Tag Archives: LP

Morganway, Relevant Records, Cambridge, 31 January 2025

Morganway celebrated the release of their third studio album with some in-store preview shows, kicking off in the hallowed basement of Cambridge vinyl shop and cafe, Relevant Records.

The band created a mellow, engaging sound with the space created by the acoustic line-up allowing each instrument to shine through. Starting with the punchy ‘Devil’s Canyon’ the six-piece showcased a variety of styles, from the smooth country-rock of ‘Boy On The Train’, the heartfelt ‘Don’t Turn The Lights On Yet’ to the environmental call to action of the album title track ‘Kill The Silence’ and the gentle anthem ‘We Sing’. The strong lead vocals of SJ Mortimer, subtle band harmonies and soaring violin are a key part of the sound but the individual contributions of all the members combined make this band a considerable force.

https://www.morganway.co.uk/

https://www.relevantrecordcafe.co.uk/

Mammoth Penguins : Here, LP released May 2024

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The long-awaited new album from Mammoth Penguins arrives, opening with the powerhouse blast of ‘Species’, previously released as a single and superbly showcasing their musical clout and lyrical acuity. Following next is the light touch of ‘I Know The Signs’ where the simplicity of the words ‘…It’s all in the way you smile…I had my guard down…I wasn’t trying to impress anyone…’ belie the deeper feelings.

The attractive dissonance of ‘Flyers’ fires another neat anthem; a mini-history of many a struggling band. ‘Everything I Write’ is a pure but dark pop gem ‘…you don’t listen to what I say….I have to tell you the same thing two to three times a day…’. The title track ‘Here’ departs into a lusher sound featuring strings and builds a rich atmosphere over five and a half minutes.

The staccato guitar of ‘Old Friends’ underpins a realistic sentiment delivered wistfully by band composer Emma Kupa ‘….I can’t believe we made two lemonades last all night….why did we wait twenty years to laugh like old times?….’ while ‘Lost Friends’ acoustically echoes some of the same regrets.

And there are more tracks to savour on this excellent collection; the sleeve artwork may be monochrome but the songwriting, performance and production is full of depth and colour.

(Catch Mammoth Penguins Live!, at The Blue Moon in Cambridge 23/05/2024 with support from Huia Fun Club and Broken Chanter)

https://www.facebook.com/MammothPenguins

Psychic Lemon : The Unheimlich Kingdom, LP released 29 February 2024

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The much anticipated new long player from Cambridge-based psychedelic stalwarts, Psychic Lemon…

Trepanning For Gold The band drill into your head with this brash opener; a repeating three chord hyper-distorted guitar riff and a hypnotic drum pattern enhanced by cymbal clashes. Halfway through the guitar solo ascends into space and drifts off into the ether.
Cognitive Dissidents This sparse intro could be the start of an edgy sixties pop song, but don’t be fooled; the guitar smashes in and the track becomes an inverted twist on Pink Floyd’s Interstellar Overdrive.
National Psycho Geographic Frenetic drumming and doom-laden bass with a siren call from a guitar duelling with itself and eventually unleashing the dark hordes of Mordor.
The Unheimlich Kingdom The band have now reduced to two members but there is no decrease in their creativity as this 21-minute title track clearly shows. Underpinned by a rich and unchanging bass pedal root, the instrumentation subtly evolves at the speed of tectonic plates, pulling in the listener to a weird world of metronomic percussion and guitar strings being tortured and deformed. It is a triumphant achievement; bleak, despairing…..but totally addictive.

http://www.psychiclemon.co.uk

Chloe Mogg : The Crazy One, LP released September 2023

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The debut album from singer/songwriter/guitarist Chloe Mogg opens with the dark country blues of the title track ‘The Crazy One’, the noisy guitar duelling with Chloe’s bitter words. ‘Permission’ is another strong vocal performance with a great hook ‘…I don’t recall asking for your permission….I was in control all the time, wasn’t I?…’. ‘Bryony’ revels in an atmosphere of sinister nostalgia with an unusual rhythmic pattern while the compact pop of previously released single ‘Heaven Sent You’ revolves round a neat hook and another bold vocal.

