Tag Archives: live

Dos Floris, Highgate, London, 29 April 2017

Opposite the well-established Boogaloo music pub on the main street in Highgate is The Red Hedgehog; an unassuming bar/café and the venue for the second night of a showcase from multi-instrumentalist and singer Dos Floris.

The set featured tracks from her majestic debut album ‘The Widowed Earth’, performed with striking confidence, depth and power. The show divided into a lighter and darker half, reflected by the costumes and new arrangements of these organic soundscapes. As a pulsating light back-projection links to the vocal sounds early tracks ‘Rivers’ and ‘The Other Side’ gently draw us into her world. Florence has complete mastery of the complex looping, multi-tracking and keyboard playing needed to bring everything alive, demonstrated to great effect on the faster post-apocalyptic groove ‘That Day’ and a funky version of ‘All The King’s Men’ (featuring the tones of a metal-stringed walking stick?). As the music grew in intensity and the back projection ended up like virtual barbed wire to reflect the anti-war sentiment of the lyric we were ready for a short interval.

On resuming the empathetic soundman seemed to crank up some of the denser bass tones so we could wallow in the gorgeous ‘Before You Loved Me’ and ‘The Widowed Earth’. In an older unrecorded song ‘Starlight’ the audience boosted the lightshow with glowsticks, then the superb ‘To The Wolves Part II’ was a natural choice for the finale, with an encore of the new ‘Human Relations’ pointing the sound in a different direction for the forthcoming album.

It was a triumphant performance! Sitting back and listening carefully I could hear the way that every small sonic element fits in, looped phrases drift in and out again and fill the spaces in between; just as astronomers search for the dark matter invisible amongst the bright galaxies, in this music the whole adds up to far more than the sum of the parts…

http://www.dosfloris.com/

The Scissors, Corner House, Cambridge, 1 April 2017

In these days of political and social upheaval it is good to have something to rely on; this year is the 35th anniversary of the first recordings by Southend band The Get, and here they are on stage at the Corner House with singer Bruce Gordon strutting around and delivering a set of punk laced with irony and wit on songs like, ‘Dalek’, ‘Batman And Robin’ and a concise guide to the music industry on ‘Hit!’. They have a newish EP out, and from that ‘You Made Your Bed…Now Lie In It’ could be taken as a commentary on large government decisions, or just as a diatribe against an ex-partner…

I have enjoyed and reviewed the album ‘Resounding’ by Moscow Circus (https://cambridgemusicreviews.net/2016/08/29/moscow-circus-resounding-lp-released-june-2016/) so it was great to get an opportunity to hear it live at last. Songwriter Jonathan Beckett delivers the complex lyrics, vocal nuances and jangly guitar parts effortlessly and the four piece band are a tight playing unit.
‘Timebomb’, ‘Bleed For You’ and especially ‘Princess Rainbow’ were all highlights, but there were newer unrecorded tracks too including the enigmatically titled ‘4000 Weeks’ (that’s 77 years…Hmmm).
The set ended on another high with the noisy rocker ‘Ex-Genius’. This music had a long gestation time and has rarely been performed but tonight it was definitely job done.

One of Cambridge’s finest, The Scissors are seasoned presenters of spirited mini-movie songs and taking the stage quite late in the evening they featured many cuts from their 2016 album ‘Haunted Mirror’.
As I see so many guitar bands, it is always good to hear some keyboards too, especially when it is the timeless timbre of a Hammond organ, rolling in on ‘Do You Believe In Modern Love’ or more ska-laced on ‘Gone’. The strident guitar line and theremin wail herald ‘Why Don’t You Cry?’; their standout torchsong which is always a highlight of the varied set.
A quick encore of the album title track (as recently featured on charity compilation ‘Cambridge Calling Volume 1’) ended the trio of authentic acts in the welcoming setting of The Corner House (and all for free too…!)

