Tag Archives: Chloe Foy

Chloe Foy, St Pancras Old Church, London, 16 October 2025

The timeless surroundings and balanced sound quality of this historic venue were perfect for the thoughtful songs on show tonight. Opening the evening Jack Patchett played his gentle acoustic compositions, sung with calm sincerity to an attractive guitar and keyboard accompaniment.

‘Where Shall We Begin’ and ‘Complete Fool’ are the title tracks to the first two albums from Chloe Foy and they resonated around the church at the start of her set; gorgeous and atmospheric. With a changing line-up of backing musicians there were many highlights, especially the stunning duet with Eli Carvajal ‘What I’d Give’ and the heartbreaking piano ballad ‘Empires of Dust’.

‘Spare’ is a lovely track, the hypnotic melody completely driven by Chloe’s clear and expressive voice as was the surprise encore of an a capella version of ‘Squareface’, performed wearing the black crown against the orange sun of the album artwork and a fitting end to this excellent show.

http://www.chloefoy.com

https://jackpatchett.bandcamp.com/music

https://elicarvajal.com/

Chloe Foy, David’s Bookshop, Letchworth, 11 June 2025

Singer/guitarist Chloe Foy performed several tracks from her newly released second album in the relaxed setting of David’s books and records. Opening with the title track ‘Complete Fool’ the gentle acoustic guitar waltz and her emotive voice held the audience spellbound.

Many of her songs describe the end of a relationship; harrowing heartfelt and multi-layered. Longer songs ‘Elephant In The Room’ and ‘I Tried So Hard To Disappear’ subtly pulled the listener in while the languid ‘Blinkers’ made a more direct point (as the noisier recorded version certainly does!). Best of all was ‘Empires of Dust’, a perfect combination of melody, lyric and tone…

https://www.chloefoy.com/

Jesca Hoop, Storey’s Field Centre, Cambridge, 8 December 2022

Chloe Foy opened the show with the ethereal title track from her 2021 debut album ‘Where Shall We Begin’ (reviewed here) and immediately set the tone for this thoughtful and engaging evening in the spiritual surroundings of this attractive hall. Her songs interweave lyrical honesty with a heartfelt vocal performance supported by a single guitar; combining to great effect particularly on the glorious ‘Evangeline’. Chloe also contributed harmony vocals and multi instruments for the rest of the show.

Headliner Jesca Hoop, brought her evocative songs to shine and intrigue, featuring many from her newest album ‘Order of Romance’. Her sparse guitar lines combine with sensitive percussion and bass as a platform for her distinctive voice and lyrics that pull the listener into a world of abstract imagery and personal reflections.

The music moves in unexpected directions, a balance of dark and light that gently sparkles in the excellent acoustics of this venue. The melodic beauty of ‘Lyrebird’ and ‘Pegasi’ were standout tracks, staying in the mind long after this brilliant show had ended.

https://www.jescahoop.com/

https://www.chloefoy.com/

Chloe Foy : Where Shall We Begin, LP released June 2021

A track by track review of the debut LP from singer/songwriter Chloe Foy….

1.Where Shall We Begin. Setting the tone for the collection, an acoustic dreampop delight where the guitar shadows the vocal line. Gorgeous.

2.Deserve. A slow and longer meditation, peppered with restrained electric guitar, layers of vocal lines and gradual build up of atmosphere.

3.Work of Art. More tightly structured than some of the tracks, this compact pop song is driven by the insistent melody line; grounded by the bass, drums and empathetic guitar.

4.Evangeline. A definite favourite of mine, the musical triplets are joined by an endless selection of musical combinations as the stately melody serenely soars above with the sensual lyrics ‘…Evangeline…you are my queen I promise that I’ll keep you warm…’

5.Asylum. A prime example of the haunting-folk genre that Chloe inhabits, where the sonic textures of strings and harp complement the vocals perfectly, carefully arranged and produced by album collaborator Harry Fausing Smith.

6.Bones. Adrift on a becalmed sea, the rich vocal from Chloe is adorned by a dark and moody instrumental mix.

7.Shining Star. Uptempo, hypnotic and mysterious ‘…fears untold and false absolve be true to who you are…faster now, you’re dancing now…you’ll be my shining star…’

8.Left-Centred Weight. Previously released as a single this is a showcase for the smooth and mellow tones of Chloe’s voice as the languid strings emerge over the horizon and create a semi-orchestral extravaganza.

9.And It Goes. The longest track on the album, a free form late night jazzy-folk reverie with contrasting sections, unpredictable diversions and finally drifting off into the cosmos.

10.Square Face. Possibly saving the best till last, this is a timeless and traditional sounding folk melody over a reassuring background of strings and a waltzing piano. The unaccompanied vocal towards the end lingers long in the memory as an emotional representation of this superb album.

Chloe Foy

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