Tag Archives: art rock

The Harriets : A Little Something, EP released 7 May 2021

A rewarding new EP from Leeds based The Harriets, the follow up to their 2021 album ‘Hopefuls’, reviewed here

1.Little Something. This timeless and catchy pop single immediately draws you into the band’s world, where the songs are so intricate and carefully layered that they fold in on themselves with ambiguity and nuance, ‘…I’ll write whatever you like….inspired by the things that you like….you only have to say the word…..the stars will come out of the sky….’. The uncluttered musical arrangement elegantly carries the track along.

2. Days Like These. Probably my favourite on the EP, the lush piano and strings orchestration is the platform for an outstanding ballad. The reflective nostalgia of the vocal subliminally interweaves aspects of Lou Reed’s namechecked ‘Perfect Day’ to gorgeous effect.

3. The Lie. Like an excerpt from a low-key stage musical this is a conversational interlude with a loose and intimate jazz tone, built around a recurring piano line.

4. Jessie’s Song. Led by semi-grandiose piano, this is a strangely addictive song, like track one it self referential about the songwriting art ‘…and the words all come out wrong that I have penned…why should I carry on and why pretend…’. The two voices trade harmonies and viewpoints giving spontaneity and surprise all the way through.

5. For You. In contrast to some of the musical flourishes of previous tracks this starts off as a simple and joyous love song ‘….last night you were on my mind….like you are all the time…’ before an extended playout featuring horns, piano, taut drums and percussion, vocal chorus and a guitar solo. All crammed into four minutes it is a rich and satisfying manifesto for the many facets of the band.

Home – The Harriets (theharrietsband.com)

GodNo! : Hulk, single released 3 April 2020

Combining elements of art and math rock the debut single from indie supergroup GodNo! (featuring members of Grawl!x, Pet Crow, Cable, Merrick’s Tusk) was the dissonant ‘Unholy Water’ with its tight, spiky anger loping between a main riff of two chords underneath a sinister double vocal describing the psychoactive effects of alcohol. The satisfying total onslaught sounded like it could fit into an electric version of Brecht/Weill’s ahead-of-their times 1930s theatre songs.

The new track ‘Hulk’ begins slightly lighter, with just drums and sparse guitar before a raw bass joins the party. This instrumental power frames an excellent disconnected vocal from Shelley Jane, with a gradually building level of intensity and tension ‘…. when what I get is the minimum that I expect….’ soon exploding into the searing guitar-led sensational chorus ‘…and being nice won’t save you….my strength is growing all the time…‘.
There are a couple of short instrumental bars but the rhythm guitar continues unrelentingly as the vocal phrases become more dominant, brittle and in the end unhinged ‘…I don’t say sorry for what I do…. I could be nice this is the choice….’ before a final link into the dark but catchy chorus.

This duo of blistering singles should be joined by more releases later this year…

https://www.facebook.com/GodNoBand/
https://recklessyes.com/