There are two versions of this song from CARRON. The original track released last month is a mellow and soothing electropop track full of rippling arpeggios weaved through ethereal vocals from multi-instrumentalist sisters Méabh & Mella Carron. The keyboards have a significant but not dominant presence, especially when dancing around the bass pedalled notes during the chorus and the key lines ‘…..if I borrowed a life would I question myself….would it change what I felt…’ . There is even a bit of gentle synth soloing before the multi-layer harmonies bring the song to a close.
Now CARRON have re-interpreted their own song for a ‘Live in Lockdown’ alternative. Beginning with a repeated figure like autumnal birdsong the unadorned folk-based combination of violin and piano carries the backing with the subtlest of electric guitar enhancement. The sisters draw true beauty from the melody when singing solo, in unison or with harmonies.
The stripped-back and slowed down mix emphasises the wintery cadences of the arrangement, performed in a candlelit setting it is a gorgeous combination of voices and music.
The fourth album from alt-country duo Ward Thomas sees them infusing their sound with contemporary pop to great effect. Opener ‘Sweet Time’ is as uplifting a track as you could hear; especially with the accompanying video of the sisters and friends cycling on a summer day and when they are singing ‘……sipping on champagne stars and slowing down the speed of light…’ all is indeed well with the world.
‘Don’t Be A Stranger’ and ‘Open Your Mind’ keep the pace up but the waltzing ‘Someday’ stops the show. It is a torch song fully using the gorgeous harmonies that roll up to a summit before fading away then reaching the big string-backed chorus ‘….don’t say you love me yet…darling I’m still too scared…’. Gorgeous.
‘Meant To Be Me’ and ‘Hold Space’ are reflections of aspects of current chart pop with acapella interlude ‘Dear Me’ showcasing the voices again. ‘Wait Up’ recalls aspects of their earlier albums sound while full-on Bond theme ‘My Favourite Poison’ is a sweeping strings soundscape.
The last two tracks are quiet and thoughtful with the sisters delicate and gentle harmonies in the forefront of the mainly acoustic backings.
There is more – three bonus cover versions, starting with ‘Halfway’, a rousing duet with James Blunt and a song reminiscent of Ward Thomas crowd pleasers at their live shows. ‘Human’ with Jack Savoretti is a countrified live rendition of The Killers’ song with an angelic vocal arrangement and the finale of Fleetwood Mac classic ‘Landslide’ is as good as a cover of a classic song should be.
A new single from Leeds duo Keep Back Ivy, a follow-up to ‘Read All About It’ released in July. Lyrically that was a critique of the place of media in modern society, reflecting unease through evocative imagery along with sparse and unpredictable guitar.
The new track ‘Make It Right’ is another musical low-fi filmic soundtrack, this time starting the song with moody guitar notes and this dark introduction ‘……you get together in your friendship groups….and talk about all you hate...’
Then the song changes direction and the rhythmic chords lighten the ambience despite the serious messages in the words. Above all it is a plea for understanding of gender diversity and acceptance instead of exclusion, with the atmosphere echoing some of the tone of the previous single.
Trying to resolve the different viewpoints, ‘…we all just want to make it right….but you’re not my sister if you’re telling me what to think or do….you’re not my friend if you’re telling me who else can be my friend….’ leads to a pure, clear and impassioned vocal performance, as the bottleneck electric guitar gently soars and serenades the listener (showcased nicely on the accompanying video).
As if there are three songs in one, this is a complex, rewarding and thoughtful single…
A new EP from UK country-pop duo Ward Thomas, collecting together some recently pre-released songs and a new gem…
1. Hold Space. As reviewed on this site previously ‘… a well balanced union of a melody that holds the song without over-elaborate instrumentation and of course features the sisters’ sparkling harmonies. A straightforward lyric makes the point very effectively as it describes how to be there for someone who may be struggling emotionally…’
2. Someone to Someone. In many ways this is a low key and mellow EP, with an emphasis on acoustic instruments and the controlled expressive power of the vocals to deliver the thoughtful musings. Catherine and Lizzy Ward Thomas are joined on this track by acclaimed singer/songwriter Dan Owen, trading lines and sharing harmonies before building up to the big chorus.
3. Landslide. I have heard many live covers of ‘Dreams’ in recent years but in my opinion this is a superior song from Fleetwood Mac’s 70s heyday. This jewel is a stunning version; vulnerable and melancholic with harmonies that pull every essence of emotion from the lyric and leave the listener overwhelmed. Gorgeous.