http://thescissors.blogspot.co.uk/
http://www.moscowcircus.co.uk/
https://germanshepherdrecords.com/artists/the-get/

Hannah Lou Clark, Portland Arms, Cambridge, 29 March 2017

Opening the show tonight Mammoth Penguins played new and older songs, starting with ‘Cries At The Movies’ and ‘Propped Up’, two of many highlights on their debut album ‘Hide And Seek’. Released in 2015 it is a glorious package of hooks, fuzzy guitar and exuberant bass and drums, topped off of course by the carefully crafted words and spot-on vocal delivery from Emma Kupa.
In a live setting you can appreciate the musical extras, like the fathoms-deep rolling bass on ‘Played’ and some great drumming fireworks on a couple of the new tracks, hopefully destined to be on a follow-up album soon.
I was glad that what is for me their definitive song ‘Strength In My Legs’ was in the set, a super-poppy blend of vulnerable lyrics and powerful music.

Hannah Lou Clark is a singer/songwriter/ guitarist, fronting a quartet playing some atmospheric Indie rock to celebrate the release of new guilt-edged titled EP ‘The Heart And All Its Sin’. From that disc, the dual salvo of ‘Matilda’ and ‘Don’t Sweat It’ are stealthy, restrained build-ups to memorable choruses.

Introduced simply as ‘..a love song..‘ the ballad ‘We’re Rich’ is a show-stopper; over guitar triplets the plaintive emotional statement unfolds, as the instrumentation gradually weaves in the layers. Wow, just how good was that?

Back into rockier territory for ‘It’s Your Love’ and we also hear the unexpected bass noises and drum pattern of ‘Silent Type’, showing that the band is not afraid to stretch the sonic boundaries.
The anthemic, stately ‘Grief Underneath’ is a big finish to the show with crunching guitar echoing around the appreciative crowd, already won over by some good interaction from Hannah during this well-paced, energetic set.

https://www.facebook.com/hannahlouclarkmusic/
https://www.facebook.com/MammothPenguins/

Indiepop Alldayer, Firebug, Leicester, 11 March 2017

The upstairs rooms at the Firebug bar in Leicester were an ideal venue for an excellent line-up on a rainy Saturday. The 10p Mixes are a fun low-fi confection of observation and reminiscence, the strong voice of Danielle and guitar acrobatics of Will welcome you readily into their beguiling world.

Rainbow Reservoir from Oxford have a loud, rocky edge to their sound but leave plenty of room for some lyrical idiosyncrasies such as their final song ‘Brenda’, about the Queen(!). It was half an hour of top-quality power pop.

I am an admirer (see review) of Wolf Girl’s album ‘We Tried’ and it was good to hear some of it live at last, as well as many new tracks. Wolf Girl have a great rapport with the audience and their infectious summery sound such as on ‘Deep Sea Diver’ belies their ability to unravel the complications of everyday events and oddities in their words.

Peaness are a poptastic trio from Chester, and we were very pleased they had made the journey down! The catchy songs with their multiple hooks and harmonies were played with warmth and razor-sharp style. ‘Oh George’ (…you broke my heart…) was a standout song, with some neat drumming and great chorus but actually the whole set was unmissable.

After a break we were treated to a set from indiepop local heroes Po!, recognised by John Peel with a session in 1994 and embarking on a comeback. Singer/songwriter Ruth Miller has an enviable back catalogue to draw on, vignettes of small events from a unique perspective such as ‘I Took My Head On A Date’, ‘Bus Shelter’ and the jauntier gem ‘Sunday Never Comes Around’. The miniscule ticket price of £8 had been superb value so far, and still three acts to come…

This was the third time I had seen Chorusgirl and they don’t disappoint. The strong songs benefitted from a fairly beefy sound mix, especially on the incisive bass. Singer/songwriter/guitarist Silvi was on top form, leading the band to new heights musically, especially on ‘Shivers’ when some frantic pogoing threatened to deliver the audience into the bar below… They are about to record a second album, with some promising tracks previewed in this striking performance.

