Tag Archives: live

Model Village, Blue Moon, Cambridge, 13 November 2015

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Good to see another show at The Blue Moon, lined with sofas and Christmas lights, it was like your lounge at home but with better entertainment and beer. It was to celebrate two bands releasing their albums on the same day, Cambridge favourites Model Village and first on stage London quartet Chorusgirl.

Silvia Wersing is the songwriter, singer and rhythm guitarist of this stunning indie pop band, sounding like a jangly version of the Cure, B-52s and Talking Heads with one of the sharpest bass sounds I have heard live for a while. Opening with ‘No Moon’ (‘ice and ammonia, never been lonelier’ ), the vocals skate over ultra-tight backing. That was good but then ‘Dream On, Baby Blue’ was even better, that bass again and a catchy chorus. More deft tracks from the album, then a bit of a change with their Velvet Underground style cover of Bill Callahan’s ‘Ex-Con’ and then a strong finish with the urgent riff and soaring chorus of ‘This Town Kills’.

The album is ‘Chorusgirl’, they sound even better live, highly recommended..

There seems to be a band in Cambridge filling every musical niche and it feels good to be invited into the melodic dreamy rock of Model Village. With a six-piece lineup featuring 2 guitars, bass, organ, electric ukelele and guest drummer, ‘Red Chair’ is a low key opener that immediately shows the flexibility of the collective. There are varied instrumental touches and the smooth vocals of main singer Lily Somerville, also well showcased in ‘Sunlight’, the first of the songs from the new album ‘Healing Centre’ (‘a name taken from one of Cambridge’s most joyless-looking buildings’). The vocal duelling and overlapping in ‘Back Together’ is another strength as is the Steely Dan jazz feel of ‘Family Restaurant’ and ‘Sorry’. ‘Time To Share’ ended the set, an insistent rhythmic figure through the song all the way to a noisy finish.

Available as vinyl, download and cassette(!), give it a listen, this excellent new album is a grower.

http://modelvillagethepopgroup.tumblr.com/
http://modelvillage.bandcamp.com/
https://www.facebook.com/modelvillagers

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Bouquet Of Dead Crows, Portland Arms, Cambridge, 6 November 2015

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The launch party for the new album ‘Of The Night’ from Cambridge rockers Bouquet Of Dead Crows. First band on were Londoners Cherry White, with some down and earthy blues-rock, vocalist Donata Sounds belting them out over some tight backing from a fluent rock trio, notable especially for some John Entwistle bass styling and some good contrasts of light and shade.

Gavin Chappell-Bates brought his sensitive tunes to the stage flanked by two microphones and a bank of pedals to facilitate an elaborate level of looping creating a multi-layered texture of sound, all from the acoustic guitar, voice and simple percussion. Impressive indeed. There is a warm and nostalgic feel to his songs, including recent singles ’95’ and ‘We Are The Ones’.

An exuberant performance from Cambridge stalwarts The Scissors impressed the growing audience, their sharp pop songs a riot of colourful Hammond organ flavoured keyboards, edgy guitar, crescendos of drums and punching bass, with some interesting lyrical twists. Hopefully a new CD is due soon, to include the dark blues of ‘Why Don’t You Cry?’ currently one of the standout songs in their live set.

As the stage filled with smoke the headliners arrived to a welcoming crowd. Opening with the slowly building ‘Everything Is Temporary’ then into the heavier delights of ‘Epicentre’ and blasting single ‘Just A Little More’, it is clear that the continual gigging and recording of these songs is paying off with a finely honed instrumental unity, topped with Antoinette Cooper’s confident vocals.
The dark riff of ‘Drownout’ pairs well with the sadness of ‘Without You’, ‘Fundamental Flaw Of Solitude’ sets us up nicely for the epic opus ‘Endless’ (its not a happy lyric, ‘over and over I’m drowning in the flames’) with one of the best instrumental work-outs of the evening. Time for a quick encore of early track ‘Implode/Explode’ (‘We should be killing time, but you’re killing me..’) then it was the end of the party.

Bouquet Of Dead Crows should be very proud of this album (with its striking design by Stewart Harris of The Scissors and triple gatefold sleeve..!) and it translates brilliantly to a live environment like the Portland, or of course to a larger venue…

http://www.bouquetofdeadcrows.com/
http://thescissors.blogspot.co.uk/
http://gavinchappellbates.com/

Cherry White

Bouquet Of Dead Crows : Of The Night, released November 2015

The Proclaimers, Corn Exchange , Cambridge, 4 November 2015

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The ever-popular Proclaimers arrived in Cambridge as part of their latest tour. First on stage was Pete Williams; as a vocal foil to Kevin Rowland in Dexys (and an original member of the band from its founding in 1978) he knows how to build a rapport with the audience as his well-paced set related tales of growing up, working and relationships, drawn from his two albums and ably played by his compact band.

