Tag Archives: Cambridge

Kiran Leonard, Portland Arms, Cambridge, 6 April 2016

An evening of musicians pushing the boundaries of expectations. Due to time constraints two of the supporting acts decided to share the stage. Local guitar maestro C Joynes interwoven with the dark spoken words of Pete Um was a one-off collaboration that fitted logically with the rest of the show.

Irma Vep attired in cape and shades made his presence felt as he fronted Kiran Leonard’s band (including the man himself on second guitar) and blended underground rock with cryptic words, mostly indecipherable through distortion effects. Violin added texture and by the end of the set it had all become a bit addictive.

When Kiran Leonard stepped up and opened with sixteen minutes of ‘Pink Fruit’, the pivotal track and single(!) from new album ‘Grapefruit’ the attentiveness of the audience went up to the level at a classical music concert. Standing sideways to the audience so as to interact to the maximum with his band Kiran Leonard played guitar and sung with melancholic light and shade through the huge disparity of musical genres, and that was just the first track. There is lyrical complexity and imagery that adds another layer too.

Much has been written about his prodigious talent and creativity, and on the evidence of this performance I would agree. The music splits into unpredictable sections, there is prog rock virtuosity, gentle folk, all-out rock and much in between. Some of the shorter songs such as ‘Secret Police’ follow conventional routes before breaking apart in desperation. They ended with a blistering ‘Geraldo’s Farm’, brilliantly complex and energetic drums from Andrew Cheetham propelling the song on seemingly for ever.

We left the Portland Arms quietly, feeling the world had shifted slightly on its musical axis, the performance was that good.

http://kiranleonard.bandcamp.com/

Tellison, Portland Arms, Cambridge, 28 March 2016

Power punk trio The Muncie Girls (from Exeter) have a lot going for them musically; the distinctive voice and fluid bass playing of Lande Hekt, a complete range of guitar parts from Dean McMullen and the dynamic drumming of Luke Ellis – a treat to see a drummer smash the kit with so much energy and plenty of more subtle flourishes too.

Showcasing songs from their debut album ‘From Caplan To Belsize’ (a reference to Sylvia Plath’s ‘Bell Jar’); ‘Respect’, ‘Gone With The Wind’ and ‘Learn In School’ are examples of hard-hitting lyrics with some sharp hooks. The final song ‘Gas Mark 4’ is a sad tale of desperation and a memorable end to the set.

Tellison return to Cambridge with their blend of tight semi-anthemic rock and lyrical intrigue. In an extensive and energetic set drawing mainly from their last two albums they showed their musical might; the sound quality and mix was excellent and the two guitars, drums and bass combine to make a formidable wall of sound. Lead singer Stephen Davidson keeps it all moving with some self-deprecating audience interaction before launching into another heartfelt vocal, also not forgetting second guitarist Peter Philips, lead voicing on ‘Collarbone’ and the pop-perfect ‘Boy’.

Towards the end of the set three consecutive songs sum up the band very well; the plaintive sadness of ‘Orion’ with its gentle beginning hijacked by the biggest noise guitars can make (a song inspired by walking down Mill Road in Cambridge Stephen tells us, I was thinking it was some classical odyssey?); ‘Letter To The Team…’, the acoustic tale of resignation that opens the last album ‘Hope Fading Nightly’ and finally all out rocker ‘Tact Is Dead’. A compelling triumvirate showing the many facets of a band who should definitely be reaching a wider audience..

http://www.tellison.co.uk/
http://www.munciegirls.co.uk/

Tellison : Hope Fading Nightly, released September 2015

Tellison, Corner House, Cambridge, 4 June 2015

The Scissors, The Boathouse, Cambridge, 12 March 2016

After ten years on the Cambridge music scene The Scissors release a new album, the grammatically challenging ‘The Scissors Is The Haunted Mirror’.

The four-piece promise ‘carnival freakshow organ, primitive synths, and rock’n’roll guitar powered psychpunkpop.’ and much of this manifesto is to be heard in show starter ‘Come With Me’, the opening track on the LP. In the week that Keith Emerson of ELP became the latest rocker to die in 2016, it was good to be reminded of the great Hammond organ sound as it pushed its way into the chorus of this punchy bass-driven song.