‘Better Off’ has the changing dynamics of Chloe’s voice weaving around a stealthy guitar riff to great effect. ‘Understood’ is a key track on the LP, an extended musing pivoting around the anguish of the recurring phrase ‘…..Oh it must be love or something close…. ‘cause I’ve never understood….’ with the song being given plenty of time and space to immerse the listener. There are quieter moments; the acoustically driven ‘Cut Me Off’ and the reflective swirling waltz of ‘The Only One’ all add to the rich emotional depth and musical texture of this impressive debut.

https://www.facebook.com/chloemoggmusic/

emzae : All Those Things I Thought I Knew, LP released 1 Sept 2023

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A summation of her spellbinding single releases and with a temptation of new tracks, this long-player from singer/songwriter/musician emzae finally arrives.

Starting with the up-tempo ‘Overrated’ as a statement of intent then ‘As This Day Fades to Another’ is a punchy and sparse groove, while ‘Strip Lights’ is a mini-movie of alienation over a mellow flow of synthesiser and percussion. ‘Another Lesson Learnt’ shows how she can sustain and develop an idea over a longer time, with a lyric built around the central idea ‘…I want to belong… just like anyone….what do I have if i’m not rushing into the future?…’.

The lush and hypnotic atmosphere of ‘Lucid Dreaming’ takes the listener to another place, even if it is a bit unsettling ‘…going through the motions like I got this in control….balancing personas but I can’t restrict my soul…’ ‘I Guess, Anyway’ is the central track of the album; a rich six minutes of lyrical density and melodic elegance that fully immerses the listener in the swirling waltz, but the self narration of ‘Clairvoyant’ also cuts right to the core. ‘Extraordinary’ and ‘THRIVE’ increase the pace with sharp hook lines and concise pop sensibilities, as does the slinky beats and knowing words of ‘It’s All Cyclical’.

With her deeply personal lyrics and the subtle musical touches that infuse each song ‘All Those Things I Thought I Knew’ is an impressive collection from this electro-pop alchemist.

https://emzaemusic.com/

https://emzae.bandcamp.com/album/all-those-things-i-thought-i-knew

Soloman Smith : Y’dig That !, LP released 1 August 2023

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The new album from singer/songwriter Soloman Smith is full of jazzy and thoughtful tracks, laced with some acerbic social comment but always retaining the sanctity of the groove.

Opener ‘Analog’ bemoans the passing of simpler forms of communication ‘…only reel-to -reel feels real…’ in a dense lyric over a relaxed backing from his band. This is followed by the more insistent ‘System ain’t equal ain’t fair’ using examples from US politics and bringing in some spicy electric guitar from key collaborator Chris Newman. The lightness of touch of ‘Toulouse’ is a pleasure to listen to, with the travelogue lyric woven through with sparkling piano.

‘Nora’ is possibly my favourite on this LP; a simple ballad in waltz time, infused with introspective emotion. ‘The Devil and Mister Leech’ is an upbeat rendition of a macabre local folk tale, before the wistful piano ballad finale ‘The Crooner’s Elegy’.

With this mixture of styles and immersive lyrics along with warm playing and production there is plenty to enjoy on this fine collection of original songs.

solomansmith.com

Panic Pocket: Mad Half Hour, LP released June 2023

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A new LP from Panic Pocket starts with the bold ‘Get Me’, a two chord fuzzy guitar riff underpinning an unsettling lyric, before the playfully acerbic ‘Still the Bad Guy’ restores the balance musically. Title track ‘Mad Half Hour’ has the catchiest chorus to lodge in your brain then big ballad ‘Say You’re Sorry’ features sweeping sixties vocal and instrumental flourishes which is all rather gorgeous and is my favourite song on the album.

The darkish heart of the collection is reached with stories that inhabit the melancholic minutiae of relationships in ‘Boyfriend’ (‘….I’m so glad you’re happy…but don’t swap every “I” for “we”….) and ‘Cheryl (Red Is The Bluest Colour)’ (‘…everyone else has a plan…comfort’s no substitute for romance…’).