4. Painted Legacy. After being turned inside out by the poignant mood of the previous track, this is another subtly restrained but very moving piece. The words express both a specific and generalised meditation on losing a loved one and how their whole life can have so much impact.
It is a lovely gentle melody interweaving with choice lyrical phrases ‘….brings alive my memories of how you spun pure gold out of the dust… I can’t bear to see you go somewhere far where I can’t follow….’. Concise and unhurried this fine song brings the brilliant EP to an end.
‘Hide and Seek’, is the excellent new song from Leeds Indie folk duo Sunflower Thieves.
Debut single ‘Two Halves’ was a mellow introduction to their work, with a meditative verse giving way to the catchy chorus featuring their spot-on harmony vocals. Follow-up ‘Heavy Weight’ had a distinct melancholy threading through the descending chord sequence and carefully crafted melody and meditative lyrics ‘….what would you do if all the streetlights burned out?…’ resolving into ‘….restlessly waiting for a train….to take away your heavy weight…’.
The band perform live with just acoustic guitar and their luminous vocals but this new track allows other instruments and extra voices to drift in and out, adding subtle multi-layers to the mix. The overall effect is laid back, atmospheric and as summery a sound as you could want. It is a warm and comfortable lyric, evoking reminiscence of younger, less complicated days ‘…..falling asleep in the back of your car… hoping you’ll carry me up to my room…’ , feelings so good that ‘….I don’t want this to end…’.
It is definitely a track to fully immerse yourself in.
This is their third single and you can find other high-quality tracks on YouTube and various radio shows too if you do some searching…
Rejoice! the Smoke Fairies are back! After a tour in 2015 with Public Service Broadcasting (and their vocals on The Race For Space album) there was the highly regarded seasonal LP ‘Wild Winter’ and then silence. Now we have the release of a superb new single ‘Out Of The Woods’ with an accompanying video and the hope of more music to come.
With a confident guitar figure in the introduction this track has that brooding, relentless feel of the best of their work, including a lyric loaded with threat and ambiguity, ‘….. Like the tangled roots I grew into you…. in winter’s mires you burn your fires…and you burn me too…’.
Every element is in place; the verses are heavy with melancholy and questioning but it is the harmonies in the chorus that really drive the track along ‘….Out there in the trees…the branches moving…I want to follow you but you cut your path straight through me…’. Sparsely arranged to focus on the hypnotic guitar and unadorned drum beats this distinctive folk-rock soon has the listener under its spell.
The video has the duo playing guitar and running through London Docklands and Epping Forest while a semi-mythical figure blends with the boughs lit only by the occasional sunlight through the trees. All very atmospheric and mysterious, reminiscent of cult eighties movie ‘The Company of Wolves’, illustrating the light and dark of the track perfectly.
The Strawberry Fair – Cambridge’s highly regarded free festival of music and culture is a platform for a huge range of talented acts, many drawn from the local area. Featuring on the Cambridge 105 stage on this still and warm evening, Amethysts are two performers who continue to build a following for their interweaving of ambient, atmospheric electronics with sublime pop sensibilities.
Opening track ‘Stones’ sets up a sparse but smooth rhythm pattern as keyboard loops and embellishments are added by the duo. Creative live guitar parts played by Simon complement the brilliant voice of singer Clarice. ‘How It Is’ has an infectious chorus and some neat vocal harmonies to add to the atmospherics.
Early single ‘My Love’ has now amassed one million streams with its heartfelt lyric and subtle melody. As it was a festival audience the band played a cover; ‘Dreams’ is not my favourite Fleetwood Mac song but there is no doubt that they did justice to the longevity and classic status of this much-loved track with a restrained, echoing instrumentation and powerful vocal.
Recent single ‘Imitate Me’ is more uptempo with some busy percussion loops then the closing ‘Alone’ built up from a distant horizon of sound into a glorious finale with an impassioned emotional message and some bold pulses of electronic punctuation.
As the sun went down the band’s enigmatic and graceful set drifted away over one relaxed corner of the festival site…
(Amethysts will be appearing at The Blue Moon, Cambridge on 27 September 2019)
An excellent new four-track EP from London duo Panic Pocket . Cast adrift through the inconsistencies of modern life the pair sum it all up with dry wit and bittersweet irony tempered with an undercurrent of warmth….
