Tag Archives: Terry Hall

The Specials, Corn Exchange, Cambridge, 12 May 2019

A return to a sold-out Corn Exchange for the The Specials, as part of an extensive tour to celebrate 40 years of the band.

Accompanying them on all the dates are The Tuts, an excellent indie-pop power trio from Middlesex. Opening with the sublime ‘Let Go Of The Past’ they immediately blast the audience into submission, the guitar and bass intricacies building towards the life-affirming chorus. ‘Tut Tut Tut’ is their self-narrative band manifesto with the purest of hooklines. ‘Dump Your Boyfriend’ is a deceptively uplifting pop single but with a darker message ‘…he took my liberty away…he clipped my wings so I stay…. I’ll leave it off for another day…’. Main singer and guitarist Nadia trades vocal lines with bassist Harriet while drummer Beverley lays down the foundation for these many-sectioned songs. ‘1982’ is a blast, then a Clash cover and final song ‘Back Up’ descends into tuneful anarchy. Earlier in the set Nadia describes how they have got this far with no label, management etc resulting in the highly-regarded album ‘Update Your Brain’ and these blistering and fun live shows.

Last seen in Cambridge in 2016, The Specials opened their set with the apocalyptic ‘Man at C & A’ then it was the double glory of ‘Rat Race’ and ‘Do Nothing’ that set the crowd alight. In front of a backdrop of placards and protest slogans the three original band members are all focal points; Lynval Golding’s rhythm guitar and trademark vocal interjections, Horace Gentleman running around the stage and playing possibly the loudest and most spot-on bass I have heard in the Corn Exchange for years and, as ever, Terry Hall’s vocals and presence are the core of the band. Newer songs like ‘Vote For Me’ slot in effortlessly and the re-birth of ‘The Lunatics’ is a welcome and topical addition.

As well as DJ-ing between sets, special guest Saffiyah Khan delivers her powerful ’10 Commandments’ to a heavy-echoing and unpredictable backing. Wow. There are no low points in the set, all the old songs sound as fresh as could be, especially the tense and taut ‘Blank Expression’ and the bleak humour of ‘Friday Night, Saturday Morning’ and ‘Nite Klub’ (about to be re-recorded by The Tuts?).
They ended with ‘Gangsters’ and ‘Too Much Too Young’ before a reggae instrumental encore then finally the thoughtful closer of ‘You’re Wondering Now’. Maybe we missed ‘Ghost Town’ a bit but instead there were so many new and old gems in this show by a band who seems to have the momentum and energy to keep them going forever….

https://www.thespecials.com/
https://thetuts.bandcamp.com/
https://cambridgemusicreviews.net/2016/11/16/the-specials-corn-exchange-cambridge-11-november-2016/

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The Specials, Corn Exchange, Cambridge, 11 November 2016

The spotlights shone out from the stage accompanied by the familiar wailing introduction of ‘Ghost Town’ to herald the arrival of The Specials in Cambridge, many years after their only other performance in the city in the early Eighties (Terry Hall mentioned that on that previous show he was arrested for ‘inciting a riot’!).

‘Ghost Town’ is of course a genuine classic, as relevant as ever and probably one of the most unusual and political UK number ones. Despite the departure of original member Neville Staple and the untimely death of drummer John Bradbury the band make a great sound, tight, hefty ska underpinned by the hammering bass guitar of Horace Gentleman and sterling drumming from Gary Powell of The Libertines.

The signature songs rolled out in the first part of the show; ‘Do Nothing’, ‘Friday Night, Saturday Morning’, ‘Rat Race’, much appreciated by the animated audience. Lynval Golding vocalised on a moving version of Bob Marley’s ‘Redemption Song’ then via ‘Gangsters’ (the song that started it all!) we arrived at the compact masterpiece ‘Too Much Too Young’.
Through it all Terry Hall is the central presence on stage, he doesn’t move much but he really doesn’t need to, the words and delivery say it all. The main set was finished with that strangely optimistic/depressing standard ‘Enjoy Yourself (It’s Later Than You Think’). How True.

As a tribute to John Bradbury and Leonard Cohen becoming the latest in the long list of losses for 2016 the band encore featured a cover of ‘We Have All The Time In The World’. This was a highlight, sounding reminiscent of Terry Hall’s extensive and excellent solo work in between the original and current incarnation of The Specials.
It has been a long time for the return to Cambridge but it was definitely worth the wait…

http://www.thespecials.com/