A relaxed and atmospheric event at the Blue Moon, showcasing artists on the Trapped Animal record label…
Jeremy Tuplin opened the show, with his quiet tales of fleeting thoughts and emotions, mythologies and reflections. Having recently been touring with a full band tonight he was accompanied only by a warmly resonating hollow-body electric guitar, emphasising the wordplay and intimacy of the lyrics. An older song juxtaposed Einstein and Bowie but most of the set was drawn from his acclaimed 2019 album ‘Pink Mirror’, including the addictive rhymes of current single ‘Gaia’ and the melodic eloquence of ‘The Beast’.
Former frontman of neo-folk-classical outfit ‘Wooden Arms’ Alexander Carson sat at the piano for a short set of his own compositions. Introspective and unhurried, the haunting and very personal vocals are gently punctuated by impressionistic keyboard flourishes with overlaying textures and tempo changes. The one-word titles of the tracks on current long-player ‘Ellipsism’ are as enigmatic and evocative as the songs themselves.
Kerry Devine is the lead singer and guitarist of Trapped Animal’s premier punksters ‘The Baby Seals’; in her solo guise she performs ethereal folk pieces, weaving her own sensual vocals through guitar patterns that build and linger. She connects with the audience during straightforward explanations of the tracks and her clear commitment to her music. Alex was back at the piano to join Kerry for an effective cover of Portishead’s ‘Glory Box’, always a good song to hear.
The audience were seated around candlelit tables for the performances and that retro cabaret club setting was perfect for the tone of the show, especially the acoustic steampunk fusion of headliners Sunday Driver. The band opened with an extended instrumental featuring harp and sitar, driven by the electric bass and drums. Then singer Chandrika Nath joined the ensemble for signature song ‘Mechanical Angel’, with gorgeous harp accompaniment. With constant sonic explorations and surprises the songs move from pensive ballads to darker worlds populated by ‘Rats’, ‘Black Spider’ (featuring the rich tones of bass clarinet) and the sinister ‘The General’.
It was a great evening, four quality performances in an excellent setting!