Tag Archives: Panic Pocket

Panic Pocket : Never Gonna Happen, EP released April 2019

An excellent new four-track EP from London duo Panic Pocket . Cast adrift through the inconsistencies of modern life the pair sum it all up with dry wit and bittersweet irony tempered with an undercurrent of warmth….

1. The Boss After a harp glissando to start, the usual live line up of lo-fi guitar and mini-keyboard gets a kicking drumbeat and bass too behind the tale of unfair power structures in the workplace. With the cutting ‘…congratulations on your masculine power trip, save me a seat because it looks like I am coming too…’ and ‘…when will you listen to a single word I say, not gonna happen before close of play….’ the only answer to the irritations seems to be in the middle eight; ‘….got my P45, HR was never on my side….’.
Lyrically addictive, the word lines are duetted and interplayed between Sophie and Natalie into a frenetic and sparkling two and a quarter minutes.

2. You Have to Laugh There is a real melancholy underneath this description of non-compatibility and decline in a relationship. It is full of wryly crafted lines like ‘….we’ve been hanging out a while but I’m yet to see you crack a smile….’ as the music strolls along with the analogue keys filling out the sound. The despairing and repeating line ‘….you have to laugh, otherwise I’ll cry…’ sums it all up.

3. Pizza In My Pants Perceptive and fun tune celebrating escape from external pressures to succeed and endless planning ahead ‘….Emma’s got a house in the suburbs, she bought it with her banker husband, wonder if he has a brother?…’ ‘….Hannah’s baby’s due in the summer, she will be a brilliant mother, I’m not fussed about procreation, I prefer my PlayStation…’.
Featuring cool harmonies and percussion the song finally resolves into the defiant ‘…I’m not saving for a rainy day, I’m just doing it my way…’.

4. OK Cupid Another sadder track, the timeless idea of unrequited adoration set into the anonymity of social media. The music is as plaintive as the message, with yearning keyboard lines intertwined with the frustrated vocal.
This may be a low key, lo-fi song but like the rest of the EP it leaves a big impression….

https://www.facebook.com/panicpocket
https://panicpocket.bandcamp.com/

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Indiepop Half-dayer, Firebug, Leicester, 9 March 2019

A shorter version of the much-loved Indie day at Leicester city centre venue The Firebug, with a quintet of fine acts in an ideal venue.
First on were Boarder, a power trio establishing themselves locally. With guitar fuzz and echo driving the sound, super-deep bass and merciless drumming they were a gale-force of stimulating noise. Their recorded work is at an early stage but especially the slower ‘End Of The Day’ and their first single ‘Black Hole’ sounded full of potential.

Low-fi duo Panic Pocket performed sharp and ironic personal tales, bringing the audience into their world. The subtle guitar and mini analogue keyboard interweaved with the dual vocals and concise evocative words like ‘…you left me all alone in the dark……I walked home, via Morrison’s car park…’, from ‘Don’t Get Me Started’. They celebrate mundane ephemera, modern disappointments and on the lead track from their forthcoming EP ‘The Boss’, the pointless stresses of the workplace. Excellent.

I first encountered Derby quartet Pet Crow when they released their debut album https://cambridgemusicreviews.net/2017/06/14/pet-crow-a-simple-guide-to-small-and-medium-pond-life-lp-released-march-2017/ and finally I get to see them on stage. Their live sound is a perfect balance of aggression and restraint; the luminous, compelling vocals sound like they are from a alternative universe sometimes aligning with ours as the three musicians hammer their instruments at a hyperactive work rate, as well as painting light and shade. I really enjoyed this brilliant set, especially the strangeness of ‘Harold And Maude’.

Wolf Girl played a fine set drawn mostly from their second album, along with oldie ‘Middlesexy’. ‘Moody’ is a strong opener, showing how the band use their twin guitarists and vocal layers to create a full power-pop sound. ‘Dream Partner’ is a retro treat, ‘This One Summer’ is a holiday hit while the bass driven ‘Maths In The Real World’ gives way to a killer chorus. ‘Samson’ is sparse, sharp and hypnotic with a catchy chorus (‘…Samson, don’t you look handsome…’) that all makes a sort of sense.

Headliners Personal Best are soon to release a new album and several tracks from that were featured tonight, along with ‘Love Is On Your Side’ and ‘This Time Next Year’ from debut LP ‘Arnos Vale’ and 2014 song ‘The Tide’. They are a band with a great strength and depth in song writing who lift their live sound into a punching, sparkling platform for tales of relationship angsts and optimism. Finally the stately descending guitar introduction heralded their anthem of diversity and tolerance ‘This Is What We Look Like’, which grows in stature with every listen, and was the best possible ending to the show.

https://boarder.bandcamp.com/
https://panicpocket.bandcamp.com/
https://petcrow.bandcamp.com/
https://wolfgirlband.bandcamp.com/
https://www.facebook.com/personalbestrocks
https://www.facebook.com/stnpresents/