Tag Archives: Fightmilk

Fightmilk : Not With That Attitude, LP released November 2018

Following on from two tasty EPs recently collected with bonus tracks onto the compilation ‘Both Types Of Hay Fever’, feisty London four-piece Fightmilk deliver their first full album of guitar power pop…..

1. How You Move On A recent single to preview this new album, the teasing guitar intro heralds a big band crash-in and a tale of relationship failure where the dominant legacy is an ill-judged tattoo. The clever and surprising lyrical trick here is that the inked ‘stupid tree’ design becomes the complete theme of the song, with a fade out of ‘…lasers are painful but I think you need it…’

2. Get A Grip Neat twisty bass work on this companion piece to an arrogant character in an earlier song (‘Jesse’). I greatly enjoy the stop-start middle eight (‘…you’re Twitter famous…whatever that means..’)

3. Lucy Driven by a sustained riff à la ‘Sweet Child O’ Mine’ this is the shortest track; a compact blast with belting chorus and melody, one of Lily’s best vocal performances.

4. Summer Crush It’s that bass again, jumping around under plenty of guitar tricks in this summery anthem with a bittersweet lyrical undertone ‘….a six week sugar rush….‘ that implies it is not all good.

5. Dream Phone ‘… I fell in love at the dial tone…’; beginning with that evocative sound, yes, I probably have fallen in love with this track already, recalling Blondie Hanging on the Telephone and ELO(!) on their Telephone Line. The third of the trilogy of pre-release singles this is a real grower, with pacey backing, great hookline and a strange dreamy atmosphere due to some adventurous electronic drum patterns and echoing guitar.

6. Not Going Anywhere With a superb descending chord sequence, this seems to be an irony-free evocation of childhood insecurities and family life. As on many of these tracks the guitars do so many nuanced but loud twists and turns to make this a great listening experience.

7. Four Star Hotel Trying to rescue a relationship by holidaying in Amsterdam is turned into a tale of regret and paranoia ‘….and all the cyclists were staring…’ (should have come to Cambridge, the cyclists are too polite and reserved to stare…). The nihilistic sentiment is set to a rollicking tune with excellent drumming. This also features another trademark of the band’s vocals, the ‘Greek Chorus’ call and response at the end for emphasis.

8. Over An anthemic love song, straight into ‘…I’m gonna fall for you, over and over…‘ with dense layers of backing, a bit of guitar solo and enormous drums. The repeated overlapping hookline makes the meaning very clear.

9. Solving Crimes In Sweden With acoustic guitar and piano, it is a bit of a contrast on this imaginatively themed opus. Cold climate ‘…five hours of sun a day, we stay in anyway…‘ and escaping into neverending detective work make this scandi-drama sound like an attractive date;‘….this time I’m not coming home, I want to see the snow…’

10. Your Girlfriend Previously released but re-worked for this new album, this musical tour de force is a superb song, stealthy and sinister with minimal verses giving way to a singalong chorus. Dissonant guitar, caustic lyrics in a turmoil of mixed emotion and another fine middle eight, ‘..I don’t have a pencil case but if I did I’d write our names…’. The band are on top form for this epic with another great vocal too.

Currently touring with these excellent new songs (and some oldies too!) the band are a formidable live attraction…

https://www.facebook.com/fightmilkisaband/
https://cambridgemusicreviews.net/2018/06/01/fightmilk-both-types-of-hayfever-ep-collection-released-may-2018/

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Fightmilk : Both Types Of Hayfever (EP Collection), released May 2018

As a prelude to their forthcoming album punk popsters and prime live attraction Fightmilk package together their first two sold-out EPs and bonus tracks…

1. Admin. Stunning opener; the band burst in on top of the guitar fanfare line leading into a frustrating tale of office job pointlessness; ‘…looking for fun where there just ain’t none…’, the words nailing the mood with plenty of dry wit.

2. Jesse. Brooding introduction then springing into life like a 70s Blondie A-side. A stinging demolition of love/hate towards the title character in every phrase of the lyrics.

3. Your Girlfriend. The dissonant guitar figure over minimalist backing is the musical core of this tour de force, it’s a sinister loud ballad, again with a turmoil of mixed emotion that remains unresolved with wry lyrics along the way ‘…I don’t have a pencil case but if I did I’d write your names…’

4. Winter Boy. The tempo steps back up, with a storming vocal from Lily Rae, on repeated listens you pick out the multiple musical twists and turns that are a feature of many of these tracks.

5. Some Boys. One of the bonus tracks but definitely one of my favourites musically, a joyous speedy two minutes with rousing hookline chorus from the rest of the band. There is even a key change to match the gender switch of the lyric.

