Tag Archives: rock

Morganway, Hare & Hounds, Birmingham, 10 April 2025

The Hare and Hounds has featured many, many acts over the years and with the characterful interior and musical history it is a venue of choice for performers wanting fine acoustics and immediate atmosphere.

First on stage was Savannah Gardner, showcasing her striking country voice, adept guitar playing and cleverly structured songs, many drawn from recent album ‘Recovering Good Girl’. With her confident stage presence and warm personality she was a strong opener for the show.

Halfway through an extensive tour Morganway were ready to raise the roof; as first song ‘Hurricane’ nearly did. The band have many strengths, able to create a full country rock sound driven by guitar and violin or down in the audience sharing the campfire singalong of ‘Halfway Tonight’. Through it all the power vocals of SJ Mortimer and the band harmonies take the songs to another level. An outstanding song tonight was the storming ‘Devil’s Canyon’, a relentless dark groove from their new album ‘Kill The Silence’. Full of sparkling highlights, this was a brilliant set.

https://www.morganway.co.uk/

https://savannahgardner.com/home

Chloe Mogg : The Crazy One, LP released September 2023

The debut album from singer/songwriter/guitarist Chloe Mogg opens with the dark country blues of the title track ‘The Crazy One’, the noisy guitar duelling with Chloe’s bitter words. ‘Permission’ is another strong vocal performance with a great hook ‘…I don’t recall asking for your permission….I was in control all the time, wasn’t I?…’. ‘Bryony’ revels in an atmosphere of sinister nostalgia with an unusual rhythmic pattern while the compact pop of previously released single ‘Heaven Sent You’ revolves round a neat hook and another bold vocal.

‘Better Off’ has the changing dynamics of Chloe’s voice weaving around a stealthy guitar riff to great effect. ‘Understood’ is a key track on the LP, an extended musing pivoting around the anguish of the recurring phrase ‘…..Oh it must be love or something close…. ‘cause I’ve never understood….’ with the song being given plenty of time and space to immerse the listener. There are quieter moments; the acoustically driven ‘Cut Me Off’ and the reflective swirling waltz of ‘The Only One’ all add to the rich emotional depth and musical texture of this impressive debut.

https://www.facebook.com/chloemoggmusic/

R.J. Archer & The Painful Memories : Lay It Low, single released 9 June 2023

A new single from Cambridge blues-rockers R.J. Archer & The Painful Memories, a follow up to their March release ‘I Can’t Lose You’ with both tracks featuring on the LP ‘Horseplay!‘ due in September this year. The earlier release was a taut, spiky blues shuffle, with the angst in the vocal working towards the strong hook of the title line.

This new companion piece ‘Lay It Low’ is mellower in pace and tone, with some neat harmonies in the vocals and the winning sound of a double lead guitar break. It is infused with the spirit of classic 70s country rock, at times melancholic and wistful but always musically interesting; effortlessly switching sections between verses, chorus and an unpredictable middle eight and showing how this band continues to progress and grow in confidence.

https://www.facebook.com/RJArcherMusic

Bouquet Of Dead Crows : Hemispheres Part 2 – Cerebral, EP released October 2021

A new EP from Cambridge quartet Bouquet Of Dead Crows, following on from Part 1 ‘Celestial’, released back in April 2020 (see review below)……

1.Idle Thoughts : Don’t be fooled by the quiet intro, the deep dark guitar and bass soon steers the track into raw rock territory, as the vocal calls across the wasteland in this ever-changing epic.

2.Standing At The Precipice : Faster work-out for the band, especially the fireworks drumming, but full of surprises with time signature and dynamics changes all packed into two minutes thirty.

3.One More Sunrise : Straight into the soulful tones of a thoughtful ballad structure which alternates with some of the heaviest rock on the collection.

4.The Longest Road : The Crows are adept at creating longer conceptually rich pieces; this elegantly brooding anthem has the time and space to deliver the full emotional impact.

5.Somewhere In The Static : Built around the most satisfying bass and guitar riff at the start the vocal builds over the descending chord pattern to a false finish part way through. This song has many moods; weaving together the finesse of some of the prog rock directions of the band with sections of sledgehammer power to make it a fitting end to the double EP.

https://bouquetofdeadcrows.bandcamp.com/

R.J. Archer & The Painful Memories : ‘Who Am I Supposed To Love Now?’, single released 14 June 2021

From the angst of the band name to the opening tension of the lyric, ‘…tell me I been walking a thin line…and I’ll be towing it as soon as you say…’, R.J. Archer & The Painful Memories are back with a blistering burst of troubled blues rock. Last heard from on their self-titled EP from 2019 (reviewed below) featuring the edgy majesty of lead track ‘It’s Snowing In Hell’, this new release is a forerunner to their delayed debut long-player ‘Hot Mess’.

