A musical highlight in the ‘Sound + Vision’ multi venue festival bringing new and established music and comedy to the city.
Unfortunately we missed indie strategists Death to Slow Music but arrived in time for some of the psychedelic noise burst of Cambridge favourites Lemondaze, fresh from a support slot for cult shoegazers Ride the previous evening. As on previous encounters, the density of the band’s sound engulfs the intimate confines of the Portland but there is always a loose and off beat ambience that warms the soul.
Chester-based trio Peaness played the whole of their soon to be released long-player ‘World Full of Worry’, starting with the gentle acoustics of ‘Take A Trip’ and the punchy previous single ‘Kaizen’. Full of light and shade the songs are relentlessly likeable and there is always instrumental twists and delights, given extra depth with the inclusion of a keyboard player for this opening night of their tour.
‘Doing Fine’ carries subtle sadness along with a crisp melody as does ‘Left To Fall Behind’ with the haunting refrain ‘…hoping for the best…preparing for the worst…’. The superb pop of ‘Hurts ’til it Doesn’t’ is identified by the band as a Beatles-type composition then the wistful ‘Sad Song’ finishes the main set.
Audience favourite ‘Oh George’ showcases Peaness at their best; politically biting, sharply delivered vocally and musically, but always with warmth and humour. Then ‘Same Place’ is a celebration of friendship before the emotional flourish of ‘Skin Surfing’ brings this excellent show to an end.
On another hot summer night, the Portland was host to two contrasting bands; unfortunately I missed most of local psych-noise four-piece Lemondaze, but I did see enough to realise they were maintaining the high standard since I saw them at the Bury all-dayer earlier this year. Clearly enjoying themselves on stage they were still punching holes in the sub-ether with their effects-drenched exuberant, enjoyable and loud hypnotic grooves.
Amber Arcades is the band fronted by Dutch singer/songwriter/guitarist Annelotte De Graaf, soon to release her second full-length album.
Lead single ‘Simple Song’ opened the show tonight, with heavenly vocals floating in the air over her suitably subtle and skilled backing musicians. The songs draw on many influences, with jazz and country infusing the indie-folk atmosphere.
The mellowness of new track ‘Alpine Town’ moves onto another plane when the vocals soar at the end while ‘Goodnight Europe’ seems to sum up a state of sad confusion with a stately but catchy tune. There are excellent contributions from the band, with restrained keyboard tones and some lovely echoing guitar chiming through many of the tracks.
Too few bands are prepared to cover Nick Drake songs but the band takes on ‘Which Will’ turning the acoustic original into a shimmering jewel of re-invention, perfectly suited to Annelotte’s voice. The main set ends with the pounding drive of ‘It Changes’ then the encore included the poptastic track ‘Come With Me’ built around a trance-like guitar line, followed by its companion up-tempo piece ‘Fading Lines’.
An excellent set, warmly received and I’m sure they will have gone down a storm at the Indietracks festival!