‘No Go The Lowdown’ is a rocker with a cryptic lyric and the clever effect of all instruments and voice sharing the hook line. We had a brief acoustic interlude featuring antique accordion and acoustic guitar for ‘Attack Of The Phantom Teardrops’ then ‘Phone Calls From The Dead’ and final track ‘Your House Has Ghosts’ are back to noisy pop-rock. Best of all is the slow-burner blues of ‘Why Don’t You Cry’, with theremin textures (always fascinating to watch), guitar fireworks and the vocals from Stewart Harris making the most of the straight to the heart melody.

It was a good advert for the album (although I would have liked to hear the keyboard rushes and emotional turmoil hidden behind the title of of ‘Don’t Hate Me Just Because I’m Yours’).
Their free lyric sheet proclaimed it was ‘a phantasmagorical entertainment to thrill and beguile the senses…’, they certainly proved again that they are one of the best live bands in Cambridge.

http://www.thescissors.co.uk/

Psychic Lemon : Album released 4 March 2016

At last, the debut long-player from premier Cambridge consciousness-expanding rockers Psychic Lemon arrives on the scene.

‘Ticktoc’, a song they have been honing live for a while is a strong opener, a solid bass riff and punching drumming then some vocals airily drift in, countered by walls of sound from their double guitars. I last saw them in December at the Mill Road Winter Fair, with a flute player really adding an extra layer….and here he is on this track too! An unexpected bonus as the flute fizzes through an energetic coda.

From a pastoral acoustic guitar and choral introduction, ‘Death Cult Blues’ bursts into life, with more starry flute. The sound on this track and most of the album is intricate and multi-layered, it must have been compelling to stand outside in the garden listening at the home-built Psychic Studio “5 minutes down the road from Syd Barrett’s old place”….. and I think his spirit lives on in the instrumental ‘Analogue Summer’, from the birdsong bookends to tremendous slide guitar this is a beautiful season indeed.

‘Good Cop/Bad Cop’ is another live favourite from their current set as is ‘Dilator’, a rocker with an epic feel and strange paranoid punkish lyric. The final track ‘Horizon’ is more than ten minutes of many of the elements from the rest of the album, woven into a widescreen psychedelic spectacular.

This album has captured the experimental dynamic of the band very successfully; it draws on their influences from a much loved style of music and then adds some powerful edges with the as-live feel of the recording.

https://psychiclemon.wordpress.com/

Psychic Lemon, The Grapes, Cambridge, 13 Dec 2014

Psychic Lemon, Corner House, Cambridge, 16 May 2015

Telegram, Portland Arms, Cambridge, 29 February 2016

There was quite a good turn-out at the Portland on a chilly Monday night for the double bill of Warm Brains and Telegram. Warm Brains are a trio from London grinding out some dour pop noise, promoting their newish album ‘Big Wow’. There was some punchy drums and what seemed like chords being played on the bass, supporting Rory Attwell’s deadpan vocal delivery. It was a challenging listen (which I like) for most of the set and then the last two songs seemed to move onto a much more accessible plane.

Telegram have a lot going for them, they look extra retro-cool, but not aloof and they have a spirited palette of songs and musical styles. Matt Saunders is a charismatic frontman, with vocal tones combining a Welsh lilt with the stylings of early Bryan Ferry. They do have a glam-rock/Roxy Music vibe going on; (sometimes playing a live version of Eno’s ‘Needles In The Camel’s Eye’) but tonight the sole cover song was a thoughtful commemorative version of ‘Heroes’.
Their original material, mostly taken from recent album ‘Operator’ was tight and addictive, from the opening punch of ‘Telegramme’ to single release ‘Taffy Come Home’. The sound was spectacularly good with the bass-lines standing out and the show was well-paced, with a good building response from the audience. I was very impressed.

http://telegram-band.com/
http://www.warmbrains.com/

Flaming June, Corner House, Cambridge, 27 February 2016

Flaming June is the performing name of singer and guitarist Louise Eatock, playing a solo set of her own compositions as a warm-up for her EP official launch show with violin and percussion on March 12. The first two songs were from the new EP ‘In Pursuit Of Happiness’ and both are precautionary tales of trust and wariness, with some traditional folk imagery.