A punchy, up tempo cut from this Cambridge trio, ‘Who Am I Supposed To Love Now?’ is firmly rooted in the groove of the sort of cool and credible blues-infused record that would appear regularly and successfully in the pop charts of the late 1960s and 70s. It is a summary of lovelorn discontent set to sparse instrumentation, emotionally raw vocals and featuring twisty guitar links, a roving bassline and drums always on the verge of being fully unleashed. And, of course, all in less than three minutes…

R.J. Archer & the Painful Memories | Facebook

R.J. Archer & The Painful Memories, EP released July 2019 | cambridgemusicreviews

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Hannah Rose Kessler : My Theories On The Apocalypse, EP released 19 March 2021

Packed full of ideas lyrically and musically, UK singer songwriter Hannah Rose Kessler releases her new EP.

‘Don’t Worry’ starts with an acoustic loosening up then bursts into a pulsing chord rhythm over sparse drums. The opening line is like it is from a novel that you know you will keep reading ‘…my hands they melt away into the background…I follow you into the trees…‘ As expressive guitar patterns come and go the double vocal of Hannah leads us along a sinister path lyrically ‘….don’t worry my dear there’s no need to have fear…’.

‘I’m Alive’ keeps up the intensity and creativity, this time with strident keyboards to the fore. After the strenuous dazzle of the two openers, ‘Before The Fall’ presents evocative imagery in a looser song structure ‘….stuck in this entropy…we plunge into waves and rest on the shore…

There is much more; previously released single ‘Come Feel Me’ is reviewed here, spoken word song ‘Your Female Rage’ is full of hard-hitting points before finale ‘A Thousand Cuts’ features big, industrial slices of sound-gothic.

For the listener, the variation of genre, style and content is satisfyingly rich and unpredictable and Hannah is in absolute command of it all.

Hannah Rose Kessler | Facebook

Record label – Reckless Yes

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Jo Ash : Here, Then & Somewhere Else, EP released 9 March 2021

The new EP from Jo Ash is five haunting tracks mainly featuring solo piano, a contrast to her song-based solo recordings and performances fronting rock band Derecho.

Opener ‘Petals’ starts hesitantly with a simply-stated theme that develops into a broad and echoing soundscape. Though threaded through with melancholy it calls to mind yearning for open landscapes and escape, especially when a vocal line adds to the texture. ‘Enchanted River’ is a more introspective keyboard study, flowing and cyclical with a calm gentleness laced with a bit of darkness.

Synthesisers are featured on ‘Innocence’, adding a full string sound before Jo’s voice soars above it all in a stately waltz. I particularly like the relaxed pastoral atmosphere of ‘Unspoken’; free of time and place. ‘Orion’s Quest’ evokes a blend of limitless journeys and mythology all leading to the famous constellation. It is an epic six minutes, again driven by a piano chord sequence that keeps returning as other sounds drift in and out. Jo’s voice weaves through the cosmos, culminating in a dramatic passage halfway through before the track drifts off into space. It is certainly a spectacular finale to the collection.

An innovative bonus to buying the EP – it comes with a free short story to add to the mystique…..

http://www.joashmusic.com

Derecho : Beneath A Stained Glass Sky, LP released November 2019 | cambridgemusicreviews

Jo Ash : Constellations, LP released October 2018 | cambridgemusicreviews

The Other Ones : The Other Ones, LP released February 2021

The debut long-player from London four-piece The Other Ones is a riot of noise and craftily crafted punk, with a few quiet sections slipping effectively under the radar of fuzz. There have been some pre-release singles to whet the appetite but surprisingly not the brilliant opening track ‘Drown You’. This song has it all; a killer introduction that springs from nowhere, a punk riff from heaven/hell, harmony vocal lines and spellbinding chorus ‘…all I ever really wanted to do is drown you…’. The drums and guitars drench the listener in distorted sound and it is pure pleasure.

‘On Top Of Me’ has a chord sequence that seems to be catching up on itself and demented guitar lines that underpin the energy of the vocal. ‘Forever Young’ is a perennial pop single, then within the field of energy of ‘Money’ there is lyrical acerbity and absurdity to get to the truth, ‘….we never kiss…..we never touch….. we only talk about money…’. It is not until track six when we have some calm respite with the acoustic ‘I Wish I Was Your Boyfriend’ with the biting ‘…your always in my mind but whose on yours…are you only with me because you’re bored?…’.