Cowtown avoid many musical clichés with frenetic drumming and guitar, synthesiser bass and an incredibly full sound, showcasing short songs and you never know where they are going next. Their nearly-controlled anarchy is fully evident on new album ‘Paranormal Romance’ and they featured many of its tracks (I think?!) including 36 seconds of ‘Captain Planet'(did they play this twice?) and the crazy logic of ‘Motivational Speaker’. Rewarding and exhausting and strangely addictive!

The final act was Indie royalty Pete Astor, a calming and commanding presence with a subtle backing band to make the most of his carefully considered lyrics and unhurried tunes. He is a class act indeed, his career spanning many years and revitalised by the 2016 album ‘Spilt Milk’.

It was the perfect end to a great mini-festival with excellent music, sound quality, company, venue, beer, organisation…I look forward to next year already!

http://peteastor.com/
http://cowtown.bandcamp.com/

NEWS


http://peanessband.bandcamp.com/
http://ruthpo.blogspot.co.uk/
http://www.wearewolfgirl.co.uk/
http://www.rainbowreservoir.com/
http://the10pmixes.bandcamp.com/

Pinegrove, Portland Arms, Cambridge, 26 February 2017

Lomelda (aka Hannah Read) is a singer/songwriter from Texas. Accompanied by just her guitar, the attentive audience at the Portland were treated to a set of heartfelt songs, sometimes with almost freeform vocals over gentle or occasionally booming and echoing guitar. ‘Columbia River’ was a standout track. She seemed surprised at the quietness and polite respect of the audience, but that’s Cambridge… it was a warm, relaxed performance, a good musical complement to the headliners.

Pinegrove are an amiable band of excellent musicians from the USA, fronted by the confessional voice of singer/songwriter Evan Hall. They have a line-up of drums, bass and three guitars, allowing for many subtle tricks and touches in the brilliant sound mix, one of the best I have heard at the Portland. They played many of the tracks from their well-reviewed album ‘Cardinal’ (and known and much-loved too judging by the response of many in the audience).

It all rolls along in an easy-going mix of Americana, folk-rock and some sharp grooves, with lyrics that draw you in every time. ‘Old Friends’ is their signature tune, each section stopping and starting and greeted with enthusiasm from the sold-out crowd. Evan established a good rapport with the audience, explaining context and the creative process and adding some insight into the carefully crafted lyrics with some good dry humour too.

I particularly enjoyed ‘Size Of The Moon’, ‘Waveform’ and the newer songs due for recording in June were shaping up well. It was a sumptuous and satisfying show, summed up by the unifying finale ‘New Friends’…..

“…so I resolve to make new friends…what’s the worst that could happen?”

http://www.pinegroveband.com/
http://lomelda.net/index.html

Goldblume, Portland Arms, Cambridge, 6 January 2017

This was the launch for the EP ‘Go Figure’ from Cambridge grungy trio Goldblume.

The show opened with alt-rockers Fall From Glory, spreading the noise from a possible new crucible of power rock in the Midlands town of Daventry. Driven by an extra punchy bass with drum pulse (how did they get that sound?) the five-piece features two guitarists and strong vocals from singer Megan Gibson.
It is proper rock, lovingly played and featuring many clever flourishes such as a quick burst of Thin Lizzy style twin harmony lead guitars, the reassuring punk repetition of ‘What Do You Take Me For?’ and the mellower ‘Home’, which builds up to a big finish. A great start to the evening!

Next up were Maud; they describe their music as alternative/dream pop/witch rock. Tonight they were without their bass player so the two guitars and drums created a sound all their own. With gentle echo on repeated guitar lines underneath the twin vocals, held back in the mix to add to the atmosphere and to give an impression of distance they performed enigmatic sonic grooves, with mysterious one-word titles such as ‘Moon’, ‘Woolf’ and ‘Saline’. The sound drifted in and out; it was all strangely addictive.

