A welcome return to Cambridge Junction J1 for the much-loved Half Man Half Biscuit. I saw them last year, reviewed here…
…and it was just as good this time around. Perhaps there was more of an emphasis on the rockier songs, but many of my favourites songs were still in place; the locally lovelorn lyric of ‘For What Is Chatteris’, the musings of mortality of ‘When The Evening Sun Goes Down’ and their tour de force of music and words, ‘The Light At The End Of The Tunnel (Is The Light Of An Oncoming Train)’.
Songs assuring the extended cultural longevity of B-List celebrities were also featured; ‘Bob Wilson – Anchorman’, ‘The Bastard Son of Dean Friedman’, ‘Dickie Davies Eyes’, the nightmarish ‘Gubba Look-a-Likes’ and the sad moments of ‘Tommy Walsh’s Eco House’.
A blasting cover of The Damned song ‘New Rose’ was part of their encore, a super example of how good their band sound actually is, underpinning their unique lyrics…
All together now,
‘I said “Would you like to go the zoo?”, she said “Yeah, but not with you”
Twenty-seven yards of dental floss, but she still won’t give me a smile…‘
Father John Misty arrived at J1 as part of a sell-out UK tour. First onstage was singer Anna B Savage, performing compositions accompanied by her subtle and spacious guitar playing. Opening with cryptically titled ‘IV’ from her debut EP her intense, personal lyrics pulled us into a private world. Background audience noise spoilt the moment a bit but many were appreciative.
Song ‘I’ is a lovely melody over gently picked chords and the more free-form ‘II’ with opening line ‘I will never amount to anything…’ and build-up to an abrupt ending completed the short set strongly.
Father John Misty is the performing name of former Fleet Foxes drummer Joshua Tillman and after showcasing his new sound on the album ‘Fear Fun’ he has now released the highly acclaimed ‘I Love You, Honeybear’. And what an album it is, a lush mixture of folk, rock and country with an overarching and personal theme of falling in love. So how would this transfer to live performance? Brilliantly.
Playing acoustic and electric guitar FJM was backed by guitar, keyboards and drums. From the first (title) track, we were bowled over by the magnetic stage presence and his great singing voice and connection with the audience. ‘Strange Encounter’ echoed the retro western themes played between the acts and ‘True Affection’ is a neat electronica based surprise. ‘When You’re Smiling…’ is a soaring ballad delivered even more powerfully than the album version and was an early highlight among many.
Some of his astute modern life observations were shared with the audience between songs but of course many of the lyrics contain these too, especially ‘Bored In The USA’, a bit of a show-stopper with just piano accompaniment and described tongue-in-cheek as a meta-ballad about despair. During this he used a borrowed phone from the audience for an elaborate selfie/filming session, this ‘special’ moment then absurdly deflated when the phone-owner pointed out it wasn’t recording anyway!
I’m Writing A Novel’ was a country rock rouser then the compact delight of ‘Chateau Lobby #4…’ had the crowd singing. And plenty more…
It was a great show, one of the best I have seen at The Junction in a long while.