Tag Archives: Chorusgirl

Indiepop Alldayer, Firebug, Leicester, 11 March 2017

The upstairs rooms at the Firebug bar in Leicester were an ideal venue for an excellent line-up on a rainy Saturday. The 10p Mixes are a fun low-fi confection of observation and reminiscence, the strong voice of Danielle and guitar acrobatics of Will welcome you readily into their beguiling world.

Rainbow Reservoir from Oxford have a loud, rocky edge to their sound but leave plenty of room for some lyrical idiosyncrasies such as their final song ‘Brenda’, about the Queen(!). It was half an hour of top-quality power pop.

I am an admirer (see review) of Wolf Girl’s album ‘We Tried’ and it was good to hear some of it live at last, as well as many new tracks. Wolf Girl have a great rapport with the audience and their infectious summery sound such as on ‘Deep Sea Diver’ belies their ability to unravel the complications of everyday events and oddities in their words.

Peaness are a poptastic trio from Chester, and we were very pleased they had made the journey down! The catchy songs with their multiple hooks and harmonies were played with warmth and razor-sharp style. ‘Oh George’ (…you broke my heart…) was a standout song, with some neat drumming and great chorus but actually the whole set was unmissable.

After a break we were treated to a set from indiepop local heroes Po!, recognised by John Peel with a session in 1994 and embarking on a comeback. Singer/songwriter Ruth Miller has an enviable back catalogue to draw on, vignettes of small events from a unique perspective such as ‘I Took My Head On A Date’, ‘Bus Shelter’ and the jauntier gem ‘Sunday Never Comes Around’. The miniscule ticket price of £8 had been superb value so far, and still three acts to come…

This was the third time I had seen Chorusgirl and they don’t disappoint. The strong songs benefitted from a fairly beefy sound mix, especially on the incisive bass. Singer/songwriter/guitarist Silvi was on top form, leading the band to new heights musically, especially on ‘Shivers’ when some frantic pogoing threatened to deliver the audience into the bar below… They are about to record a second album, with some promising tracks previewed in this striking performance.

Cowtown avoid many musical clichés with frenetic drumming and guitar, synthesiser bass and an incredibly full sound, showcasing short songs and you never know where they are going next. Their nearly-controlled anarchy is fully evident on new album ‘Paranormal Romance’ and they featured many of its tracks (I think?!) including 36 seconds of ‘Captain Planet'(did they play this twice?) and the crazy logic of ‘Motivational Speaker’. Rewarding and exhausting and strangely addictive!

The final act was Indie royalty Pete Astor, a calming and commanding presence with a subtle backing band to make the most of his carefully considered lyrics and unhurried tunes. He is a class act indeed, his career spanning many years and revitalised by the 2016 album ‘Spilt Milk’.

It was the perfect end to a great mini-festival with excellent music, sound quality, company, venue, beer, organisation…I look forward to next year already!

http://peteastor.com/
http://cowtown.bandcamp.com/
http://chorusgirl.co.uk/
http://peanessband.bandcamp.com/
http://ruthpo.blogspot.co.uk/
http://www.wearewolfgirl.co.uk/
http://www.rainbowreservoir.com/
http://the10pmixes.bandcamp.com/

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Indiepop All-Dayer, Blue Moon, Cambridge, 12 November 2016

Inspired by similar events around the UK, The Blue Moon pub and venue hosted the first all day festival of Indie pop for Cambridge. Unfortunately we missed the afternoon performances, just arriving to catch the end of the set by Suggested Friends, who were playing ‘jangly punkish’ songs about ‘regret and micro-aggressions’. They sounded good to me and ended their set with ‘I Don’t Wanna Be A Horcrux For Your Soul’, Harry Potter goes Indie for the first time (though Jarvis Cocker did play at the Hogwarts Ball..).

¡Ay Carmela! are a three-piece named after their singer (and a song sung in the Spanish Civil War) and make a splendid noise, with thundering drumming setting the pace on ‘Dog Tired’ and no let-up until they had played most of their recent LP ‘Working Weeks’.

I was very pleased to see Chorusgirl on their return to Cambridge, a year on from the release of their brilliant and highly recommended debut album. The sound was tight last time I saw them but now it is honed even more, the bass and drums feeding into the two guitars and of course the relaxed but so crucial vocals of song-writer Silvi Wersing. The songs are like intricately painted detailed pictures, the imagery in the lyrics shimmering above complex arrangements and sonic changes. Two new tracks were previewed, ahead of a new album in production. But while we wait, continue to enjoy the delights of ‘No Moon’, ‘Oh, To Be A Defector’ and the finale ‘This Town Kills’.

Top of the bill were Edinburgh quartet The Spook School, playing in Cambridge for the first time. I wasn’t able to stay for all of their set but listening to some of their tracks afterwards I’m sure they maintained the quality of the rest of the show. I look forward to All-Dayer 2017…

http://chorusgirl.co.uk/band/
https://thespookschool.com/

Model Village, Blue Moon, Cambridge, 13 November 2015

Good to see another show at The Blue Moon, lined with sofas and Christmas lights, it was like your lounge at home but with better entertainment and beer. It was to celebrate two bands releasing their albums on the same day, Cambridge favourites Model Village and first on stage London quartet Chorusgirl.

Silvia Wersing is the songwriter, singer and rhythm guitarist of this stunning indie pop band, sounding like a jangly version of the Cure, B-52s and Talking Heads with one of the sharpest bass sounds I have heard live for a while. Opening with ‘No Moon’ (‘ice and ammonia, never been lonelier’ ), the vocals skate over ultra-tight backing. That was good but then ‘Dream On, Baby Blue’ was even better, that bass again and a catchy chorus. More deft tracks from the album, then a bit of a change with their Velvet Underground style cover of Bill Callahan’s ‘Ex-Con’ and then a strong finish with the urgent riff and soaring chorus of ‘This Town Kills’.

The album is ‘Chorusgirl’, they sound even better live, highly recommended..

There seems to be a band in Cambridge filling every musical niche and it feels good to be invited into the melodic dreamy rock of Model Village. With a six-piece lineup featuring 2 guitars, bass, organ, electric ukelele and guest drummer, ‘Red Chair’ is a low key opener that immediately shows the flexibility of the collective. There are varied instrumental touches and the smooth vocals of main singer Lily Somerville, also well showcased in ‘Sunlight’, the first of the songs from the new album ‘Healing Centre’ (‘a name taken from one of Cambridge’s most joyless-looking buildings’). The vocal duelling and overlapping in ‘Back Together’ is another strength as is the Steely Dan jazz feel of ‘Family Restaurant’ and ‘Sorry’. ‘Time To Share’ ended the set, an insistent rhythmic figure through the song all the way to a noisy finish.

Available as vinyl, download and cassette(!), give it a listen, this excellent new album is a grower.

http://modelvillagethepopgroup.tumblr.com/
http://modelvillage.bandcamp.com/
https://www.facebook.com/modelvillagers
http://chorusgirl.co.uk/