Tag Archives: Saint Etienne

Saint Etienne, Corn Exchange, Cambridge, 26 September 2026

The long ago sold out and final Saint Etienne show on their final UK tour (although there should be festivals next year…) was opened by collaborator Augustin Bousfield, playing his own compositions accompanied by guitar, keytar and many beats. Iraina Mancini rocked out with her punchy band and established a strong stage presence with her striking vocals.

With an atmospheric build-up as the band name gradually projected across the stage, the central Saint Etienne trio of Sarah, Bob and Pete (tonight augmented by live drummer, violin/bass and second vocalist) arrived to a rapturous welcome. They are such a class act and seem to exist in a musical universe that is all their own. From the pulsing synths of ‘Like a Motorway’ to the poppy-cool of ‘You’re in a Bad Way’ and the hypnotic repetition in ‘Heart Failed (in the Back of a Taxi)’ the band delivered a brilliant hits-packed set with excellent sound quality and video/light projections.

The well-known covers of ‘Who Do You Think You Are’ and ‘Only Love Can Break Your Heart’ were well received by the audience and of course the finale of ‘He’s on the Phone’ brought the house down. The band returned for the wistful ‘Nothing Can Stop Us’ and the sad retrospective of ‘The Last Time’, bringing the show to an emotional and poignant end.

Saint Etienne | Official Website

Music | Iraina Mancini (bandcamp.com)

Anymoor | Augustin Bousfield (bandcamp.com)

Sarah Cracknell : Red Kite, released June 2015

As the voice of Saint Etienne, Sarah Cracknell has given a distinctive tone to their many cool and sparse musical vignettes. It is going back a bit, but their ‘Too Young To Die : Singles 1990-1995’ is a great listen.

A follow up to ‘Lipslide’ from 1997, this new solo album features co-writing and many instruments played by Carwyn Ellis of Colorama. The opening track ‘On The Swings’ is a beauty, the spooky introduction creates for me an image of 4am on a damp London Street in 1965 even before the vocal breathes in to take it to another level. Sarah has an instantly recognisable voice, never seeming to try too hard she dominates the piece. The duet with Nicky Wire on the radio-friendly ‘Nothing Left To Talk About’ is the bittersweet ending of a relationship, short and sharp with slide guitar. ‘In The Dark’ is a smooth and velvety voice over waves of acoustic guitar and building strings.

And so the album flows and dreams on like a perfect summer evening. Folk-rock duo The Rails add layers of harmony to ‘Take The Silver’ and the cover of the song ‘The Mutineer’ goes into gentle folk territory. ‘Hearts Are For Breaking’ is pure up-tempo pop. ‘I Am Not Your Enemy’ has sinister guitar lines and is a bit different in texture to the rest, then the closing lullaby of ‘Favourite Chair’ showcases Sarah’s pure vocal.

This album is a grower, give it a spin through the summer and like me hope one day to see her in concert…

http://www.saintetienne.com