Tag Archives: electronic

Jo Ash : Mutation, EP released April 2025

A trio of new recordings from composer/singer Jo Ash, starting with ‘Fear’, a re-imagining of a standout song originally played by her rock band Derecho and since honed by live performances in her solo shows. With pacy keyboards and beats, bass notes pushing their way in and an urgency in the vocal it rolls through moody verses and powers into the killer choruses.

‘Raven Sky’ is one of Jo’s gentler storytelling songs, filled with atmosphere and foreboding. Sparse instrumentation eventually breaks out into bold sonic layers for the grand finale before drifting off into space. ‘Coda’ is a clever lyric full of questions over another fizzing electronic rhythm; it gets to twist and mutate towards the end. These three gems are a change of direction for this talented performer who is always pushing her music into uncharted territory.

http://www.joashmusic.com

Dos Floris, Strawberry Fair, Cambridge, 1 June 2024

The Strawberry Fair – Cambridge’s highly regarded free festival of music and culture is a platform for a huge range of talented acts and as the darkness fell across the site singer/songwriter/musician Dos Floris arrived on stage. Many of her earlier recordings and shows feature dense instrumentation and fabulous electronic soundscapes but tonight the songs were stripped back to an effects-free acoustic guitar. This emphasises the resonance, strength and sensitivity of her natural voice – a powerful instrument indeed.

She opened with the confiding, dreamlike ‘The Other Side’ (‘….in this fading light nobody feel the pain…’), which added a mellow warmth to the cold summer evening. New song ‘Fireflies’ continued to weave the magic along with the subtle melancholy of ‘Mexico’ (‘…..but if there’s a chance, we’ll go wipe our tears away go dance in Mexico….’). It was the gentle grandeur of ‘Mountains’ that stole the show; short lyrical phrases and effective melody building to a grand finish.

Florence Donovan aka Dos Floris splits her time between Italy and UK so it was a rare treat to see her perform In Cambridge (also as part of a bill with Tape Runs Out and Scatterchild at the Blue Moon the previous evening!).

https://dosfloris.com/home

emzae : All Those Things I Thought I Knew, LP released 1 Sept 2023

A summation of her spellbinding single releases and with a temptation of new tracks, this long-player from singer/songwriter/musician emzae finally arrives.

Starting with the up-tempo ‘Overrated’ as a statement of intent then ‘As This Day Fades to Another’ is a punchy and sparse groove, while ‘Strip Lights’ is a mini-movie of alienation over a mellow flow of synthesiser and percussion. ‘Another Lesson Learnt’ shows how she can sustain and develop an idea over a longer time, with a lyric built around the central idea ‘…I want to belong… just like anyone….what do I have if i’m not rushing into the future?…’.

The lush and hypnotic atmosphere of ‘Lucid Dreaming’ takes the listener to another place, even if it is a bit unsettling ‘…going through the motions like I got this in control….balancing personas but I can’t restrict my soul…’ ‘I Guess, Anyway’ is the central track of the album; a rich six minutes of lyrical density and melodic elegance that fully immerses the listener in the swirling waltz, but the self narration of ‘Clairvoyant’ also cuts right to the core. ‘Extraordinary’ and ‘THRIVE’ increase the pace with sharp hook lines and concise pop sensibilities, as does the slinky beats and knowing words of ‘It’s All Cyclical’.

With her deeply personal lyrics and the subtle musical touches that infuse each song ‘All Those Things I Thought I Knew’ is an impressive collection from this electro-pop alchemist.

https://emzaemusic.com/

https://emzae.bandcamp.com/album/all-those-things-i-thought-i-knew

Public Service Broadcasting : People, Let’s Dance [ft. EERA], single released June 2021

After months of secrecy and anticipation, the new Public Service Broadcasting album is announced for September and the first track is now released. ‘Bright Magic’ is themed around the city of Berlin, a spiritual home of electronica and other-worldly sounds. PSB are known for incisive use of sampled spoken words and revived archive recordings but their last album ‘Every Valley’ featured more conventionally structured songs and guest vocalists too.

