’; as the guitar effects go crazy in the first minute like an ending to the track instead of the beginning, but fear not! the drums and bass lay down their groove and propel the sound along at a mighty pace for all of its ten minutes.

Straight into ‘Satori Disko’, a more mellow-ish, languid offering with a looping guitar figure and some extravagant cymbal smashes as the bass spans the octaves. There is a conventional guitar solo too to tempt the palate. Favourite track of mine ‘Hey Droog’ is driven by a pounding drum pattern with some dark choral sounds adding an atmosphere of doom. Like all of their live performances, the music seems to take on a life of its own, the band merely servants of the greater cause.

New track ‘Jonny Marvel at the Milky Way’ is a pastoral interlude, like an instrumental from mid-period Pink Floyd the keyboard provides the texture for grand guitar experimentation over an unhurried rhythm backing. As the atmospheric colours fade away, the finale bursts in; ‘White Light’ is a frenetic work-out – a high energy end to an immersive and impressive performance with the music firmly embedded in the walls of this excellent venue.

http://www.psychiclemon.co.uk/
https://cambridgemusicreviews.net/2018/01/01/psychic-lemon-frequency-rhythm-distortion-delay-cd-released-january-2018/

Jeremy Tuplin : Pink Mirror, LP released 5 April 2019

A track by track review of the excellent new album from Jeremy Tuplin, the follow-up to his debut ‘I Dreamt I Was An Astronaut’ from 2017. With his distinctive voice and gift for words he has produced a heady concoction of attractive music and rewarding and complex lyrics.

1. Can We Be Strangers On this scene-setting opening track a gentle guitar welcomes you into his inverted lyrical world, ‘….secret, don’t tell me your secret, the purpose of a secret is that it is meant to remain a secret…’. Gradually the semi-orchestral sounds threaten to overwhelm the words.

2. Bad Lover Brilliant poppy up-tempo groove, driven by an addictive guitar figure, this was the preview single for this collection. Definitely a highlight, watch the video too with the band artfully succumbing to boredom during the mimed performance.

3. Just Cos Ur Handsome Another jaunty song, full of regret and wordplay, ‘…Too easily confused is the state…Of two hearts that are bound forever….In leather clad daydreams what do you even mean…’. The rhymes and assonance go across and through the lyric lines, as the guitar sparkles over the sympathetic rhythm track.

4. Gaia A paean of praise to planet Earth despite human shortcomings; featuring a series of great rhymes with the goddess’s name ‘…Gaia, D’you ever wish that cosmic rock had just slipped by ya….Guess it’s a risk of being the world’s most frequent flyer…’
The goddess herself makes a vocal appearance part way through. Divine!

5. Pandora’s Box An epic personalisation of the Ancient Greek myth, mixed in with nightmarish imagery and relationship paranoia. The central musical freeform section is unlike anything else on this collection before order and hope is restored. (although of course ‘…they say it’s the hope that kills you…’)

6. Pink Mirror Thoughtful but inscrutable lyrics on this one as the melody and instrumentation carry it along optimistically.

7. The Machine A bluesy, late night reflection powered by a compulsive bass beat and razor sharp drums. Personal social commentary ‘…Then I think of everything I do, think, feel or see…It barely contributes to the economy…’ as the narrator becomes lost in modern stresses.

8. Love’s Penitentiary This twisted love song opens with the winning couplet ‘….There goes my baby out the door again…She’s carrying my heart in a handbag made of my own skin…’ pulling you in to a lo-fi masterpiece, one of my favourites on the album.

9. Frankenstein Dark and moody, this slow burner features a ringing, roaming guitar and haunting words ‘…You’re like the internet personified but kept under wraps….Concealing the monsters you create ….’

10. Break Up
Neat and sparse musically with honest and touching words. ‘…This is it we’ve reached the final threshold….Robotic people with smart telephones….’. The imagery of modern relationships is convincingly tinged with disappointment.

11. Humans This brilliant cinematic song is the centrepiece of the album for me; a winner as it is a ‘list song’ featuring a random cast of people to support the key theme ‘….Humans, I love you….Despite my seemingly best intentions not to….’ The leisurely six minutes is bookended by gentle acoustic guitar and the names range in prominence from ‘…Buddha, Blondie, Dostoevsky…’ to footballer Peter Crouch and the surprising pairing of ‘…George Bush, Kate Bush…’. Impressive indeed.

12. The Beast A quiet end to the LP; an ode to escape and realisation ‘…I’ve been lying to myself, living through a telephone…For once I’m gonna listen to my mother and wear that warm coat she bought me…..’ With just guitar arpeggios it is one of the loveliest melodies on the album reminiscent of a hidden gem on an Edwyn Collins solo disc.

http://www.jeremytuplin.com/
http://www.trappedanimal.com/

The Twilight Sad : It Won’t Be Like This All The Time, LP released January 2019

The fifth album from The Twilight Sad, prime exponents of big sweeping soundscapes and playing out of emotional traumas. Describing themselves as a ‘…Scottish band who enjoy making miserable music…’ they share some musical territory with the Cure, including support slots on their tours and a Robert Smith vocal cover on one of the Sad’s best songs ‘There’s A Girl In The Corner’.

Everything is in place on this new collection; illustrated perfectly in the first song (10 Good Reasons For Modern Drugs) from the opening line ‘…we’re hanging on by a thread and you keep bowing your head…’ to the big glorious sound when the full band kicks in. There are many cryptic titles along the way such as ‘Shooting Dennis Hopper Shooting’ with one of the heaviest introductions to a percussion driven piece. ‘The Arbor’ is dark and thoughtful, with a repeating guitar triplet figure and super deep bass. ‘VTr’ was a trail single for this album; an uptempo almost optimistic sounding song with one of the best vocal performances on this album.