Unrecorded new song ‘Firework Maker’s Daughter’ sounds promising followed by older song ‘Stop The Ride’, with a rhythmic onslaught from the acoustic guitar. Although the songs are rooted in folk her guitar playing has a frequent rockier side and in the next new track ‘You’ve Mended Well’ she also shows some Spanish guitar stylings of rhythm and chord progressions. This feeling continues into the assertive ‘Wednesdays and Weekends’ about an ambiguous part-time relationship, compellingly sung.

‘Little Love In A Cruel World’ (“bored with life’s drudgery…”) lifts into a rousing hook-line then the intriguingly named ‘Dopamine Oxytocin’ reminds us that all these feelings are just chemicals anyway(?!) with another catchy chorus.

Louise has an enviable back-catalogue of fine songs to draw on and this was an excellent selection on show this evening.

http://loui552.wix.com/flamingjuneuk

Flaming June : In Pursuit Of Happiness EP, released December 2015

Wave Pictures, Portland Arms, Cambridge,17 February 2016

Singer/guitarist B-Sydes (the performing name of Ben Sydes) opened the show playing tracks from his debut long-player ‘Constant Fictions’. On the album (check out the cover artwork?) a full band give more of a variety of aural textures, but with his solo guitar and intense vocals he convincingly expresses some heartfelt emotional lyrics. He has folk influences but the rockier rhythms come through strongly and there was a positive audience reaction.

The Wave Pictures are one of my favourite bands, so I was very pleased to see them here playing again to a sold-out Portland Arms. The core of Dave Tattersall on guitar and vocals, Franic Rozycki on bass and Jonny Helm on drums were augmented with well-judged percussion from guest Dave Beauchamp and they were promoting their newly released vinyl only (no download/CD!) ‘A Season In Hull’, recorded in one day around one microphone…

There were a few of these new songs featured, sounding promising on first hearing but we also had a selection across nearly all of their extensive back catalogue. Their sound is uncluttered, no effects pedals for guitar and bass and Dave Tattersall’s lyrics draw you into a personal world of memories, wry observations, wistful longings and regrets.

All three members have their turn in the spotlight, sliding bass breaks, pounding drum solos and the dynamic yet relaxed guitar lines which anchors it all. They can rock out; ‘Pea Green Coat’ is polite-ish punk, ‘Give Me A Second Chance’ is pleading desperation over rock-solid drums and bass. ‘Cassius Clay’ and ‘Now You Are Pregnant’ are quieter tracks with an extra emotional punch to the lyrics.

And who can resist the tempting delights of ‘Friday Night In Loughborough’??

The band can easily move into cross-cultural rhythmic and dance styles, such as ‘Blink Back A Tear’ and the tour-de-force nostalgia rush of ‘Before This Day’. And much much more.

It was a stunning show, go and see them…

http://thewavepictures.com/
ttp://www.b-sydes.co.uk/

Jeffrey Lewis, Portland Arms, Cambridge, 16 December 2015

A strong line-up at the Portland Arms again, first on stage was Emma Kupa; last seen fronting indie-edgy trio Mammoth Penguins she was giving a live debut to solo material, some from the mini-album ‘Home Cinema’. As a six-piece band, the acoustic guitar and banjo lends a country-rock styling to these tales of regret and longing. Emma has a distinctive voice, relaxed and affecting and as in her other band the musical balance allows it to guide the emotion of the song, shown to full effect in ‘Half-Sister’ and the catchy melody of ‘Consequences’.

After that well-received performance six-piece ensemble Model Village played a confident set drawing on their recently released and highly recommended album ‘Healing Centre’, the launch gig reviewed on this site at https://cambridgemusicreviews.net/2015/11/15/model-village-blue-moon-cambridge-13-november-2015/ .

‘Anti-folk’ performer Jeffrey Lewis plays guitar, sings, rants, raps, draws, paints, loops and tells stories and histories. Opening song ‘I Got Lost’ is a simple but heartbreaking acoustic delight, giving way to the political rant of ‘WWPRD’. ‘Support Tours’ is a neat wry summary of the position many bands find themselves in.
There was so much variety in this show; the epic eight minute ‘Back To Manhattan’ then the history of Vietnam narrated by Jeffrey as he leafed through his densely drawn comic book and a stealthy bass line kept it all moving. ‘Williamsburg Will Oldham Horror’ is an intense nightmare train journey with never ending lyric, ‘The Single Thing I Love Most About England’ (..is the food!) is an affectionate tribute and ‘Mosquito Mass-Murderist’ is a cautionary tale….
There was a cover of the Wave Pictures song ‘Too Many Questions’ then ‘Scowling Crackhead Ian’ and ‘Sad Screaming Old Man’ were unnerving characters featured on ‘Manhattan’, the latest album release.