This new track with the instruction of ‘People, Let’s Dance’ is a multi-layered blend of synths, 80s guitar interventions, super-deep bass and the driving drums that bring these masterful compositions to life. The extra bonus this time is the glacial warmth of the vocals from lyric writer EERA, the performing name of Norwegian singer Anna Lena Bruland. Singing and speaking mostly in German her voice overlaps, backs itself and is treated, echoed and integrated like another orchestra of instruments. The video features dancers roller skating around some of the bleaker industrial landscapes around the Thames in East London, adding to the overall hypnotic effect of this excellent track and the invitation translated as ‘…come, dance and lose yourself…’

Public Service Broadcasting

EERA

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emzae : Strip Lights, single released 16 April 2021

Always moving forward creatively, Derby based musician emzae adds a new single to her accomplished catalogue.

I have been listening back to many of her highlights (especially the textural beauty of ‘Another Lesson Learnt’ and the explosive tension of ‘As This Day Fades to Another (Rezzonator + Many Elephants Remix)’ ). The sublime 80s electrofunk confection of ‘Thrive’ burst out from lockdown last July and it is still sounding full of hooks and energy.

Now ‘Strip Lights’ places her narration in a gathering where perhaps she just doesn’t want to be, a metaphor for the confusion and unpredictability of modern social interaction; ‘…sit in the bar and listen, I just blur my vision, till the sparkles are just coloured dots…’ and ‘….I don’t want to be in this reality…‘. The lyric may tend towards the sombre but this is tempered by a moderate upbeat pace and the depth of production at which emzae excels.

From the welcoming introduction onward the layers of sound are complex and crafted, always framing the vocal to the right level. There is a recurring countermelody line, a bold flowering of synthesiser for the chorus and a bass groove that dances around underneath it all. It is another rewarding fusion of music, words and atmosphere, helped along by this performer’s unique vision for her work.

“…I definitely feel colour schemes when I’m listening to music, especially when I’m thinking of how artwork and visuals are going to look. I think of Strip Lights as green and orange…”

emzae (emzaemusic.com)

Emzae : Thrive, single released 31 July 2020 | cambridgemusicreviews

Gia Margaret : Solid Heart, single released January 2021

Timeless and placeless, ‘Solid Heart’ is a gentle meditation appropriate to a season of cold and consideration, with some hints of optimism too. Chicago based singer/instrumentalist/producer Gia Margaret has taken a straightforward chord sequence, added electronics and piano embellishments and a voice that is hardly there; almost ghostly but still able to drive the song along. The overall effect is calmly breath-taking.

Gia describes her music as ‘sleep rock’ and on previous release ‘Barely There’ the atonal synth background joined with a spoken vocal to create an emotionally rich soundscape; on her other 2020 single ‘apathy’ hypnotic arpeggios threaded their way through dreamier territory with no horizon in sight. This was paired with ‘body’, a sampled lecture on physical self-awareness that raised more questions than answers, as the electronic sequencing danced along, beguiling and rewarding.

Gia Margaret | Facebook

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Such Small Hands : Carousel, LP released 18 September 2020

‘Carousel’ is a new release from Such Small Hands, the performing name of Brighton singer, songwriter and multi-instrumentalist Melanie Howard. A blend of treated acoustic instruments, voice and electronics create a haunting, drifting sound.

‘Lonely Is The Rain’ is an evocative and sombre title for the opener – a measured and mellow five minute meditation, with an echoing guitar and keyboard counterpointing with Melanie’s ethereal voice. The electronic percussion picks up the pace near the end but the listener is overwhelmed by the delicate beauty of the track.

‘Do I Belong Here?’ is built around an acoustic guitar triplet figure and smoky layers of vocals weaving into a heady mix. ‘Drifter’ is a lo-fi delight then ‘Still Dreaming’ is probably my favourite on the LP. The introduction could be the theme to a cult sixties movie thriller then it transforms into a sensuous interweaving of vocals and descending chord progression. With spectral keyboard tones continually adding flavour, by the end it is epic and almost orchestral in its ambition.

The title track ‘Carousel’ is built around a repeating note and a louder electric ambience alternated with quieter thoughtful sections. The pensive and beautiful ‘Anhedonia’ closes the album (along with two bonus acoustic reworkings of older songs).

Reflecting the experience of ten years of writing and reshaping of the music, this excellent LP rewards in-depth listening and immersion in the tracks as they range from atmospheric vignettes to darker pieces that occupy the hinterland between nightmare and daydream.

https://en-gb.facebook.com/suchsmallhandsmusic/

Such Small Hands : The Deep, released October 2016

 

Hydra Lerna : OK Again, single released August 2020

With an electronic swoop, UK pop composer, singer, instrumentalist and producer Hydra Lerna presages her new single with words that get straight to the point ‘…you can’t say that I’m not damaged, the scars are on my back….you know that I come with baggage, we have to face the fact….’

