Tag Archives: Diving Station

Diving Station : Honey Bees, single released October 2019

‘Honey Bees’ is the new single from indie-experimenters Diving Station and is the latest in a string of high-quality releases.

Earlier this year ‘Film’ was a soundscape of scenes and movements; drawn together by a repeating descending vocal figure underscored by a shifting texture of instrumentations, from loud fuzzy guitar to semi-classical acoustic and of course the signature sound of the Celtic harp (or ‘clarsach’).

Starting with a pulsing bass riff, ‘Honey Bees’ takes the sound of the Manchester four-piece in a different direction. On this excellent new track the percussion of electronic sounding handclaps sounds tense and trying to speed up, but the pace is reigned in by the interweaving bass.

The overall dissonant but dreamlike emotion of the song is mainly caused by the imagery of the lyrics, with the literal or metaphorical appearance of the ‘honey bees’ ‘… my grandma used to put them in a jar, those honey bees……they can smell your fear, those honey bees….’ Even the innocuous ‘…the sweetness at the bottom of the cup….’ sounds sinister in the context of these words.

The cryptic ‘….she was a rose, handled by those….’ is a recurring chorus interlude accompanied by harp mini-waves played by singer Anna McLuckie. Guitar effects float in and out and a synthetic(?) string section drifts on the air in this immaculately crafted single, every element contributing to the whole.

Remember, ‘…..you should warn your friends….about honey bees….’

https://www.facebook.com/divingstationmusic/

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Diving Station : Feather Mouth, EP released December 2018

A new EP from Manchester four-piece Diving Station, an engrossing collection of acoustic and electric soundscapes.

1. You’re Not Listening As a guitar sound arrives from a distance singer Anna McLuckie immediately pins down the sense of the track with her jazzy vocal stylings. The distinctive harp appears after a minute or so, adding an unearthly texture to the constantly changing instrumentation. The other band members drift in and out with vocal and musical contributions to a song that never follows a predictable path.

2. Taking Tongues A beautiful combination of harp and acoustic guitar sets this gorgeous track on its way. Deceptively sailing along on a smooth tide of restrained acoustic folk the rest of the band suddenly crash in with an electric guitar and percussion outburst; even the harp gets aggressive. The calm after the storm is a glorious vocal coda.

3. When I Arrived It Was Raining With a title like the opening line of an inviting novel, this is another track to lose yourself in its many sections and moods. A lyrical evocation of homecoming and longing is at times accompanied by a sparse but always carefully judged instrumentation; impressively towards the end the harp and guitar harmonics create the sound of raindrops…

4. Tour Guide A dream-like and anthemic end to the EP, driven by a sustained and emotional vocal as the band create layers of sound patterns underneath, gradually leading to a gentle play-out as the finale to this fine collection of songs.

https://www.facebook.com/divingstationmusic/

Diving Station : Alice, EP released 2017

This EP from Diving Station has been out a while, but it is still a discovery well worth making. The four-piece from Manchester describe their sound as indie-folk and harp-driven rock with other genres blending in too. The harp features strongly on short instrumental opener ‘Alice I’ with a bold chord entering over the sound of raindrops.

‘Plastic People’ has an alienating lyric over a roving bass and drums with sparkling harp glissandos. A middle section gives way to a repeated chorus line then an enormous electric guitar crashes in and drives the song into a big finish with a gradual drift away. It is full of surprises, as is much of this EP.

‘Turn Off’ is a more conventional rock song, with an irresistible hookline, sung with emotion by main vocalist Anna McLuckie. Another short instrumental, then pivotal song ‘Origami Warfare’ broods and builds over five and a half minutes, drawing the listener into the offbeat lyrical ideas; some fine free-form drumming on this track and that big guitar crashes in again.

‘Drown’ is probably my favourite track, an acoustic and atmospheric duet showing the folk/dream-pop side of this talented band. As the music fades away over the horizon it certainly leaves a lasting impression…

https://divingstationmusic.bandcamp.com/