‘Better Off Alone Again’ strays into full-on rock territory while ‘Wasted Youth’ is a glorious drum extravaganza. Title track ‘The Other Ones’ is almost frightening in its intensity and serves as an effective manifesto for the band. Closing with the ethereal acoustic lines of ‘I Think Too Much’ is an unexpected departure but seems to work perfectly well to bookend this dynamic collection.

The Other Ones | Facebook

Reckless Yes – An ethical and independent record label

The Harriets : Hopefuls, LP released July 2020

A track by track review of ‘Hopefuls’, the excellent new album by Leeds quartet The Harriets.

1. Cafe Disco. A distillation of many of the high spots on this album this stunning opening track explodes with creativity; the outsider but celebratory commentary of Pulp’s Mis-Shapes meshed with the musical complexity of timeless Squeeze singles. The first line ‘…Tell me all your guilty pleasures I’ll tell you mine…’ draws you in to listen.

2. Trip To The Moon. Previously released as a single this muses on old movies and cinemas as a backdrop to the hope of a relationship. From the dense, rolling instrumentation suddenly a catchy hookline then a soaring guitar solo appears. This album is full of surprises.

3. Darlin’. Wistful, winning pure pop laced with brass sounds, call and response verse lines and a big chorus ‘…baby when you look into my eyes…and when you come round and we play music through the night until sunrise….’

4. Have Fun In Your Workplace. With its languid pace, surreal lyrics and the patterns and solos in a pure guitar sound there are echoes of the Wave Pictures to be found here, always a good recommendation.

5. Rules For Travelling. Piano and close harmonies begin one of the most addictive and melodically strong songs on the album. The lyric seems like a strange disjointed road movie but definitely in a good way.

6. Johnny. It doesn’t seem to end well for the title character in this piano and jangly guitar filled song, although he may just have left his hometown carrying his Steely Dan albums ‘….but Johnny used to wander round, clutching ‘katy lied’ in his hand oh what a band….’ and forging ahead with his music career ‘….he wrote a lot of his songs with an American accent in mind….and so this story was a song, and the song was always going on…’. Like many of the words on the LP, there is a thoughtfulness and ambiguity which makes you listen again.

7. Come Home. With brass enhancement and a persistent driving beat, this is short and to the point ‘…I woke up today and you’d gone away…now all I seem to think about is you…won’t you, come on home…’. Melancholy but with an undercurrent of optimism.

8. Fall Out Of Grace. A lyric packed full of ideas and images with an excellent lead and harmony vocal and an inviting sixties Who/Kinks atmosphere. For me this is one of the many highlights on the collection.

9. The Boy You Knew. A thoughtful acoustic guitar bookend, delicate and emotionally raw. ‘…and I’ll never carry my love to your door….and I’ll never bury my love…I’ll sing it now once more…’

https://www.theharrietsband.com/

Bouquet Of Dead Crows : Hemispheres Part 1 – Celestial, EP released April 2020

The new album ‘Hemispheres’ (a homage to the classic Rush LP?) from Cambridge “Sci-fi Alt Rock band” Bouquet Of Dead Crows is to be issued in two parts; ‘Celestial’ now then ‘Cerebral’ to follow….

1. Terraformer Scary doom-laden introduction, a barren planetary landscape of distant guitar effects…

2. Before The Storm I think the storm has already arrived at the start of this track, then it goes a bit jazz-influenced interspersed with the heaviness through a packed two and a half minutes.

3. Caged The clear and strong vocal rides over a synthesiser guitar backing, duelling with the threatening purity of the full-on rock sound, suddenly unleashed towards the end of the track.

4. Left To Rot Featuring one of the most dynamic introductions I have heard for ages, this previously released song pushes all before it, with the explosives that this band can unleash with ease. I don’t know how anyone can play the drums that fast. It pauses occasionally with a 70s prog rock interlude.

5. Kaiju Hijinks With the listener exhausted from track 4 this new single maintains the pace and energy. The title refers to the Japanese film genre and the accompanying video stars Godzilla and the unfeasibly powerful Mothra. As the super-deep bass drives the sound the drums and guitar take on the monsters.

6. Hemispheres Martial drumming sits beneath some deceptively gentle verses and noisy prescient chorus ‘….it’s not the end of the world…this time…‘ Trading the rockier conventions for a more anthemic sound, with each of the instruments and voice given a chance to individually shine this is a multi-sectioned complex and rewarding track.

https://www.bodc.live/