Tag Archives: Bury St Edmunds

Various Artists : This Is The Sound Of Sugar Town, Vol 2, released July 2017

A new collection from the musical cauldron which is ‘rock city’ Bury St Edmunds, also known as the ‘sugar town’ of East Anglia.

1. Sun Scream – She Strong opener, a powerful riff, some nice ooh-oohs with the vocals and an instrumental spectacular to finish.

2. Cathedrals And Cars – The Concierge This is one of those songs that you think you have heard before (perhaps I have?), always a good sign. With busy guitar lines and a rallying call type chorus, it is raucous and uplifting.

3. Janet Street Slaughter – The Sensitive Side Of Bill Sykes Crazy band name and song title, this is a pounding rocker, the vocalist starts off like Richard Butler of the Psychedelic Furs then loses it in spectacular style at the end.

4. The Wilsons – If It Wasn’t So Soon A fine burst of country-rock, a lyric of desperation leading to the hook line each time. Good ‘as-live’ sound on this one conjuring up the wide-open spaces of the journey narrative.

5. The Cuts – Hometown Punk rock never died; here is the proof. Profane and sort of profound.

6. Gaffa Tape Sandy – L’Appel Du Vide Fresh from an appearance at Glastonbury, this power-pop trio play a noisy and very catchy song named after the syndrome that makes you want to jump off buildings if you look down…

7. Bracken – Slaves Pt II Six and a half minutes of engrossing doom laden rock, with a vocal that is not for the faint-hearted. Whatever happened to Pt 1?

8. Horse Party – Looking For Life I love and miss Horse Party who are sadly no more; they were a superb explosive band live and recorded. This song showcases their mellow and mysterious side.

9. Suburban Minds – Sun Break A pulsing drum-driven power waltz at times dense then sparse with emotive vocal.

10. The Virtues – Moon Man
A bit of psychedelic-edged rock with a winning chorus and energetic instrumental break. Great bass sound!

11. Jack Rundell – Wicked Words ’21st Century singing cowboy’ and obsessive Hank Williams fan (read the tribute on his website) lightens up the album with this warm and cleverly crafted lo-fi track.

12. SIAH – Susie Smokes A swaggering belter of a song from the this four-piece fuzzy guitar combo but I still can’t work out the band name?

13. Tundra – Vacation(Cheer Up Chuck) With a raw recorded sound and a simple chord structure this garage band track pulls you in. A gratifyingly loud guitar crashes into the mix near the end.

Many of these fine performers can be seen at the Hunter Club alternative music nights run by local promoters ‘Washing Machine’, see you there!

https://repeatfanzine.bandcamp.com/album/this-is-the-sound-of-sugar-town-volume-2
http://www.washingmachinebse.co.uk/
http://www.hunterclub.org.uk/

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Billy Bragg And Joe Henry, Apex, Bury St Edmunds, 15 November 2016

From Billy Bragg’s website….”In March 2016 Billy Bragg and Joe Henry, guitars in hand, boarded a Los Angeles-bound train at Chicago’s Union Station looking to reconnect with the culture of American railroad travel and the music it inspired. Winding along 2,728 miles of track over four days, the pair recorded classic railroad songs in waiting rooms and at trackside while the train paused to pick up passengers.”

Now touring the resulting LP, the show begins with the intrepid duo performing ‘Railroad Bill’, ‘The L&N Don’t Stop Here Anymore’, ‘Waiting For A Train’ and other timeless Americana, along with plenty of anecdote and musings in the week following the American election. Their voices blend well, with Billy Bragg’s deeper tones and musically Joe Henry adds some extra guitar flourishes which he then showcases more in his five song solo section.

After the interval it is Billy’s turn for a solo spot, ‘Between The Wars’, ‘Help Save The Youth Of America’ (of course!), ‘Power Of The Union’, classics all. (Unfortunately no ‘A13, Trunk Road To The Sea’ which may have fitted the travelogue mood?!)
As Billy and Joe were reunited for the rest of the railway album it is clear how much of a modern message is carried by the words of these old songs (helped by the excellent sound quality in the Apex). Towards the end of the show we also had a gorgeous cover of the classic ballad ‘Gentle On My Mind’ and following a trawl through the songs of Bob Dylan they had decided on a version of one of my favourites ‘Tonight I’ll Be Staying Here With You’.