1. The Boss After a harp glissando to start, the usual live line up of lo-fi guitar and mini-keyboard gets a kicking drumbeat and bass too behind the tale of unfair power structures in the workplace. With the cutting ‘…congratulations on your masculine power trip, save me a seat because it looks like I am coming too…’ and ‘…when will you listen to a single word I say, not gonna happen before close of play….’ the only answer to the irritations seems to be in the middle eight; ‘….got my P45, HR was never on my side….’.
Lyrically addictive, the word lines are duetted and interplayed between Sophie and Natalie into a frenetic and sparkling two and a quarter minutes.
2. You Have to Laugh There is a real melancholy underneath this description of non-compatibility and decline in a relationship. It is full of wryly crafted lines like ‘….we’ve been hanging out a while but I’m yet to see you crack a smile….’ as the music strolls along with the analogue keys filling out the sound. The despairing and repeating line ‘….you have to laugh, otherwise I’ll cry…’ sums it all up.
3. Pizza In My Pants Perceptive and fun tune celebrating escape from external pressures to succeed and endless planning ahead ‘….Emma’s got a house in the suburbs, she bought it with her banker husband, wonder if he has a brother?…’ ‘….Hannah’s baby’s due in the summer, she will be a brilliant mother, I’m not fussed about procreation, I prefer my PlayStation…’.
Featuring cool harmonies and percussion the song finally resolves into the defiant ‘…I’m not saving for a rainy day, I’m just doing it my way…’.
4. OK Cupid Another sadder track, the timeless idea of unrequited adoration set into the anonymity of social media. The music is as plaintive as the message, with yearning keyboard lines intertwined with the frustrated vocal.
This may be a low key, lo-fi song but like the rest of the EP it leaves a big impression….
Acoustic indie band The Sunbathers release their debut LP ‘A Weekend Away With …..’, featuring a sea-related theme threading through the 15 tracks. As the duo hail from the East Midlands the geographical distance to all coastal areas adds an extra longing in the references to far-off places as the answer to yearnings and melancholic reflections. Beginning with wave and gull sounds the opening track ‘It Doesn’t Matter If It Rains’ sets the tone of wistful nostalgia explored in later lyrics.
The instrumentation consists of Paul’s sparkling acoustic guitar, with delicate arpeggios and multi-layered harmonic structures. An occasional ukulele and percussion fades in at times, with a melodica giving a reassuring DIY simplicity too on ‘Big Boy Now’ and ‘Shifting Sand’. The chance meeting in ‘If Only’ is a sad lament for a past relationship possibly given new life by a day at the sea, ‘…the wind sweeps in across the bay and takes my breath away and I’m willing you to stay…’.
The waltz time of ‘Girl You Left Behind’ gives an upbeat musical gloss to a brilliantly restrained lyric of disappointment, delivered with subtle emotions by vocalist Julie.
‘Don’t Go Home’ is a plaintive real-time cry from the heart over shimmering echoing guitar, as on many tracks the voice and music complementing each other perfectly.'(Waiting) For Trains’ is a realistic summary of long-distance relationships ‘…what can I do, now I’m a slave to engineering works at Crewe….I wish that one of us could drive, it might just be the only way our love survives..’ ‘Warmth Of The Sun’ closes the album with some sort of redemption from emotional insecurity, having finally arrived at the sea…
It is a beautiful, involving album to escape into, fragile and carefully crafted. Discovering its quiet secrets was a bit like hearing Nick Drake’s Pink Moon for the first time and I can’t recommend it higher than that.
California has always held a semi-mythic status as a destination in pop music, with fine songs from The Mamas And The Papas, Beach Boys, Wedding Present, Gomez and many others.
Now Ely duo Elma have added to the list with an uplifting prelude to their soon to be released album. Although many of their songs and their live shows are just guitar and vocals, here they have gone for a full-band instrumentation with horns, multi-tracking and some sparkling drumming. Starting with some sinister backwards guitar, the main brass-driven riff soon establishes itself as a platform for another strong vocal performance from Ellie Gillett.
Repeated listens reveal more and more neat touches in the excellent production, no doubt with many of the instruments played by Mark Ellis. A spoken middle-eight has that strange guitar sound effect again but then we finish suddenly, the narrator never gets there, maybe never leaves their home town and will unfortunately not find that ‘….our sugar coated dreams will come true….’
Check out the accompanying video too, with faded retro beach and fairground images…