Craig and Charlie Reid have continued to perform to packed halls and festival audiences and their music has lodged itself into the general consciousness. The opening ‘Sky Takes The Soul’ from their first album recalled the days when they performed as a duo rather than with the multi-textured full band now featured.

They still pack a punch with their powerful semi-shouting vocal delivery, of course with no concessions to rock and roll conventions by modulating their Scottish accents. They have so many good songs, from the wistful longings of ‘Letter From America’, the infectious optimism of ‘Lets Get Married’, the waltzing splendour of ‘Spinning Around In The Air’ to the relentless barrage of ‘Joyful Kilmarnock Blues’.

As many new bands steer clear of any political or controversial references the Proclaimers are happy to step up on Independence (‘Cap In Hand’) and immigration (‘Scotland’s Story’). Then of course there is the one that everyone knows, ‘I’m Gonna Be (500 miles)’, closing the main set tonight, a song that most folk-rock exponents would be very glad to have written.

Their other anthem ‘Sunshine On Leith’ is a perfect song, with an emotional and musical timelessness (a future national anthem for an independent Scotland?). The film of the same name has given their profile a recent boost (gently affecting ‘Misty Blue’ one of several tunes featured tonight) and as they continue to record and perform they will go on forever….?
Hopefully.

http://www.proclaimers.co.uk/

Father John Misty, Junction, Cambridge, 27 October 2015

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Father John Misty arrived at J1 as part of a sell-out UK tour. First onstage was singer Anna B Savage, performing compositions accompanied by her subtle and spacious guitar playing. Opening with cryptically titled ‘IV’ from her debut EP her intense, personal lyrics pulled us into a private world. Background audience noise spoilt the moment a bit but many were appreciative.
Song ‘I’ is a lovely melody over gently picked chords and the more free-form ‘II’ with opening line ‘I will never amount to anything…’ and build-up to an abrupt ending completed the short set strongly.

Father John Misty is the performing name of former Fleet Foxes drummer Joshua Tillman and after showcasing his new sound on the album ‘Fear Fun’ he has now released the highly acclaimed ‘I Love You, Honeybear’. And what an album it is, a lush mixture of folk, rock and country with an overarching and personal theme of falling in love. So how would this transfer to live performance? Brilliantly.

Playing acoustic and electric guitar FJM was backed by guitar, keyboards and drums. From the first (title) track, we were bowled over by the magnetic stage presence and his great singing voice and connection with the audience. ‘Strange Encounter’ echoed the retro western themes played between the acts and ‘True Affection’ is a neat electronica based surprise. ‘When You’re Smiling…’ is a soaring ballad delivered even more powerfully than the album version and was an early highlight among many.

Some of his astute modern life observations were shared with the audience between songs but of course many of the lyrics contain these too, especially ‘Bored In The USA’, a bit of a show-stopper with just piano accompaniment and described tongue-in-cheek as a meta-ballad about despair. During this he used a borrowed phone from the audience for an elaborate selfie/filming session, this ‘special’ moment then absurdly deflated when the phone-owner pointed out it wasn’t recording anyway!

I’m Writing A Novel’ was a country rock rouser then the compact delight of ‘Chateau Lobby #4…’ had the crowd singing. And plenty more…
It was a great show, one of the best I have seen at The Junction in a long while.

http://www.fatherjohnmisty.com
http://annabsavage.tumblr.com/

The Travis Waltons, Corner House, Cambridge, 3 Oct 2015

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The world cup hopes of the England rugby team slowly faded away on the big screen of the Corner House….meanwhile in the stage area it was much more uplifting as The Vigilantes opened their set with the brash optimistic blast of ‘No Money’, featuring a hypnotic repetitive monosyllabic riff and rolling chorus. Hailing from the unlikely musical territory of Boston (Lincolnshire) they play noisy, confident indie guitar rock, bursting with energy and ideas. ‘Get What You Pay For’ is a strong pop song and throughout the set their wall of sound was punctuated with clever guitar touches and solid drumming.

It was a good night for the drummers and I was pleased to see Cambridge favourites The British IBM back playing as a full band, boosted by the complex and riveting drumming of Paul Richards. Opening with ‘Cannibal’, ‘Animal’ and ‘Sugar Water’ from their debut album they were soon into the more mellow and introspective tones of the recently released ‘Psychopaths Dream…’, the string-laden recorded versions being rendered with plenty of fuzzy guitar and a emphasised edge in the vocals. This was particularly showcased in set closers ‘We Were The Stars’ and of course ‘The British IBM’, both being stylish hymns of longing and regret expertly crafted by singer/guitarist and creative force Adrian Killens.