I had seen Goldblume playing a support slot for Tellison a while back but tonight they stepped up to headline and blew away this reviewer and the rest of the audience. The guitar, bass and drum musical interplay is razor-sharp and the vocals from Jethro Steel constantly surprise. It is mostly fast and furious edgy stuff but there are art-rock touches and even a bit of 70s style virtuoso prog when the bass and guitar duel.
‘Bleach’ is a signature track with many of these elements present and the slower ‘Wisconsin’ (…It’s colder, in Wisconsin, without your allure….) is a highlight, with a disquieting introduction, maniacal shouts and starts and stops all over the place. ‘Dr Wu’ (not the Steely Dan song of that name..) and immortalising ‘Eddie Bloody Izzard’; the titles and lyrics as well as the music seem to be one step ahead of the listener, which to me is a very good place to be. Towards the end of the set, the brilliant and varied drumming stepped up a gear into real fireworks; on this performance they must be one of the hottest live bands in Cambridge at the moment.

Unmissable, go and see them!

https://www.facebook.com/goldblumeband
https://www.facebook.com/ffgband
https://www.facebook.com/maud.cambridge/

Model Village, Blue Moon, Cambridge, 2 December 2016

Paul Goodwin (“Cambridge’s premier pedlar of melodic melancholia“) started the show at the Blue Moon, threading carefully constructed words across an amiable acoustic guitar. It was a similar set to when I saw him earlier this year at the Corner House, again it was reassuring but never too comfortable, nicely punctuated by personal anecdote.

It was the first visit to Cambridge by Owl and Mouse, a five sometimes four-piece London band fronted by the vocal talent of Hannah Botting from Brisbane. ‘Keep Your Eyes Open Wide’ is a strong opener, with a stately but simple keyboard line driving the song and underlining the plaintive voice. With an instrumental line-up of many possibilities (including ukulele and violin) they featured tracks from their 2015 album ‘Departures’ and unrecorded material too. It seemed a very short set, leaving a very genial and mellow feeling in the intimate surroundings of this welcoming venue.

Model Village released their ‘Healing Centre’ album just over a year ago, and they play many of the best tracks such as ‘Junction 30’ and ‘Time To Share’, (but I missed ‘Stop The Clocks’, a gorgeous waltzing ballad). With confident musicianship, including lots of neat guitar and bass twists and the matchless vocal prowess of Lily Somerville they are an impressive act. I especially like some of the jazz chords and stylings almost hidden away in some of the songs, successfully blended with the indie-pop jangly sounds, these contrasts reflecting the lyrical content which can be unexpected.

Three excellent performers and all for the princely sum of £4 (and advertised on a poster with a guinea pig on a skateboard??)

https://modelvillage.bandcamp.com/
http://owlandmousemusic.com/
http://www.paulgoodwin.com/

Moonstrips, Blue Moon , Cambridge, 19 November 2016

A free psychedelic rock spectacular to celebrate the release of the new album from Cambridge trio Moonstrips. Supporting band BansheeVa were noisy and relentlessly hypnotic, pulsing bass lines and power drumming with biting guitar and occasional vocals. Very appropriate to see the backdrop bubble projections and always good to hear a lengthy cover of ‘Interstellar Overdrive’, the definitive Pink Floyd consciousness-expanding opus. Heavy and spaced out.

Moonstrips had a sharp and addictive EP out earlier this year and they opened with two of the tracks; ‘How Do You Do?’ an insistent rocky riff with distant vocals dissolving into a noisy workout of echo and effects, a short-form song that crams a lot in. ‘543’ is a slice of pop reminiscent of 60s Who-ness with good hook phrases and a neat descending line driving through the whole piece. Heavier guitar eventually arrives on top for the finale.

