Tag Archives: Love Ssega

Love Ssega : Celebration, LP released June 2020

A track by track review of the new album ‘Celebration’ by singer/songwriter Love Ssega. I saw him play live in 2017 (see review below), it was a stripped back performance with just jazzy guitar accompaniment but immediately connecting strongly with the audience.

1. Celebration (No Bad News). A polyrhythmic and funky groove with a dissonant edgy backing and a wide-ranging vocal performance. A bold, unrelenting introduction to the collection.

2. Bring the Water. Raising the tempo for this sharply constructed song with the voice jousting and weaving against a neat jumpy bass pattern and intricate percussion.

3. Find Another Way. Mellow marimba and an insistent drum figure provides a smooth platform for a emotive lyric, always leading back into the title line chorus. A great pop song and definitely one of the many highlights on this LP.

4. Rich Forever.
Not the most immediate track on the album but definitely a grower, instruments and extra voices drift in out and through the mix underneath the vivid and strong central vocal performance.

5. Solutions. As the staccato electronica backing oscillates between pairs of chords the narrator ‘…wants solutions…’ but the track builds up and it seems that this of course is left unresolved…

6. Automation. More electronic keyboard pulses and rhythms with the biggest and catchiest hookline on the LP, as the lyric reflects on dehumanisation and the future, ‘…tell your people you love them, not technology….’. I think an early version of this was in the set when I saw him back in 2017, it is a powerful song and sentiment and probably my favourite track on the album.

7. Save Me. Another track where the adept playing and production enhance and fully realise the musical and lyrical ideas. Driven by bass and drums and an excellent vocal the soulful groove is a satisfying end to album.

https://www.lovessega.com/
https://cambridgemusicreviews.net/2017/09/05/mary-epworth-norwich-arts-centre-2-september-2017/
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Mary Epworth, Norwich Arts Centre, 2 September 2017

Three upcoming acts from the Momentum funding programme in the converted church that is Norwich Arts Centre. First on was Love Ssega, originally part of Clean Bandit, he now records polyrhythmic funk and soulful commentaries on modern life. Tonight his full band were stripped back to a subtle single electric guitar, this was an empathetic accompaniment to his strong voice and winning personality.

Hannah Peel is an amazingly talented solo performer, dressed in a white flowing outfit, surrounded by keyboards and conjuring extra sounds and effects from violin, a music box and her voice she takes herself and the audience to another plane. ‘All That Matters’ is a show-stopper, even better than the recorded version.
Back projections of her parents’ wedding video from 1978 seem timeless as the gorgeous and melodic ballad ‘Tenderly’ builds to a crescendo. I’m not sure quite what ‘Cars In The Garden’ is all about but it is a fine and memorable song. She ended the set with the epic ‘Foreverest’, an electronic spectacular; more evidence that Hannah is a creative force to be reckoned with.

Musical free spirit Mary Epworth has just released her second album, ‘Elytral’ (..relating to the wing cases of a beetle…) and tonight with a four piece band she enhanced the recorded versions of many of the tracks, with industrial bold beats, plenty of percussion, free-flowing saxophone and deep, deep bass synthesiser; it is a heady mix.
At times sounding like a modern version of ‘Being Boiled’ by the Human League but with Mary’s voice floating and yearning over the music she has created a sound all her own. This is most evident on ‘Me Swimming’, an extended, echoing piece with haunting hookline. ‘Last Night’ has a more ambient experimental start then a cacophony of synth crashes in like distorted sirens.

…..and the music disappeared upwards into the high rafters of this superb venue….

http://maryepworth.com/
http://www.hannahpeel.com/
https://www.lovessega.com/