I never knew quite where Bristol-based headliners and enigmatically named The Travis Waltons were coming from musically, which I view as a very positive quality. The guitar/bass/drums line-up was augmented by subtle keyboard lines and from the opening ‘Land Of The Giants’, with calm solo electric guitar and vocal, followed by the stately ‘Vampire Bite’ I was not sure what was to be next. It was a strong performance, successfully absorbing the appreciative audience, with tales of drastically thwarted relationships inbetween songs. There was even a cover of ‘There Is A Light That Never Goes Out'(referred to in some quarters as ‘the National Anthem of Smithdom’) and not forgetting ‘Separation Season’ their unique collaboration with Charlie Simpson of Busted and the closing and moving ‘Millionaire’. I really enjoyed their set, I am still trying to pin their sound down in a few well-chosen words….

http://thetraviswaltons.tumblr.com/
http://www.thebritishibm.com/
https://www.facebook.com/thevigilantesmusic

Teleman, Portland Arms, Cambridge, 3 September 2015

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A triumphant return to the Portland for Teleman after their last sell-out show in May 2014.

The packed audience were already in place and bubbling for support Oscar Scheller, playing guitar and backed by another three musicians (all called ‘Oscar’ too?!). I really enjoyed his set of deceptively upbeat songs, shades of the Smiths and Edwyn Collins and with a distinctive voice which was deeper than often heard in the Indie world. ‘Beautiful Words’, ‘Daffodil Days’ and ‘Stay’ were the standout tracks and we even had some rarely heard whistling in ‘Forget Me Not’.

Teleman have continued on the up with frequent BBC 6Music airplay, prestigious support slots and festival appearances and the release of their acclaimed debut album ‘Breakfast’. When the set began with the joyous descending runs of ‘Skeleton Dance’, the poptastic dance track from the album, we knew all the elements were reassuringly in place; intricate drumming, sharp bass, the constantly changing keyboard textures and of course the plaintive voice of Thomas Sanders.
More great stuff from the album followed (’23 Floors Up’, ‘Steam Train Girl’) but much of the set was made up of new songs due to be recorded in a few days time for a new album in March next year. These sound fully formed and potential growers, especially ‘Dusseldorf’ and ‘Glory Hallelujah’. Hopefully one-off single ‘Strange Combinations’ will be included too.

Teleman have an addictive sound with many elements mixed in, sometimes electronica or just rocking out, such as the crowd favourite ‘Not In Control’ which was the final track and a fitting end to an excellent evening…

http://telemanmusic.com/

Ryley Walker, Norwich Arts Centre, 27 August 2015

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Norwich is full of historic churches; this church of St Swithin was converted into an Arts Centre in 1980 and won the NME award for best small venue in Britain in 2014.

This was a suitably atmospheric venue for US singer/songwriter Ryley Walker, leading his band on acoustic and 12-string guitar, with drums, double bass, electric piano and electric guitar. This enabled them to reproduce the textures of the stunning recent album but the arrangements went way beyond copying the recorded versions. Opening with ‘On The Banks Of The Old Kishwaukee’ it was several minutes before we arrived at the river and Ryley’s mellow vocals. The audience and most of the band seemed rapt as the waves of sound rolled around the old church. Similar delights followed, including the album title track ‘Primrose Green’.

Ryley has an elegant finger picking style, showcased in a solo set part way through which included a cover of Tim Hardin’s ‘If I Were A Carpenter’ and a great version of ‘Cocaine Blues’. He conjures up a similar intimacy and connection as the late John Martyn on these solo tracks and shows the timeless nature of the music.

An evening of excellent songs and performance at a great venue.

(A mention of the support act, intense singer/songwriter/guitarist Danny Whitehouse. I didn’t see his full set but I was impressed that instead of conventional merchandise he was giving away old library books containing hand-written messages…)

http://www.ryleywalker.com/

Mammoth Penguins, Corner House, Cambridge, 14 July 2015

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A tasty free gig at the Corner House, with Violet Woods (reviewed extensively elsewhere on this site) sounding on great form, big echoing twelve string, organ and explosive drums all in place and bass player Mark Boxall featuring in Mammoth Penguins later too. As well as songs from their self-titled album there was also a new unrecorded song and a French interlude to celebrate Bastille Day.

Violet Woods have an album to be proud of, as now do Mammoth Penguins, with new disc ‘Hide And Seek’ forming the majority of their set. The packed-in and very hot audience warmed to the stripped back and very tight sound, a balance that often only the classic guitar, bass, drums line-up can achieve. Emma Kupa sings tales of grown-up disappointment, regret and hope, mostly distilled into three minute bursts of indie joy with biting lyrics floating on great bass/drum interplay and sharp guitar.