This album is recorded as a four piece with a full sound but it is the vexed fun of older songs ‘Mr Big’ and ‘Don’t Get Me Started’ that bring bank the duo’s lo-lo-fi origins and as on all these tracks their knack for strong song writing continues to shine through.

https://www.facebook.com/panicpocket/

Jo Ash : Growing Flying Falling, LP released June 2023

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A new album release from singer/songwriter and keyboard player Jo Ash, a follow-up to her twin EPs Matinee/After Dark from the end of 2021. Jo’s sound has developed to produce her strongest collection so far, from the electronic dramas of opener ‘The Phoenix’ with its impressionistic lyrical touches (‘… scarlet wings beat against the grey….looking out to an untouched maze…’) to the elegant beauty of solo piano and voice on ‘The Painter’; probably my favourite track on the collection.

Her self-production skills lend extra textures to the pulsing ‘Under The Sky’ followed by the moody ‘Tidal Wave’ with its elaborate orchestration fully realised. The gorgeous distant echoing sound of ‘Anybody’s Fool’ is framed by cello and gentle piano and features a subtly catchy chorus. ‘Apparition’ shows Jo’s baroque storytelling side while ‘The Willow Tree’ is driven by a strong melody and a confiding vocal.

The final two tracks show possible future directions; the pounding electronic sequencer and synthetic drums of the brilliant ‘Run’ and the acoustic guitar drifting around Jo’s soulful voice in ‘Under The Giants’. This is an excellent collection, full of light, shade, musical commitment and strong song-writing.

http://www.joashmusic.com

Forthcoming 2023 live dates….

02 July Aquafest, Ely, United Kingdom

07 July Ely Folk Festival 2023, Ely, United Kingdom

13 July Acoustic Night with Jo Ash, The Commemoration Hall, Huntingdon, United Kingdom

03 August The Acoustic Club, Bishop’s Stortford, United Kingdom

Carterband : How Do I Work This?, LP released June 2023

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A new recording from Carterband, led by musician David Carter, a member of multi-talented Cambridge collective Lizard Brain. Featuring a full range of genres and moods, the LP is crafted carefully into neatly structured songs that invite the listener to become part of David’s unique musical world.

The opening pair of sparse poppy three minute bursts roll along nicely with a bonus of sonorous sax on ‘Calling Any More’. The gentle jazzy meditation of ‘Waterloo Station 20/07’ is an attractive listen with thoughtful lyrics (‘…harmonies are harder in a minor key…’, ‘….riding tandem with the random traffic in our lives…’) then ‘Good Men Do Nothing’ features some bitter political reflections. The next two tracks are longer, intriguingly dense and dark with mellow instrumentation that fits perfectly, especially the piano and saxophone to frame the inverted domestic bliss described on my favourite track ‘Everything Is Fine’.

‘Jet Pack’ is fizzing punk energy followed by ‘Safe From Harm’, featuring a string quartet and haunting vocal. ‘Always’ is a classy end to this excellent album; an effortless ballad with acoustic guitar, trumpet and the definitive final statement ‘….the times we’ve spent together are the best days of my life…..and the best part of me is with you……I’ll always love you….’

http://www.carterband.uk

th’sheridans : Pieces of General, LP released 10 September 2021

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A collection of songs from Adam Sherif and Julia Oertli, also known as London-based indie duo th’sheridans, celebrating plenty of their back catalogue of addictive ‘incongru-pop‘.

The bleakly atmospheric ‘Cabot Cove’ from 2014 opens the listings then the words and music of ‘I Don’t Wanna Be Dismembered’ pull the listener right into their world as the two and a bit chords punch and roam. ‘Welcome To Town, Pussycats’ has the guitar voice and drums racing each other in a winning combination before ‘Architecture’ is a cleverly twisted social commentary ending with a emotive viola solo from Julia.

‘Hot Day in 20-05’ is one of my favourites; a compact mix of pace, pathos and bursts of electric mayhem, flowing nicely into the similar atmosphere of pre-released single ‘Awesome Summers & Kate’. ‘Ashley Is A Geek’ is a Ramones style mini rock opus, contrasting with the folk-powered guitar of ‘A Quiet Year’.

And there is much much more, the fourteen tracks constantly varying in tone and pushing the minimal instrumentation in all directions, culminating in the finale ‘Keep Warm’ where Adam’s vocals carry the restrained reflection and regret of the lyric with conviction.

The album is a heartwarming, rich and fun compilation of thoughtful but edgy DIY pop.

https://thsheridans.bandcamp.com/

https://recklessyes.com/