‘Sunday Day13’ is a slower impassioned track ‘…will you always be mine?…please don’t ever change your mind…’, heart wrenching lines over mixed keyboard backing.
The echoing piano drifts away to herald another previous single ‘I’m Not Here (Missing Face)’, an epic, unrelenting pulsing rhythm, sustained guitar notes and a catchy but pessimistic hookline with various versions of ‘…I can’t stand to be around you any more….’. The sentiment continues in ‘Auge/Maschine’ ‘…I can’t believe you’re happy…’, a brilliant song powered by huge skysaw guitar. ‘Keep It All To Myself’ is a lighter, quick waltz and probably the most immediate song on the LP.

And there are three more excellent tracks too; it is a superb collection, an intense, demanding listen in one go but unearthing treasures and extra depth as you accept it into your consciousness.

http://thetwilightsad.com/

Faeland : All My Swim, LP released January 2018

This is a very impressive debut from Bristol contemporary folk band Faeland, an acoustic collective led by songwriting duo Rebecca Nelson and Jacob Morrison.

Opener ‘Too Much’ starts quietly before a distinctly celtic instrumentation broods mysteriously underneath Rebecca’s vocal stylings, her voice being one of the huge strengths of this disc. Released as a single, ‘We’re Just A Love Song’ is a sprightly but sad tale about the destiny of a relationship, ‘Prayer Song’ is layered vocals and atmosphere with a clarinet adding to the texture.

A shimmering harp sound on ‘All My Swim’ makes this transformative track even better, as the narrator becomes one with the flowing river. ‘Chantress’ is a more traditional folk sound, with accordion joining in too. And there is much much more, including my personal favourites ‘Strings’, with beautiful voice and elegant acoustic guitar figures and the sparse strumming and lyrical nostalgia of ‘To The Green – Live’.

Highly recommended, fifty minutes of gentle, carefully-crafted quality sounds. It is an album to escape into and become part of; somehow it seems removed from the normal time stream….

http://faeland.co.uk/

Psychic Lemon : Frequency Rhythm Distortion Delay, CD released January 2018

Psychic Lemon continue to challenge the senses with this new long-player; their sound has moved on substantially from their first album which now seems almost light and song-based in comparison.
It is an accurate recording of their live sound; as when I saw them perform this album at the Portland in Cambridge last year, comfortably holding their own against headliners Scandanavian psych behemoths Flowers Must Die. In December they were enthralling a freezing crowd once again at Cambridge’s Mill Road Winter Fair, and now here at last is the new album release.

‘Exit To The Death Lane’ begins with moody ritual drums then the layers of guitar and bass creep stealthily in, including some incomprehensible vocal chants. A jarring guitar solo ensures the vibe does not become complacent and at eight and a half minutes there is time for the groove to be fully explored.
The establishment of the rhythmic shape of ‘Hey Droog!’ (the slang term for friend in cult novel ‘A Clockwork Orange’) is pile-driving drum and riff, a distant choir fills in the texture and the effect-laden guitar does the rest before ending the piece in a solo riot of feedback.

‘You’re No Good’ is definitely not the early sixties hit for the Swinging Blue Jeans, but it does have a more sprightly pop touch than what has come before, also with the bonus of a manic saxophone and a bit of singing at the end; this is the nearest they get to their debut album sound. The last two tracks are nine minutes plus; the band have been opening their live sets recently with the paradoxically named ‘Interstellar Fuzz Star’, the fuzz of this celestial object being the guitar effect inextricably pulling the listener towards its gravitational centre. Some impressive bass playing on this track too.
The final track is ‘Satori Disko’, a reference to a state of spiritual awakening, in this case waking to the sound of a hypnotic undulating drum pattern, rock solid bass and a guitarist ripping up the effects pedals and reassembling them randomly.

Overall, listening to this is a unique sensory experience, a combination of you feeling like you are weaving amongst the buildings in a flying car as part of Fritz Lang’s Metropolis or being plugged into the endless pulse of primal signals emitted by distant galactic objects…

Frequency Rhythm Distortion Delay Space Rock Power!

http://psychiclemon.co.uk/

12 Highlights from 2017 : A Sampler of The Year

A distillation of tracks taken from some of the memorable albums and shows of 2017…

1. False Hearts: Cynical Love
Belting rock song, takes your breath (and ears) away

2. Luna Falls: Falling To Pieces
Three part harmonies, acoustic guitars and a gorgeous descending chord sequence chorus. Sounds great live too.

3. Tom Robinson Band: Man You Never Saw
Age does not weary the societal condemnation of the ‘Power In The Darkness’ LP, Tom is still loud and proud live.

4. Elma: Butterfingers
Heart-stretching ballad, just perfect.

5. Goldblume: Wisconsin
Live or recorded, Jethro and the boys put on a great rockshow.

6. Hannah Peel: All That Matters
Hypnotic, ethereal gig and plenty of experiment on a multi-layered album.

7. Seán McGowan: No Show
Sterling live support and heir to Billy Bragg, the minutiae and poetry of a zero hours contract in this ode to the minimum wage.

8. Dos Floris: On The Road
Stunning voice and electronic complexity working very well in a live forum.

9. Baby Arms: Eviscerator
The semi-underground DIY scene is home to this gem of a single.

10. Peaness: Oh George
Chester trio turn the mention of an ex-politician into poptastic gold.

11. Dream Nails: Tourist
Scarily good live band, getting their message across in short punk bursts.

12. Public Service Broadcasting: Progress
Surprising choice of theme for the new album, look forward to seeing it all in concert next year.

All tracks featured on…..