‘Propped Up’, ‘Played’, ‘Strength In My Legs’ are all neat snapshots and ‘March Of The Penguins’ is pure pop delight cloaking a bitter summary of rejection. A promising unrecorded song ‘Put It All On You’ showed a different direction with all of the band contributing vocals and then they finished with the dark chronicle of perceived failure ‘When I Was Your Age’ with the closing line ‘I’m going nowhere…’

Perfect summer listening, deserving a much bigger audience…

https://www.facebook.com/MammothPenguins
http://violetwoods.tumblr.com/

Half Man Half Biscuit, The Apex, Bury St Edmunds, 12 June 2015

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‘At DFS a job I have landed
But I don’t get paid for the first five years…’

If that raises a smile you could be a potential fan of the cult national treasure that is Half Man Half Biscuit. They arrived on stage to the sounds of ‘Summer Is A-Comen In’ from the film The Wicker Man, a tribute to recently deceased actor Christopher Lee and as soon as they started it was clear that The Apex was a fine venue for their show, with good sound quality allowing the words to be heard.

Frontman Nigel Blackwell continues to explore the lyrical backwoods of living in small towns, daytime TV, musical trends, forgotten celebrities and one-time sports stars. His surreal narratives combine astute observations, rants, jokes, absurd wordplay and almost unintentionally end up as social documents of the minutiae of life not recorded elsewhere.

Sometimes more serious subjects are filtered through the same process and make statements about unemployment (‘Turned Up, Clocked On, Laid Off’), mental illness (‘Used To Be In Evil Gazebo’) and death (‘When The Evening Sun Goes Down’). Of course there are the ‘love songs’, she always leaves (with featureless TV Producer Steve… in ‘The Light At The End Of The Tunnel’), or is missing and renders all else pointless (‘For What is Chatteris…’) or there are relationship misunderstandings (‘My Outstretched Arms’).

And there is much much more; celebrate the delights of Korfball in ‘Joy in Leeuwarden’, experience the insomnia of ‘Restless Legs’, recall that BBC 6Music was nearly closed down if it hadn’t been for the campaigning anthem ‘Joy Division Oven Gloves’ and of course relive the anticipation and disappointments of ‘All I Want For Christmas is a Dukla Prague Away Kit’.

In the two hour show early songs from ‘Back In the DHSS’ (their first album and John Peel favourite) went down a storm, as did the newest tracks from current album ‘Urge For Offal’ but their back catalogue is so rich there was plenty else they could have included.

Its not just the words and wit, they are not to be underestimated musically. As a live outfit they are a taut, noisy post-punk riot of guitars, drums and grinding bass. Between songs Nigel holds the crowd with tall tales and reminiscence, handing out luxury backstage crisps and getting the front row to decipher a fake setlist. He is a likeable bloke and clearly still enjoys performing and meeting his audience. It was a brilliant show; they play dates now and then instead of long tours, probably a very civilized way to be?

All together now…
‘For you I’d lose my self-esteem
For you I’d lose my self-esteem
For Crewe I’d use Junction 16…’

http://www.chrisrand.com/hmhb/
http://cobweb.businesscollaborator.com/hmhb/

Tellison, Corner House, Cambridge, 4 June 2015

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It was time for the rockier side of Indie tonight at a packed and hot Corner House. First on were Goldblume, a Cambridge based trio, their ‘angsty rock’ featuring great interplay between guitar and punchy bass and compact, optimistic songs. Frontman Jethro built a good rapport with the audience, it was a strong opening to the show.
Accompanying Tellison on several dates this tour, quartet Bad Ideas from Lincoln are soon to record a third album. They have a fearsome and formidable sound, convincingly played, with lots of clever guitar touches. The pace and enthusiasm of their set did not relent and they were well received by the crowd.

Based in London, Tellison formed in 2003 are working on their third album, the follow-up to the highly regarded ‘The Wages of Fear’ from 2011.
They are definitely a compelling and interesting band, with their feet in many camps, from noisy anthemic rock to quirky or intellectual lyrical twists and musical turns. It was all on show tonight, I was very impressed.

‘Freud Links The Teeth And The Heart’ is a subtle song ‘..about falling in love with your dentist..’, representing their quieter side, while the more recent ‘Tact is Dead’ is a showstopper, with great descending guitar riff and the loudest grinding bass line I have heard for a while.

Singer Stephen Davidson has a dry humour and confident presence; he was surprised how comparatively quiet the Cambridge audience were but he decided it was because we were listening attentively. I think he was right, there certainly was plenty to take in and appreciate.

According to their website they are ‘…stepping up to take another swing at, if not the big time, at least the medium time…’
I look forward to the new album…

http://www.tellison.co.uk/
http://badideasband.tumblr.com/
https://www.facebook.com/goldblumeband