After the critical acclaim for her debut EP last year, singer/songwriter and electropop performer Hydra Lerna releases a new self-produced single.
The resonant words paint pictures of love and loss, with some acute phrases ‘…our skeletons are kindred…’, ‘…the silence never rang so loud….’ The lyrics thoughtfully reflect the mood, beautifully framed by the sheer power of the music. Here the layers of synthesisers sound like they were recorded in a cathedral, filling the vast space above as a deep and organic bass pedal strides underneath.
The title evokes ambiguous sentiments; it could be applied to being lost in an oppressive relationship or the negative feelings created. But ultimately this is a song of optimism and moving forward – identifying the problem as a first move towards empowerment and importantly the realisation of not being alone in the situation.
Hydra Lerna is a talented harp player; on this track it is sampled and contorted as part of the sonic palette, but it is the overall effect of massed keyboards, subtle percussion and her pure, emotive singing voice that is mesmerising.
The narrator finishes on an upbeat but slightly sinister note ‘…he won’t get away…we’ll get justice…’ which fades away on the track but stays and lingers with the listener….
(Hydra Lerna plays at The Blue Moon, Cambridge on Friday 27th September 2019)
Emzae is a singer and electronic musician who has been recording and performing her own songs since 2014. After various demos her debut long-player ‘Double Life’ was an ambitious concept album about a fictional pop singer. It showed her versatility and range; from the frenetic 80s synthtastic pace of ‘Alter Ego’ and ‘We Hate You’ to the leisurely atmosphere of ‘Lounge’ and compact pop template of ‘Star Sign’.
Impressive indeed, then follow-up singles opened up new landscapes – starting with the much streamed ‘Lucid Dreaming’ (a dream during which the subject is aware that they are dreaming) which was a simple structure with a seemingly infinite number of textures and colours to frame Emzae’s entrancing vocals. Four experimental remixes added to the intrigue.
Recently ‘Glory’ started with an electric piano introduction then added echoing semi-ambient keyboards and bass lines. As the track built up with percussion and strange slowed-down vocal interventions weaving with a catchy hookline it was a darkly satisfying composition.
So now we have a new single to accompany some live dates in the UK. ‘Another Lesson Learnt’ is an atmospheric, assured track; throughout an electronic drumbeat drives the narrative with the words addressing the idea that society pressures all to find love in order to be secure and complete and how that can lead to wrong choices.
‘…I want to belong, just like anyone….in our quest for unity we get ourselves burnt….’, like many of her lyrics, the heartfelt emotion comes through in her haunting vocals. The instrumentation is complex and confident, the messages strongly expressed. Finally that pulsing beat stops, leaving just the multi-tracked voices to drift off into the ether…..
A new self-produced EP from Norwich based singer/songwriter/instrumentalist Hydra Lerna, building musical textures around her harp-playing and electronic treatments.
1. Reckless A distant tone introduces a recurring loop figure on the harp, other sounds drift in and out but the gorgeous vocal really lifts the song; understated but intense ‘…it’s clear that I know what I want and it’s becoming an addiction, you’re becoming my addiction….‘ The soaring chorus melody carries all before it and electronic percussion patterns and bass pedals help to build up the drama. This a stunning start to the EP.
2. Angel v. Psycho This is a bit more sparse and spiky with a processed voice, creating a darker atmosphere and never quite revealing where it is going.
3. Distraction This short analogue-toned electronic interlude floats dreamily in some alternative space, gradually adding the layers and the repeated title to enhance the mystery.
4. Hydra – Remix Back to a more conventional song structure here for this description of a relationship intertwined with a lyrical identification with the ‘Hydra of Lerna’ of Greek and Roman mythology. The staccato musical core of the track flows into a busy percussive chorus ‘…you’ve got power but I’ve got poison, I can take you down…’.
5. Birdcage – Remastered A waterfall of lovely harp triplets roll through the start and are never far away in this anthemic piece. A lyric of escape gives way to an instrumental coda; this is another track that shows the creativity, imagination and potential of this talented performer.