And much, much more. Spot-on contributions from bass and drums kept the music sparking off the words through the whole of this memorable show.

(Quoted from a bbc.co.uk article: Lewis himself does not mind the ‘antifolk’ tag: “I think it’s a cool title. The fact that no one knows what it means, including me, makes it kind of mysterious and more interesting than saying that you’re a singer/songwriter or that you play indie rock..”)

http://emmakupa-homecinema.blogspot.co.uk/
http://modelvillagethepopgroup.tumblr.com/

The Seven Twenty : album released November 2015

The Seven Twenty is the musical project of singer/songwriter/guitarist James Burling, in the making for many years and involving many guest musicians. It is an diverse collection of personal songs, with many styles to frame each tale of love, disappointment and comment on modern culture.

The opening song ‘Corridors’ is a cinematic waltzing ballad with roving bass line and swooping strings, featuring a catchy hook line and evocative guitar solo. In total contrast is the two chord noisy attack of ‘Haiku’, complete with obsessive lyric and garage-band production. Then ‘Wonderful’, an electric ballad overlayed with multiple choral voices brilliantly interweaved as if they are almost performing a different song. No criticism intended, the combined effect is hypnotic, rich and original.

After three strong opening tracks, there are plenty more to come, each adding something a bit different. This includes ‘FU,NY’, a low-key Dylanesque ballad with sparse guitar and more reference to New York which seems a recurring lyrical theme throughout the album (parts were recorded there, including some distant sound effects and there is a photo on the inner sleeve).

At the album launch James was accompanied on stage by bass player Stewart Harris and guest guitarist Neil Bruce from this album and the live sound was augmented by drumming from Helen Robertson, all adding an extra dimension to the recorded versions.

http://www.theseventwenty.com/

Model Village, Blue Moon, Cambridge, 13 November 2015

Good to see another show at The Blue Moon, lined with sofas and Christmas lights, it was like your lounge at home but with better entertainment and beer. It was to celebrate two bands releasing their albums on the same day, Cambridge favourites Model Village and first on stage London quartet Chorusgirl.

Silvia Wersing is the songwriter, singer and rhythm guitarist of this stunning indie pop band, sounding like a jangly version of the Cure, B-52s and Talking Heads with one of the sharpest bass sounds I have heard live for a while. Opening with ‘No Moon’ (‘ice and ammonia, never been lonelier’ ), the vocals skate over ultra-tight backing. That was good but then ‘Dream On, Baby Blue’ was even better, that bass again and a catchy chorus. More deft tracks from the album, then a bit of a change with their Velvet Underground style cover of Bill Callahan’s ‘Ex-Con’ and then a strong finish with the urgent riff and soaring chorus of ‘This Town Kills’.

The album is ‘Chorusgirl’, they sound even better live, highly recommended..

There seems to be a band in Cambridge filling every musical niche and it feels good to be invited into the melodic dreamy rock of Model Village. With a six-piece lineup featuring 2 guitars, bass, organ, electric ukelele and guest drummer, ‘Red Chair’ is a low key opener that immediately shows the flexibility of the collective. There are varied instrumental touches and the smooth vocals of main singer Lily Somerville, also well showcased in ‘Sunlight’, the first of the songs from the new album ‘Healing Centre’ (‘a name taken from one of Cambridge’s most joyless-looking buildings’). The vocal duelling and overlapping in ‘Back Together’ is another strength as is the Steely Dan jazz feel of ‘Family Restaurant’ and ‘Sorry’. ‘Time To Share’ ended the set, an insistent rhythmic figure through the song all the way to a noisy finish.

Available as vinyl, download and cassette(!), give it a listen, this excellent new album is a grower.

http://modelvillagethepopgroup.tumblr.com/
http://modelvillage.bandcamp.com/
https://www.facebook.com/modelvillagers

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