6. Pity Party. Defined as ‘an instance of indulging in self-pity or eliciting pity from other people’ but actually sounding quite fun here (and on the accompanying video) due to the strength of this song, the lead track on one of the original EPs. The verses build stealthily to the glorious choruses.

7. Bank of Mum and Dad. Combining a Sex Pistols style pounding introduction giving way to the wittiest lyrics of the album with affectionate nods to the foibles of parents (‘….their love is beginning to drive me mad, there’s Antiques Roadshow on a Sunday night….’), as the returning to live at home narrator gets increasingly irked over her now very common plight. Brilliant!

8. Chaperone. Don’t be fooled by the distant piano introduction – this is another two minute blast of assertive raw power with drums to the fore.

9. Nye. A bittersweet acknowledgement that a New Year’s Eve and its party can be a most unrewarding experience. ‘…we get the night that we deserve…who knows the words to Auld Lang Syne?…’. It is a cleverly constructed song, with a winning and intense vocal performance.

10. Nobody Hates You No-one Cares. If ‘Nye’ brings the mood down a bit then this is the antidote; a proper punk anthem (‘…my boyfriend’s rubbish…and the band he’s in is rubbish as well…’). Fightmilk are having a great time on this track, and it is infectious…

I look forward to the new album…


https://www.facebook.com/fightmilkisaband/

Bury Fringe All-Dayer, Hunter Club, Bury St Edmunds, 5 May 2018

Thirty bands across four stages in the welcoming surroundings of the Hunter Club, mainly showcasing performers from the musical cauldron of Bury St Edmunds. Curated by Seymour Quigley, local veteran of many bands including the inestimable and greatly missed Horse Party, a favourite on this site. And he must be congratulated on a superb job; with so much choice and quality on show during the day.

There was a mellow and relaxing start on one of the stages from Alicia Hall and then Robert C Taylor, with subtle acoustic guitar and a mix of covers and own compositions. Cambridge based Lemondaze were a revelation of loud, artful, psychedelic energy. With all the infinite possibilities arising from bass and two guitarists with a mountain of effects pedals, three voices and industrial strength drumming the songs hit and lifted the audience onto another plane for their half hour.

Duo Kulk played the first of two sets, the heavy electric guitar and frenetic drums combination works brilliantly in an intimate venue, with guitarist Thom Longdin down in the audience or roaring some vocals, while Jade Squires pounds the drum kit mercilessly. Back on the ‘Rock Against Racism’ stage we found another intriguingly named duo: Grandma’s Waffle Velocity from Colchester, this time the vocals and unrelenting drums interlinked with an effects-laden bass. The Glitter Shop brought a dream-pop, keyboard driven vibe to the main stage performing some powerful versions of best known tracks ‘Alive’, ‘Fizz and ‘Sleep’. I caught the end of the set by Cambridge trio The Baby Seals, consummate performers with a great sound and stage presence; and also a couple of rapid fire rock-pop songs from SIAH, very well received by the audience.

I was looking forward to Londoners Fightmilk having seen them recently and they certainly didn’t disappoint, with a set drawn mainly from their soon to be released new album the four-piece mesh brilliantly on stage with a wall of noisy mayhem tempered by light and shade in their mix and neat instrumental flourishes. Witty lyrics are delivered knowingly by lead singer Lily Rae and older songs ‘Pity Party’, the stealthy ‘Your Girlfriend’ and the mighty ‘Bank Of Mum And Dad’ went down well too.

While Cambridge trio Goldblume were weaving their magic of edgy blues next door, Bury rockers Tundra thoroughly warmed up the home crowd for the arrival of local heroes Gaffa Tape Sandy, returning from playing in Leeds earlier in the day. Opening with ‘Transylvania’, it was second track ‘Water Bottle’ that sent the faithful into overdrive, with crowdsurfing carrying on through the set, even when the music was briefly interrupted by a charity flexi-disc raffle. The rhythm powered trio make an incredibly full sound and the pace and momentum did not let up throughout, reaching its apex in the majestic ‘Beehive’, a glorious end to a fantastic day.

http://www.gaffatapesandy.co.uk/
https://fightmilkisaband.bandcamp.com/
https://www.facebook.com/TUNDRABANDOFFICIAL/
https://goldblumeband.bandcamp.com/
https://www.facebook.com/SIAHbury/
http://thebabyseals.co.uk/
https://www.facebook.com/theglittershopband/
https://www.facebook.com/Grandmaswafflevelocity
https://kulk.bandcamp.com/
http://www.hunterclub.org.uk/