I really enjoyed the newer tracks from the album ‘Glimpses’; the band are not afraid to allow time for the songs to develop, establishing mood and style with a variety of guitar effects at the fore. The twelve minute ‘Silver Screens’ closed the show; a psychedelic manifesto of epic proportion.

Mind-expanding stuff, live and loud in an intimate, packed venue, a perfect Saturday evening for Cambridge music fans?

https://moonstrips.bandcamp.com/

Billy Bragg And Joe Henry, Apex, Bury St Edmunds, 15 November 2016

From Billy Bragg’s website….”In March 2016 Billy Bragg and Joe Henry, guitars in hand, boarded a Los Angeles-bound train at Chicago’s Union Station looking to reconnect with the culture of American railroad travel and the music it inspired. Winding along 2,728 miles of track over four days, the pair recorded classic railroad songs in waiting rooms and at trackside while the train paused to pick up passengers.”

Now touring the resulting LP, the show begins with the intrepid duo performing ‘Railroad Bill’, ‘The L&N Don’t Stop Here Anymore’, ‘Waiting For A Train’ and other timeless Americana, along with plenty of anecdote and musings in the week following the American election. Their voices blend well, with Billy Bragg’s deeper tones and musically Joe Henry adds some extra guitar flourishes which he then showcases more in his five song solo section.

After the interval it is Billy’s turn for a solo spot, ‘Between The Wars’, ‘Help Save The Youth Of America’ (of course!), ‘Power Of The Union’, classics all. (Unfortunately no ‘A13, Trunk Road To The Sea’ which may have fitted the travelogue mood?!)
As Billy and Joe were reunited for the rest of the railway album it is clear how much of a modern message is carried by the words of these old songs (helped by the excellent sound quality in the Apex). Towards the end of the show we also had a gorgeous cover of the classic ballad ‘Gentle On My Mind’ and following a trawl through the songs of Bob Dylan they had decided on a version of one of my favourites ‘Tonight I’ll Be Staying Here With You’.

Contemplative, poignant, downbeat but still optimistic and celebratory, the audience left having witnessed a unique evening of performance.

http://shinealight-joehenry.billybragg.co.uk/
http://joehenrylovesyoumadly.com/

Indiepop All-Dayer, Blue Moon, Cambridge, 12 November 2016

Inspired by similar events around the UK, The Blue Moon pub and venue hosted the first all day festival of Indie pop for Cambridge. Unfortunately we missed the afternoon performances, just arriving to catch the end of the set by Suggested Friends, who were playing ‘jangly punkish’ songs about ‘regret and micro-aggressions’. They sounded good to me and ended their set with ‘I Don’t Wanna Be A Horcrux For Your Soul’, Harry Potter goes Indie for the first time (though Jarvis Cocker did play at the Hogwarts Ball..).

¡Ay Carmela! are a three-piece named after their singer (and a song sung in the Spanish Civil War) and make a splendid noise, with thundering drumming setting the pace on ‘Dog Tired’ and no let-up until they had played most of their recent LP ‘Working Weeks’.

I was very pleased to see Chorusgirl on their return to Cambridge, a year on from the release of their brilliant and highly recommended debut album. The sound was tight last time I saw them but now it is honed even more, the bass and drums feeding into the two guitars and of course the relaxed but so crucial vocals of song-writer Silvi Wersing. The songs are like intricately painted detailed pictures, the imagery in the lyrics shimmering above complex arrangements and sonic changes. Two new tracks were previewed, ahead of a new album in production. But while we wait, continue to enjoy the delights of ‘No Moon’, ‘Oh, To Be A Defector’ and the finale ‘This Town Kills’.

Top of the bill were Edinburgh quartet The Spook School, playing in Cambridge for the first time. I wasn’t able to stay for all of their set but listening to some of their tracks afterwards I’m sure they maintained the quality of the rest of the show. I look forward to All-Dayer 2017…

http://chorusgirl.co.uk/band/
https://thespookschool.com/