Contemplative, poignant, downbeat but still optimistic and celebratory, the audience left having witnessed a unique evening of performance.

http://shinealight-joehenry.billybragg.co.uk/

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Half Man Half Biscuit, The Apex, Bury St Edmunds, 12 June 2015

‘At DFS a job I have landed
But I don’t get paid for the first five years…’

If that raises a smile you could be a potential fan of the cult national treasure that is Half Man Half Biscuit. They arrived on stage to the sounds of ‘Summer Is A-Comen In’ from the film The Wicker Man, a tribute to recently deceased actor Christopher Lee and as soon as they started it was clear that The Apex was a fine venue for their show, with good sound quality allowing the words to be heard.

Frontman Nigel Blackwell continues to explore the lyrical backwoods of living in small towns, daytime TV, musical trends, forgotten celebrities and one-time sports stars. His surreal narratives combine astute observations, rants, jokes, absurd wordplay and almost unintentionally end up as social documents of the minutiae of life not recorded elsewhere.

Sometimes more serious subjects are filtered through the same process and make statements about unemployment (‘Turned Up, Clocked On, Laid Off’), mental illness (‘Used To Be In Evil Gazebo’) and death (‘When The Evening Sun Goes Down’). Of course there are the ‘love songs’, she always leaves (with featureless TV Producer Steve… in ‘The Light At The End Of The Tunnel’), or is missing and renders all else pointless (‘For What is Chatteris…’) or there are relationship misunderstandings (‘My Outstretched Arms’).

And there is much much more; celebrate the delights of Korfball in ‘Joy in Leeuwarden’, experience the insomnia of ‘Restless Legs’, recall that BBC 6Music was nearly closed down if it hadn’t been for the campaigning anthem ‘Joy Division Oven Gloves’ and of course relive the anticipation and disappointments of ‘All I Want For Christmas is a Dukla Prague Away Kit’.

In the two hour show early songs from ‘Back In the DHSS’ (their first album and John Peel favourite) went down a storm, as did the newest tracks from current album ‘Urge For Offal’ but their back catalogue is so rich there was plenty else they could have included.

Its not just the words and wit, they are not to be underestimated musically. As a live outfit they are a taut, noisy post-punk riot of guitars, drums and grinding bass. Between songs Nigel holds the crowd with tall tales and reminiscence, handing out luxury backstage crisps and getting the front row to decipher a fake setlist. He is a likeable bloke and clearly still enjoys performing and meeting his audience. It was a brilliant show; they play dates now and then instead of long tours, probably a very civilized way to be?

All together now…
‘For you I’d lose my self-esteem
For you I’d lose my self-esteem
For Crewe I’d use Junction 16…’

http://www.chrisrand.com/hmhb/
http://cobweb.businesscollaborator.com/hmhb/

Horse Party, The Corner House , Cambridge, 20 June 2014

Horse Party are a 3-piece indie-blues band of drums and two guitars, playing a set of confident tunes, mostly taken from their recent album ‘Cover Your Eyes’. The pounding beat of ‘Back to Mono’ opens the set, the guitars overlap well and nobody missed the bass, it was certainly a full enough sound for the appreciative audience in the confines of the Corner House. There is a definite American influence, the guitar notes bend and linger and each song has plenty of time to establish the mood musically and lyrically. A highlight was when sparse arrangements in ‘Six’ gave way to guitar fireworks and inventive drum power, then back again.

Ellie Langley, Seymour Quigley and Shannon Hope are accomplished musicians, based in Bury St Edmunds (once described as ‘the new Seattle’ by John Peel during a previous musical flourishing..) and are important contributors to the resurgence of the local music scene, including their own fanzine and promoting regular music nights. An enjoyable set, I hope to see them again…

https://www.facebook.com/horsepartyparty