After the critical acclaim for her debut EP last year, singer/songwriter and electropop performer Hydra Lerna releases a new self-produced single.
The resonant words paint pictures of love and loss, with some acute phrases ‘…our skeletons are kindred…’, ‘…the silence never rang so loud….’ The lyrics thoughtfully reflect the mood, beautifully framed by the sheer power of the music. Here the layers of synthesisers sound like they were recorded in a cathedral, filling the vast space above as a deep and organic bass pedal strides underneath.
The title evokes ambiguous sentiments; it could be applied to being lost in an oppressive relationship or the negative feelings created. But ultimately this is a song of optimism and moving forward – identifying the problem as a first move towards empowerment and importantly the realisation of not being alone in the situation.
Hydra Lerna is a talented harp player; on this track it is sampled and contorted as part of the sonic palette, but it is the overall effect of massed keyboards, subtle percussion and her pure, emotive singing voice that is mesmerising.
The narrator finishes on an upbeat but slightly sinister note ‘…he won’t get away…we’ll get justice…’ which fades away on the track but stays and lingers with the listener….
(Hydra Lerna plays at The Blue Moon, Cambridge on Friday 27th September 2019)
This was the sold-out launch of second EP ‘Blindside’ from singer/songwriter Caswell, and was also a showcase for two other very talented performers in an excellent venue.
There was already a substantial audience when Alfie Indra started his set with ‘Hard To Cope’. His recorded songs and live performances are normally with a full band but tonight we had the low-key backing of 4-string tenor guitar or electric piano allowing the lyrics to shine through. His vocal style was well suited to this intimate performance space. New single ‘Monster Under The Bed’ and ‘Cool People’ (with crowd joining in) were particularly impressive.
Hydra Lerna is a multi-talented songwriter/singer/producer; creating her original music from electronic loop patterns driven by keyboard and an instrument not often seen in this setting, the harp.
Current single ‘Reckless’ was the stylish opening track; with distant, longing synth tones and a waterfall of strings establishing the structure ready for Hydra’s rich, compelling vocals. The song builds up into a many-layered soundscape with glorious recurring chorus before fading back to just the harp.
In ‘Angel V. Psycho’ the harp sound is processed into a tortured electric guitar tone weaving through a personal lyric set to an easy, relaxed rhythm then the heartfelt words of ‘Distraction’ were explained to the audience before the sparse electronica made the point elegantly.
A solo harp version of Dua Lipa’s ‘Electricity’ fitted in smoothly before the uptempo finale ‘Hydra’ brought this stunning set to a close.
(Hydra Lerna is playing her debut Cambridge show at the Blue Moon on September 27th, see you there!)
With nearly half a million streams on Spotify, ‘Animal’ was a strong set opener, its soulful groove immediately showcased Caswell’s expressive vocals. ‘Surface’, my favourite song from the new EP featured early on with its anticipation-building introduction resolving into a hypnotic anthem. This was one of the many songs that highlighted the dynamic range of her three-piece band; going from subtle keyboards and busy percussion to bold brushstrokes of electronics and thunderous bass during the show.
We were treated to a mighty re-imagining of Portishead’s ‘Glory Box’ with its familiar descending chord sequence underpinning vocal fireworks, contrasting with the restrained emotions of ‘Cry’, a gorgeous ballad from Caswell’s well-received first EP ‘The Shadow Aspect’. From that same release it was ‘Dance Sober’ that really set the room alight – it is the sort of song that you think must have been a huge hit already and this extended version pushed all before it, Caswell’s voice scaling the heights, the band letting loose and a guest rapper included too!
After the adrenaline filled set, the calm encore of ‘Brother’ was a calming, thoughtful end to the show, sending a very fortunate audience off into the night.
A new self-produced EP from Norwich based singer/songwriter/instrumentalist Hydra Lerna, building musical textures around her harp-playing and electronic treatments.
1. Reckless A distant tone introduces a recurring loop figure on the harp, other sounds drift in and out but the gorgeous vocal really lifts the song; understated but intense ‘…it’s clear that I know what I want and it’s becoming an addiction, you’re becoming my addiction….‘ The soaring chorus melody carries all before it and electronic percussion patterns and bass pedals help to build up the drama. This a stunning start to the EP.
2. Angel v. Psycho This is a bit more sparse and spiky with a processed voice, creating a darker atmosphere and never quite revealing where it is going.
3. Distraction This short analogue-toned electronic interlude floats dreamily in some alternative space, gradually adding the layers and the repeated title to enhance the mystery.
4. Hydra – Remix Back to a more conventional song structure here for this description of a relationship intertwined with a lyrical identification with the ‘Hydra of Lerna’ of Greek and Roman mythology. The staccato musical core of the track flows into a busy percussive chorus ‘…you’ve got power but I’ve got poison, I can take you down…’.
5. Birdcage – Remastered A waterfall of lovely harp triplets roll through the start and are never far away in this anthemic piece. A lyric of escape gives way to an instrumental coda; this is another track that shows the creativity, imagination and potential of this talented performer.