As the percussion threads through the stark but lush synth notes we soon get to the uplift of the chorus ‘…I’m ready to be OK again…’. Hydra has a track record of dynamic, soul-searching singles where the often dark tone of the lyrics ( ‘…touch me like a razor, hold me like a bed of nails…’ from last release ‘Camera’) is always tempered by a gift for melody carried by her rich soaring voice which adds a balance of optimism to the whole.

This release is the last one before a creative break to realign her musical career and it is a fitting temporary finale; memorably the music rolls, pushes and pulls like gathering storm clouds before the sun breaks through. In the eye of the hurricane of swirling keyboard layers and textures the multi-tracked voices add a lushness and grandeur to the resolution of the title line.

The last acapella lines float away into the ether and her single unadorned voice is the final sound we hear for the present from this talented and enigmatic performer.

https://hydralerna.com/

‘Pop Level’ Showcase, Blue Moon , Cambridge, 27 September 2019

Emzae : Thrive, single released 31 July 2020

A welcome new release from Midlands based singer/songwriter/instrumentalist emzae.

She is a performer who never repeats herself and continues to push at the creative edges of electronic pop. She always has one eye on contemporary musical textures and lyrical themes, realising that the strongest statements come out of real life experiences.

From the pensive insights of ‘Another Lesson Learnt’ to the taut musical flexings of ‘As This Day Fades to Another’ and the most recent concise pop bite of ‘Waste Our Time’ her recent succession of singles maintain a high standard of content, brought to sparkling life by her self-production skills and attention to detail.

The words on this new track reflects the time when emzae realised the importance of being yourself, instead of endless circling to fit in with peers and the social difficulties that can arise. Also that maybe sometimes it is best to just have a dance and not worry too much.

Certainly this is a track to move to; it draws heavily on some retro-classic influences; from the minimalist electro grooves of the first Madonna album and the gloriously meandering funky keyboard bass that recalls some of Stevie Wonder’s early experimentation with deep and punchy synthesiser lines way back in the early seventies.

Add lots of immaculately timed clicks and beats, a winning vocal embellished with spoken voice and distant responses and a killer chorus line ‘…this is what it feels like to be free…’. Wrap this in a smooth sonic veneer and weave into a perfect song structure and you have her sharpest three minutes so far.

https://emzaemusic.com/about

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Love Ssega : Celebration, LP released June 2020

A track by track review of the new album ‘Celebration’ by singer/songwriter Love Ssega. I saw him play live in 2017 (see review below), it was a stripped back performance with just jazzy guitar accompaniment but immediately connecting strongly with the audience.

1. Celebration (No Bad News). A polyrhythmic and funky groove with a dissonant edgy backing and a wide-ranging vocal performance. A bold, unrelenting introduction to the collection.

2. Bring the Water. Raising the tempo for this sharply constructed song with the voice jousting and weaving against a neat jumpy bass pattern and intricate percussion.

3. Find Another Way. Mellow marimba and an insistent drum figure provides a smooth platform for a emotive lyric, always leading back into the title line chorus. A great pop song and definitely one of the many highlights on this LP.

4. Rich Forever.
Not the most immediate track on the album but definitely a grower, instruments and extra voices drift in out and through the mix underneath the vivid and strong central vocal performance.

5. Solutions. As the staccato electronica backing oscillates between pairs of chords the narrator ‘…wants solutions…’ but the track builds up and it seems that this of course is left unresolved…

6. Automation. More electronic keyboard pulses and rhythms with the biggest and catchiest hookline on the LP, as the lyric reflects on dehumanisation and the future, ‘…tell your people you love them, not technology….’. I think an early version of this was in the set when I saw him back in 2017, it is a powerful song and sentiment and probably my favourite track on the album.

7. Save Me. Another track where the adept playing and production enhance and fully realise the musical and lyrical ideas. Driven by bass and drums and an excellent vocal the soulful groove is a satisfying end to album.

https://www.lovessega.com/

Mary Epworth, Norwich Arts Centre, 2 September 2017


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